Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.
Douglass Montgomery
- Bob Gilder
- (as Kent Douglass)
Purnell Pratt
- Edward Gilder
- (as Purnell B. Pratt)
Robert Emmett O'Connor
- Police Sergeant Cassidy
- (as Robert Emmet O'Connor)
Tyrell Davis
- Eddie Griggs
- (as Tyrrell Davis)
Isabel Withers
- Helen Morris
- (scenes deleted)
Louise Beavers
- Black Convict
- (uncredited)
Edward Brophy
- Burglar
- (uncredited)
Payne B. Johnson
- Baby
- (uncredited)
Fred Kelsey
- Night Policeman
- (uncredited)
Wilbur Mack
- Mr. Irwin
- (uncredited)
Storyline
Did you know
- TriviaThe lead role was commissioned for Norma Shearer, but she had to withdraw due to pregnancy.
- GoofsAs Mary is led out of the courtroom, a moving shadow of the boom microphone is visible on the wall to the left of the door.
- Quotes
Mary Turner: Gee, you're white, Joe.
Joe Garson: Save the flowers for my funeral.
- ConnectionsEdited into Within the Law (1939)
Featured review
Paid (1930)
** 1/2 (out of 4)
Joan Crawford plays a young woman named Mary Turner who gets three years in prison when her boss accuses her of stealing from the workplace. She's innocent and swears her vengeance and once she's released she gets it by marrying the man's son but things take a turn for the worse when an old friend (Robert Armstrong) decides to break into his house. PAID is a mildly entertaining film thanks in large part to the performances but there's no question that it runs out of gas around the forty-five minute mark and the final half hour just turns downright silly to the point where you'll be laughing at some of the situations. The screenplay is certainly the bad thing here and especially in the finale as all sorts of crazy things begin to happen starting with this robbery of the Mona Lisa. This doesn't turn out to be the real Mona Lisa, which in itself is pretty funny but also goes to show how dumb these criminals are. The entire film is based around the vengeance of Crawford and it's just not written very well. It just seems like there were so many better ways for her to get revenge and you know once she marries the guy that she's eventually going to start to have feelings for him, which is just another boring subplot. The reason to watch this would be for the performances and especially that of Crawford. She's certainly terrific in the part and especially during the opening courtroom sequence. Just look at the pain and anguish in her eyes as she's begging for her freedom. Crawford perfectly nails this but she also handles the other emotions quite well. Armstrong is also enjoyable as a lovable bad guy and Hale Hamilton is also good as the D.A.. The film probably would have been even better had they cut out about ten-minutes because it eventually just keeps running on and on even though you know how everything is going to work out.
** 1/2 (out of 4)
Joan Crawford plays a young woman named Mary Turner who gets three years in prison when her boss accuses her of stealing from the workplace. She's innocent and swears her vengeance and once she's released she gets it by marrying the man's son but things take a turn for the worse when an old friend (Robert Armstrong) decides to break into his house. PAID is a mildly entertaining film thanks in large part to the performances but there's no question that it runs out of gas around the forty-five minute mark and the final half hour just turns downright silly to the point where you'll be laughing at some of the situations. The screenplay is certainly the bad thing here and especially in the finale as all sorts of crazy things begin to happen starting with this robbery of the Mona Lisa. This doesn't turn out to be the real Mona Lisa, which in itself is pretty funny but also goes to show how dumb these criminals are. The entire film is based around the vengeance of Crawford and it's just not written very well. It just seems like there were so many better ways for her to get revenge and you know once she marries the guy that she's eventually going to start to have feelings for him, which is just another boring subplot. The reason to watch this would be for the performances and especially that of Crawford. She's certainly terrific in the part and especially during the opening courtroom sequence. Just look at the pain and anguish in her eyes as she's begging for her freedom. Crawford perfectly nails this but she also handles the other emotions quite well. Armstrong is also enjoyable as a lovable bad guy and Hale Hamilton is also good as the D.A.. The film probably would have been even better had they cut out about ten-minutes because it eventually just keeps running on and on even though you know how everything is going to work out.
- Michael_Elliott
- Jun 19, 2013
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Within the Law
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $355,000 (estimated)
- Runtime1 hour 26 minutes
- Color
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