A beautiful British intelligence agent attempts to reveal the identity and motives of a powerful German spy during World War 1.A beautiful British intelligence agent attempts to reveal the identity and motives of a powerful German spy during World War 1.A beautiful British intelligence agent attempts to reveal the identity and motives of a powerful German spy during World War 1.
Ullrich Haupt
- German Colonel
- (uncredited)
Paul Panzer
- 'Kirsch' the Decoy
- (uncredited)
Wilhelm von Brincken
- Capt. Kugler
- (uncredited)
Storyline
Did you know
- TriviaThree Faces East (1930) is a 1930 American Pre-Code film directed by Roy Del Ruth and starring Constance Bennett and Erich von Stroheim. The film was a sound remake of the original filmed version --- a silent film titled also Three Faces East (1926). The sound version was produced by Darryl F. Zanuck and released by Warner Brothers. It is based on a 1918 Broadway play about World War I spies, "Three Faces East," by Anthony Paul Kelly (1918).
- GoofsWhen Valdar selects a volume from the small bookshelf in Frances' bedroom, the closeup tracking shot shows a different title on the book in the position of the book he is shown taking in the next shot. Also, the book he is shown selecting isn't seen anywhere on the shelf in the tracking shot.
- ConnectionsRemade as British Intelligence (1939)
Featured review
Constance Bennett shows up at the home of William Holden -- no, not that one -- where she soon contacts the butler, Erich von Stroheim. She is a spy working for Germany, as is he. Soon se has him captivated, as well as Holden's son, Anthony Bushell. But there are other spies in the house, and it soon becomes clear that there are double agents in place. Who is working in who's real interests.
The first thing I noticed about this movie is the slow and stately pace at which the dialogue proceeds. Warner Brothers may have been producing all-talking pictures for a couple of years, but director Roy Del Ruth, working from a stage play, with screen dialogue by Arthur Caesar, clearly wants every word to be understood, so muddled is the situation. By about ten minutes in I knew who everyone was working for. By halfway through, I was utterly confused.
The first thing I noticed about this movie is the slow and stately pace at which the dialogue proceeds. Warner Brothers may have been producing all-talking pictures for a couple of years, but director Roy Del Ruth, working from a stage play, with screen dialogue by Arthur Caesar, clearly wants every word to be understood, so muddled is the situation. By about ten minutes in I knew who everyone was working for. By halfway through, I was utterly confused.
Details
- Runtime1 hour 11 minutes
- Color
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