The saga of thoroughbred Tommy Boy, born in a rain puddle, and his various owners as he evolves into a a champion stakes horse.The saga of thoroughbred Tommy Boy, born in a rain puddle, and his various owners as he evolves into a a champion stakes horse.The saga of thoroughbred Tommy Boy, born in a rain puddle, and his various owners as he evolves into a a champion stakes horse.
J. Farrell MacDonald
- MacGuire
- (as J. Farrell McDonald)
Sidney Bracey
- The Tout
- (uncredited)
Lynton Brent
- Ticket Seller
- (uncredited)
Edward Brophy
- Newsreel Cameraman
- (uncredited)
Richard Cramer
- Charlie, a Gambling Mobster
- (uncredited)
James Donlan
- Jim, a Trainer
- (uncredited)
Harry Holman
- B.H. 'Jerry' Hartwick
- (uncredited)
Tenen Holtz
- Gus, Bald Gambling Mobster
- (uncredited)
Storyline
Did you know
- TriviaThe first feature film in which Clark Gable received top billing (even though he doesn't appear until almost halfway into the movie).
- GoofsWhen Southern Queen falls in the mud, a trip wire is clearly visible on the horse's hind leg.
- Quotes
Preface: Since the beginning of Time the Horse has been Man's loyal friend... But Man has not always been the Friend the Horse has to Man...
- Crazy credits...to Man-O'-War, Zev, Crusader, Fair Play, Gallant Fox, Twenty-Grand and all the heroes of the turf and track, this record is reverently dedicated.
- ConnectionsFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- SoundtracksMy Old Kentucky Home, Good Night
(1853)
Written by Stephen Foster
In the score for the opening scene at Jim's horse farm
Reprised in the score when Tommy Boy leaves the farm
Reprised in the score when Tommy Boy returns to the farm
Reprised in the score at the end
Featured review
This is the first movie I have seen about horses that understands horses. It also understands, better than most, the ties that grow between the people that work with horses and their charges. The stable hands and breeder roles are developed. Indeed, the stable hands are all black and (for the time) are shown with a range of emotions, humanity, and (shockingly) as having families.
Furthermore the horses are represented as having community among themselves, communicating among themselves, and even caring about the fates of other horses. Add to this the remarkable and touching scenes between the stable hands (notably John Larkin and Eugene Jackson)and the horses throughout the film. The breeder is also notably tender hearted.
The starring roles and plot are well handled. Gable appears late in the film, but commands attention. The female lead is played with backbone and heart. The plot moves swiftly, but not at the expense of creating empathy with the situations at hand. I look forward to exploring further films directed by Charles Brabin.
Furthermore the horses are represented as having community among themselves, communicating among themselves, and even caring about the fates of other horses. Add to this the remarkable and touching scenes between the stable hands (notably John Larkin and Eugene Jackson)and the horses throughout the film. The breeder is also notably tender hearted.
The starring roles and plot are well handled. Gable appears late in the film, but commands attention. The female lead is played with backbone and heart. The plot moves swiftly, but not at the expense of creating empathy with the situations at hand. I look forward to exploring further films directed by Charles Brabin.
- tedoffensive
- Aug 19, 2011
- Permalink
Details
Box office
- Budget
- $302,000 (estimated)
- Runtime1 hour 22 minutes
- Color
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