A detective is tasked to capture an elusive thief called Arsene Lupin.A detective is tasked to capture an elusive thief called Arsene Lupin.A detective is tasked to capture an elusive thief called Arsene Lupin.
- Laurent
- (as James Mack)
- Louvre Tour Guide
- (uncredited)
- Party Guest
- (uncredited)
- Louvre Guard
- (uncredited)
- Party Guest
- (uncredited)
- Gendarme
- (uncredited)
- Mother at the Louvre
- (uncredited)
- Party Guest
- (uncredited)
- Detective
- (uncredited)
Storyline
Did you know
- TriviaAlthough not often discussed among the most daring pre-Code titles, this film features one of the most ribald sequences of the genre - the scene in which the Duke of Charmerace (John Barrymore) finds Sonia (Karen Morley) stark naked in his bed as a well-attended house party swirls on the floor below. After a charming, lewd exchange, the scene ends with the Duke dowsing the lights and helping Sonia put her gown on, with only their voices heard on a pitch-black screen.
- GoofsLupin steals the Mona Lisa by wrapping the canvas around his umbrella. The Mona Lisa is painted on a wood panel.
- Quotes
Arsène Lupin: [fetching Sonia's evening gown from the maid and holding it up to admire it] Well, here we are. It's very nice! It's a little naughty. It's very ni - Do you think your father the general would approve of this?
Sonia: My father the general always said that a gentleman was a man who never went to bed with his spurs on.
Arsène Lupin: Isn't that a pity. I'm so fond of horses. I could give up riding...?
Sonia: Give me that dress!
Arsène Lupin: You can't get into it alone
Sonia: The maid will help me.
Arsène Lupin: The maid? I know more about unhooking than any maid in Paris.
Sonia: Yes, but I want this one hooked.
[she reaches for the dress, which he holds out of reach]
Sonia: I'm going to stay right here in this bed until you leave this room!
[Chamerace walks over to the window and prepares to toss out the dress]
Sonia: What are you doing?
Arsène Lupin: Well, if you're going to stay in bed you won't need the dress.
- Crazy creditsThe opening title doesn't list the Barrymores separately, but instead as a pair, "John and Lionel Barrymore."
- ConnectionsFeatured in Biography: The Barrymores (2002)
Including 1932's 'Arsene Lupin'. If anybody loves or at least appreciates John and Lionel Barrymore individually they should find much to enjoy, and even more so seeing them together. If anybody loves the character of Lupin, they should find a lot to like about 'Arsene Lupin' (am not saying that for definite and it is not going to be the case for all perhaps). It serves as a very introduction to him if one has little prior knowledge of Lupin and is intrigued by it for appreciating early talkies and the Barrymore brothers. As far as early talkies go, 'Arsene Lupin' is not one of the best but it is not one of the worst either (nowhere near close, personally put it somewhere around high middle).
What really makes 'Arsene Lupin' so worth watching is the Barrymore brothers. Generally have a personal preference for Lionel ever since seeing his unforgettable Potter from 'It's a Wonderful Life' for the first time, and he is clearly having enormous fun here so it was easy to enjoy him. To me though John as Lupin comes off even better, suave, amusing and charming all at once and he is also a lot less theatrical here than he was prone to around this period. Their chemistry is dynamite. Karen Morley more than holds her own and is endearing, love her alluring chemistry with John and she even gets some risque material. Tully Marshall stands out too with great comic timing without being too buffoonish. The whole cast is good.
Likewise with the adroit direction from dependable Jack Conway, have not liked every film of his but he did do some very good ones and 'Arsene Lupin' is one of them. He never seemed ill at ease with the material or at odds with it. The film looks attractive and full of class, especially the photography, and the score has a sense of adventure and tension orchestrated beautifully. There is some nice witty dialogue throughout, it never gets vulgar and the sophistication shines. The story is always involving and has an authentic atmosphere, the ending is thrilling.
Really not much here to criticise, though there are times where the relative infancy of early talkies is betrayed in some staid pacing every now and again, bogged down by not always necessary caption cards, and padding.
Overall, very entertaining. 8/10
- TheLittleSongbird
- Jul 22, 2020
- Permalink
Details
Box office
- Budget
- $433,000 (estimated)
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.37 : 1