In hard times just after World War I, three ex-fighter pilots manage to land jobs as Hollywood stunt fliers working for dictatorial director Von Furst.In hard times just after World War I, three ex-fighter pilots manage to land jobs as Hollywood stunt fliers working for dictatorial director Von Furst.In hard times just after World War I, three ex-fighter pilots manage to land jobs as Hollywood stunt fliers working for dictatorial director Von Furst.
- Awards
- 2 wins total
William B. Davidson
- Lelewer
- (as William Davidson)
Frank Clarke
- Flier
- (uncredited)
Thomas A. Curran
- Night Watchman
- (uncredited)
Edgar Dearing
- Policeman Wanting Report
- (uncredited)
Art Goebel
- Flier
- (uncredited)
Dick Grace
- Flier
- (uncredited)
Arnold Gray
- Tall Actor in War Film
- (uncredited)
Freeman Lang
- Freeman Lang - Radio Announcer
- (uncredited)
Storyline
Did you know
- TriviaAs Richard Dix tries to wave down Robert Armstrong following the plane's sabotage by Von Stroheim, during the back and forth banter Armstrong's character clearly flips his middle finger or "the bird" to Dix, and with a smile on his face.
- GoofsAt the start, during the aerial dog fight, the front aiming machine guns fire too quickly for the bullets to pass through the propellers.
- Quotes
Lt. Woody Kerwood: Well, if I'm gonna fall apart, I'd rather do it stewed than sober.
[laughs]
Lt. Woody Kerwood: It doesn't hurt as much, huh?
- ConnectionsEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
- SoundtracksOver There
(1917) (uncredited)
Music by George M. Cohan
Strains played during the opening credits
Also played more fully as background music
Featured review
A rather different relic from the early sound era. The in vogue at the time fixation on "aeroplanes" was a justifiable wonder of the modern age. Also, the plight of the returning WWI soldiers was still very fresh in the public consciousness and this makes honorable use of the shortcomings of the soldiers homecomings.
This one goes quickly from the end of the war to the behind the scenes making of Moving Pictures circa 1920 Hollywood and that makes it of interest to film buffs (and flight freaks). Add in a bonus of Von Stroheim playing pretty much a take on his own eccentricities of a real life troubled Director.
It is a well mounted film with an interesting cast although Robert Armstrong's irritating drunk shows why, accept for King Kong the next year he will be forever mostly forgotten. But it is Stroheim, the on the set realism, the flying acrobatic special effects, and the dark ending that makes this an in interesting inclusion that has been parked in the Odd Cinema Hanger, and is only brought out once in awhile to be looked at like a Smithsonian.
This one goes quickly from the end of the war to the behind the scenes making of Moving Pictures circa 1920 Hollywood and that makes it of interest to film buffs (and flight freaks). Add in a bonus of Von Stroheim playing pretty much a take on his own eccentricities of a real life troubled Director.
It is a well mounted film with an interesting cast although Robert Armstrong's irritating drunk shows why, accept for King Kong the next year he will be forever mostly forgotten. But it is Stroheim, the on the set realism, the flying acrobatic special effects, and the dark ending that makes this an in interesting inclusion that has been parked in the Odd Cinema Hanger, and is only brought out once in awhile to be looked at like a Smithsonian.
- LeonLouisRicci
- Oct 17, 2012
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Son Tayyareciler
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $621,000 (estimated)
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.19 : 1
Contribute to this page
Suggest an edit or add missing content