Ride Him, Cowboy

John Wayne shows up just as the judge is about to rule whether a horse should be killed for being an ornery critter. Wayne offers to ride him, and does so, saving the horse and winning the admiration of Ruth Hall and her father, Henry Walthall. Walthall and his vigilante committee consult Wayne on what do do about a mysterious outlaw called the Hawk. Wayne offers to tackle him by his lonesome.

It's one of the movies that Wayne made at the nadir of his career, co-starring with this horse, called Duke. It's a remake of a silent western starring Ken Maynard, with a lot of the original footage cut in, because producer Leon Schlesinger believed in doing things on the cheap... which gives an idea of how far Walthall had fallen in the Hollywood scheme of things. Director Fred Allen was an editor when he wasn't making one of his eight directorial efforts, so the shooting is efficient and the shots well lit by cinematographer Ted McCord. There isn't much to this movie, but it kept everyone working for a few weeks and still plays all right.

Let's see, this picture was made in 1932 and my parents were just about ten years old. As this was the depression and my dad was one of six kids, I doubt if he had a nickel to spend. As I watch this, as an old, old man; I see it as a pretty good oater. Lots of action, last minute rescues, and a smattering of adult humor. At least, I hope the humor was adult aimed for I know I wouldn't have gotten it. John Wayne got top billing although he shared it with Duke, his horse.

The action moves quickly enough for kids to follow it to see if Wayne caught the bad guy or at least exposed him to the law. I thought the film held up over the years. Solid supporting cast with both Harry Gribbon and Otis Harlan providing the humor; a little gallows at times but no doubt that was for any adult who wandered in.

You have to feel sorry for Wayne's character, John Drury, who goes from horse saving hero to wanted outlaw in the blink of an eye. I think after all was done with, I would have just moved on and left these people to themselves.

But, all in all, a decent oater for its time.

Ride Him, Cowboy (1932)

*** (out of 4)

Duke, a horse, is on trial for killing a man and the judge is about to put him to death when cowboy John Drury (John Wayne) makes a deal. If Drury can tame the horse then it can live. Of course the cowboy comes through and soon the two of them are trying to track down the real murderer.

RIDE HIM, COWBOY was Wayne's shot at stardom as this was the first of the six picture deal that he signed with Warner. The film is certainly a step up from movies like TWO FISTED LAW, which featured Wayne in supporting parts. On a technical level this might still be a "B" movie but it's still better than what we had seen the now legend in up to this point.

The best thing about the picture is actually Wayne and his supporting cast of actors. I thought that laid back approach of Wayne's worked pretty well here including the scenes where he trying to smooth talk the leading lady played by Ruth Hall. Wayne and Hall share some nice chemistry together. Frank Hagney does a good job in his role of the villain and Henry B. Walthall turns in another fine supporting performance.

As you'd expect, there's a lot of gun play as well as other Western trappings but they're all handled quite nicely by director Fred Allen who keeps the film moving at a nice pace throughout its 55 minutes.

"Ride Him Cowboy" was the first of six westerns that John Wayne made for Warner Bros. for the 1932-33 season. Most were remakes of Ken Maynard silent westerns pf the 1920s thus giving the studio the opportunity to use stock footage from those films (which they did). This one is a remake of Maynard's 1926 film "The Unknown Cavalier". To match any stock footage used, the studio costumed Wayne in Maynard's costume and used a horse ("Duke") that looked the same as Maynard's "Tarzan".

This first film gets the series off to a good start. Directed by Fred Allen (No, not THAT Fred Allen), the story moves along and holds the viewer's interest. Since the series was made at WB, the production values were far superior to those in Wayne's later "Lone Star" westerns.

The story centers on how Wayne came to acquire his horse "Duke". The Hawk, aka Henry Sims (Frank Hagney) and his gang are robbing and pillaging the local ranchers. One particular night they hit the Gaunt ranch. The foreman, Bob Webb (Edmund Cobb) is attacked. The attack, for some reason, is made to look like Webb was trampled by Gaunt's prize palomino "Duke".

The horse is about to be destroyed after a "trial" in town when a stranger, John Drury (Wayne) rides into town. He pleads with the Deputy Sheriff (Henry Cribbon), the owner John Gaunt (Henry B. Wathall) and his daughter Ruth (Ruth Hall) for a chance to ride the horse and tame him. He does this and the horse takes a shine to him. Gaunt allows Drury to take the horse as he also becomes attracted to Ruth.

Drury offers his services to the town to track down the mysterious bandit. He and Sims who offers to be his guide set out in search of "The Hawk". In the desert, Sims reveals himself to be "The Hawk" and ties up Drury and leaves him for dead. "Duke", however, is able to free his master.

While attacking another ranch, Sims plants Drury's harmonica and later cites him as "The Hawk". A mock trial before Judge Clarence "Necktie" Jones is held, Drury is found guilty and..................................

A good series opener with little obvious use of stock footage.

A smart horse and a pretty girl are the hero and heroine of RIDE HIM, COWBOY, in which a very young JOHN WAYNE is a drifter mistaken for "The Hawk", a ruthless villain who's the leader of a bunch of gunfighters. Its plot sounds like something that Mel Brooks could make into one of his western satires about a villain called "The Hawk" and a weak sheriff, as well as the hero mistaken for a villain.

It plays well, fast and furious with some plot devices that have become clichés over the years but manages to hold the interest throughout despite some obvious flaws and the dated look of the film itself.

RUTH HALL is the pretty young woman and the smart horse is "The Duke", an amazing animal used well as the critter who identifies the masked man known as "The Hawk" and takes his revenge for the final scene. He's also involved in a clever rescue when Wayne is left strapped to a tree to die in the desert with the horse nearby, able to free himself and Wayne from the predicament.

Summing up: Surprisingly good, unpretentious little western that winds up its tale in less than an hour. Easy to note how Wayne's acting skills became vastly improved over the years.