A beautiful woman lands a job at an exclusive salon that deals with the wives of wealthy businessmen. Her contact with these men leads to a series of affairs.A beautiful woman lands a job at an exclusive salon that deals with the wives of wealthy businessmen. Her contact with these men leads to a series of affairs.A beautiful woman lands a job at an exclusive salon that deals with the wives of wealthy businessmen. Her contact with these men leads to a series of affairs.
Edward J. Nugent
- Bill Merrick
- (as Eddie Nugent)
Isabel Jewell
- Hortense
- (as Isobel Jewell)
Charley Grapewin
- Freddy Gordon
- (as Charles Grapewin)
Ernie Alexander
- Real Estate Agent
- (uncredited)
Florence Auer
- Madame Sonia Customer
- (uncredited)
Symona Boniface
- Mrs. Fletcher
- (uncredited)
Elise Cavanna
- Hat Saleslady
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to an article in the July 12, 1933 edition of Film Daily, Gilbert Roland had been cast for the role of Robert Abbott that was eventually played by John Roche.
- GoofsWhen Sherwood is talking to his wife, about a half hour into the picture, he picks up the cocktail shaker twice between shots.
- Quotes
[Overheard talking to another salon patron while walking through the salon]
Older Patron of Madame Sonia's Salon: You can't tell me she has to sit on my husband's lap to take dictation!
- ConnectionsReferenced in Fugitive Lovers (1934)
Featured review
Richard Boleslavski directs this pre-Code drama for MGM about three women in the beauty trade who are there to find husbands, richer the better. All of
them have a tale to tell why they want marriage and security in the same male
package. Madge Evans, Una Merkel, and Florine McKinney are the three women.
Nothing here in language or really in sexual innuendo that would make the censors frown. I think that what got some tailfeathers ruffled was Beauty For Sale's showing that gold digging was the way to go. The only one who falls hard and has a real romance is McKinney with Phillips Holmes, the son of the women's employer Hedda Hopper. He's idealistic, but weak in the end and it's a formula for tragedy.
Merkel is the comic relief as she usually is and has some really great lines. The girls all live at Merkel's mom's boardinghouse. Mom is tart tongued May Robson and there's a brother Eddie Nugent they'd both like to see out their house and their hair.
The main story line is Madge Evans who falls for married Otto Kruger. He's married to society girl Alice Brady an empty head who likes the money and position Kruger gives her, no way she wants to divorce him. Looks for a while like Evans will to settle if she can't select.
The three girls flesh their characters out fine and there's some snappy dialog especially for Una Merkel. Two years from now, no way this ending would have approved by The Code.
Nothing here in language or really in sexual innuendo that would make the censors frown. I think that what got some tailfeathers ruffled was Beauty For Sale's showing that gold digging was the way to go. The only one who falls hard and has a real romance is McKinney with Phillips Holmes, the son of the women's employer Hedda Hopper. He's idealistic, but weak in the end and it's a formula for tragedy.
Merkel is the comic relief as she usually is and has some really great lines. The girls all live at Merkel's mom's boardinghouse. Mom is tart tongued May Robson and there's a brother Eddie Nugent they'd both like to see out their house and their hair.
The main story line is Madge Evans who falls for married Otto Kruger. He's married to society girl Alice Brady an empty head who likes the money and position Kruger gives her, no way she wants to divorce him. Looks for a while like Evans will to settle if she can't select.
The three girls flesh their characters out fine and there's some snappy dialog especially for Una Merkel. Two years from now, no way this ending would have approved by The Code.
- bkoganbing
- Mar 5, 2018
- Permalink
Details
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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