IMDb RATING
6.3/10
1.8K
YOUR RATING
A famous female flier and a member of Parliament drift into a potentially disastrous affair.A famous female flier and a member of Parliament drift into a potentially disastrous affair.A famous female flier and a member of Parliament drift into a potentially disastrous affair.
Agostino Borgato
- Fortune Teller
- (uncredited)
Lita Chevret
- Party Guest
- (uncredited)
Sherry Hall
- American Radio Announcer
- (uncredited)
Tiny Jones
- Woman with Organ Grinder
- (uncredited)
Margaret Lindsay
- Autograph Seeker at Party
- (uncredited)
Gwendolyn Logan
- Bradford
- (uncredited)
Miki Morita
- Japanese Radio Announcer
- (uncredited)
Paul Ralli
- Tango Dancer
- (uncredited)
Zena Savine
- Elaine's Maid
- (uncredited)
Pat Somerset
- The Second Bobby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen this movie was made, Colin Clive was 33; Billie Burke, who played his wife, was 49; and Helen Chandler, who played their daughter, was 27.
- GoofsAfter Carlo and Monica drive away from the party, Cynthia and Christopher are walking in the garden, when a moving shadow of the camera that is tracking them falls across some hanging branches in the foreground.
- Quotes
Lady Cynthia Darrington: I wouldn't have loved you if you'd been a usual man. And you wouldn't have loved me if I'd been a woman who didn't take this kind of thing seriously.
- ConnectionsFeatured in Hollywood the Golden Years: The RKO Story: A Woman's Lot (1987)
- SoundtracksNearer My God To Thee
(uncredited)
Music by Lowell Mason (1856)
Lyrics by Sarah F. Adams
Played by an unidentified organ grinder
Featured review
Katharine Hepburn is a beautiful and accomplished aviatrix in "Christopher Strong," a 1933 film also starring Clive Owen and Billie Burke, and directed by Dorothy Arzner. Hepburn's role of Lady Cynthia is loosely based on Amelia Earhart, a young, ambitious career woman who is not interested in marriage and home but rather accomplishment. She's an early feminist, and the role is perfect for Hepburn, who with her androgynous looks and strong performances would go on to play many such roles in her very long career.
"Christopher Strong" is of interest because it's early Hepburn, has a feminist theme in the early '30s, and also because it's pre-Code. Arzner does a great job depicting the love affair of Hepburn and Owen and yet shows nothing, with a hand reaching up and checking the time on a small clock...then the light is turned off and plunges the room into darkness after the lovers exchange a few words.
The problem with the movie is that it's badly dated, a '30s melodrama with tremulous, "we must be honorable," pip-pip and all that rot dialogue. Owen tells everyone at a party that he will never be unfaithful to his wife, that it is a moral charge he holds high - and seconds later he meets Hepburn and you can tell he's already falling. Owen is an odd choice of a romantic partner - he's not exactly the man one would give up everything for.
A bigger problem is the performance of Billie Burke, a fine actress. She is extremely sympathetic as the suffering wife - so sympathetic, in fact, and Hepburn seems so callous about the whole thing for most of the film, that one sides with what I'm sure is the wrong person. Also, putting up with your husband's infidelity and not saying anything brings us right back into aggressive non-feminism.
I am forced to agree with one of the other comments - yes, it is directed by an important director, yes, it stars an important, legendary star, yes, it's early feminism, and yes, it's not that great a movie, rather, an artifact. Worth seeing? To catch Hepburn in that moth costume - absolutely.
"Christopher Strong" is of interest because it's early Hepburn, has a feminist theme in the early '30s, and also because it's pre-Code. Arzner does a great job depicting the love affair of Hepburn and Owen and yet shows nothing, with a hand reaching up and checking the time on a small clock...then the light is turned off and plunges the room into darkness after the lovers exchange a few words.
The problem with the movie is that it's badly dated, a '30s melodrama with tremulous, "we must be honorable," pip-pip and all that rot dialogue. Owen tells everyone at a party that he will never be unfaithful to his wife, that it is a moral charge he holds high - and seconds later he meets Hepburn and you can tell he's already falling. Owen is an odd choice of a romantic partner - he's not exactly the man one would give up everything for.
A bigger problem is the performance of Billie Burke, a fine actress. She is extremely sympathetic as the suffering wife - so sympathetic, in fact, and Hepburn seems so callous about the whole thing for most of the film, that one sides with what I'm sure is the wrong person. Also, putting up with your husband's infidelity and not saying anything brings us right back into aggressive non-feminism.
I am forced to agree with one of the other comments - yes, it is directed by an important director, yes, it stars an important, legendary star, yes, it's early feminism, and yes, it's not that great a movie, rather, an artifact. Worth seeing? To catch Hepburn in that moth costume - absolutely.
- How long is Christopher Strong?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Fruto dorado
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $284,000 (estimated)
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 1.37 : 1
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