Humorist Robert Benchley learns about the animation process at Walt Disney Studios while trying to find the great man himself to pitch him the idea of making a cartoon about a shy dragon.Humorist Robert Benchley learns about the animation process at Walt Disney Studios while trying to find the great man himself to pitch him the idea of making a cartoon about a shy dragon.Humorist Robert Benchley learns about the animation process at Walt Disney Studios while trying to find the great man himself to pitch him the idea of making a cartoon about a shy dragon.
Norman Ferguson
- Norm Ferguson
- (as Norm Ferguson)
Jim Luske
- Jimmy - Baby Weems Model
- (as Jimmy Luske)
Hamilton MacFadden
- Hamilton MacFadden
- (as Hamilton Mac Fadden)
Ernie Alexander
- Baby Weems' Father
- (voice)
- (uncredited)
Storyline
Did you know
- TriviaThe Mickey Avenue/Dopey Drive signpost was built specifically for the movie, and was supposed to be removed afterward. It wasn't, and it still stands at the Disney studio.
- Crazy creditsThe animation credits include caricatures and signatures of the crew.
- Alternate versionsTypically releases of this film have the sequences How to Ride A Horse and the title featurette as separate films with the live action footage excised.
- ConnectionsFeatured in L'ami public numéro un: L'usine à rêves (1962)
Featured review
After filming the live-action sequences of "Fantasia" and hurting for a "feature release" following the financial fiascos of the aforementioned feature, presumably Disney rushed this into production (with most of it live-action, it not only cost less than a fully-animated counterpart of equal length, it took much less time to complete).
It purports to tell the story of how Disney animated cartoons are made, but, courtesy of a disclaimer at the beginning of the movie, it turns out to be more fiction than fact.
Various processes - like sound recording, paint-mixing, cell-photographing, multi-planing, etc - are all upended for the sake of humor (in one instance, a complete cel of Donald Duck comes to life, in another instance, the sound effects crew creates an "unplanned" cacophony by knocking over all the equipment).
More to the point is that the sequences are not just staged, but they employ professional actors (such as Alan Ladd!) portraying Disney animators and other staff (although in certain instances, actual animators such as Woolie Reitherman and Ward Kimball make appearances).
The "Baby Weems" sequence is often commended by many for being innovative and the forerunner of the UPA-style that would dominant the art of animation in the 1950s, but the fact is that "Weems" is nothing more than a sleek, streamlined version of a "leica reel" (a film which combines the pre-recorded soundtrack with the animators' storyboard sketches, as a way of assessing how story pacing and timing are before *before* any time and effort are spent creating fully-animated sequences). The story is cute, the drawings are more fully- rendered than they would be in a genuine Leica reel so they are nice to see, but "innovative"? I don't think so.
The Goofy "How-to" sequence is okay (I never cared for the "How-To" series, but I know a similarly-themed version in "Saludos Amigos" with Goofy trying to be a Gaucho is funnier).
The title short - "The Reluctant Dragon" - is cute and funny. I don't think it rates as a classic, but because it is such a rarely-viewed piece it needs to be watched by all Disney-philes.
Considering its historic value, this movie is hardly a waste of time. It's just not one that deserves repeated viewings.
It purports to tell the story of how Disney animated cartoons are made, but, courtesy of a disclaimer at the beginning of the movie, it turns out to be more fiction than fact.
Various processes - like sound recording, paint-mixing, cell-photographing, multi-planing, etc - are all upended for the sake of humor (in one instance, a complete cel of Donald Duck comes to life, in another instance, the sound effects crew creates an "unplanned" cacophony by knocking over all the equipment).
More to the point is that the sequences are not just staged, but they employ professional actors (such as Alan Ladd!) portraying Disney animators and other staff (although in certain instances, actual animators such as Woolie Reitherman and Ward Kimball make appearances).
The "Baby Weems" sequence is often commended by many for being innovative and the forerunner of the UPA-style that would dominant the art of animation in the 1950s, but the fact is that "Weems" is nothing more than a sleek, streamlined version of a "leica reel" (a film which combines the pre-recorded soundtrack with the animators' storyboard sketches, as a way of assessing how story pacing and timing are before *before* any time and effort are spent creating fully-animated sequences). The story is cute, the drawings are more fully- rendered than they would be in a genuine Leica reel so they are nice to see, but "innovative"? I don't think so.
The Goofy "How-to" sequence is okay (I never cared for the "How-To" series, but I know a similarly-themed version in "Saludos Amigos" with Goofy trying to be a Gaucho is funnier).
The title short - "The Reluctant Dragon" - is cute and funny. I don't think it rates as a classic, but because it is such a rarely-viewed piece it needs to be watched by all Disney-philes.
Considering its historic value, this movie is hardly a waste of time. It's just not one that deserves repeated viewings.
- nycruise-1
- May 11, 2008
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- A Day at Disneys
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $872,000
- Runtime1 hour 14 minutes
- Aspect ratio
- 1.37 : 1
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