Fresh Hare

"Fresh Hare" is one of several Warner Brothers cartoons that has been pulled from the market because of its racial insensitivities. While offensive, the company sure made worse (such as "Coal Black and de Sebben Dwarfs"--which would probably give the politically correct out there heart attacks if they see it). Now I am not excusing the ending--it was pretty offensive and I could see why the powers that be decided to yank this from the market.

The cartoon finds Elmer Fudd as a Mountie out to get his man....I mean, rabbit. It seems that the screwy rabbit has crossed the line too many times and he's wanted by the authorities. What follows is generally quite funny and is well animated. However, completely out of left field comes a final weird and not very funny joke--one that leads to Bugs, Elmer and the rest of the Mounties putting on an impromptu minstrel show. Overall, much of the cartoon is cute and enjoyable and the ending is just plain odd and rather offensive.

Bugs and Elmer always work well together and are enough to brighten up a hard day. And Fresh Hare, a very early effort(one of their first I believe), is no exception. Bugs is as crafty yet likable as he ever was, and while somewhat smarter than usual Elmer contrasts and works to great effect with him. Mel Blanc and Arthur Q. Bryan voice them impeccably. Several other great things work in Fresh Hare's favour. The animation is detailed and luscious, of course Elmer is fatter than we usually see him and Bugs more elongated but they are still well drawn within this stage in Looney Tunes animation. The music is full of energy and character, and is always pleasant on the ears. The dialogue is as witty and funny as ever, and the gags are clever and imaginative. The story is simple but with never a dull spot, it is fun all the way through. I do agree though that the ending is random and rather awkward(some may also find it tasteless). Overall with this in mind, Fresh Hare is great. 9/10 Bethany Cox

In "Fresh Hare", an obese Elmer Fudd is a Mountie and out to get Bugs Bunny. Needless to say, Bugs isn't going to get trapped so easily. This is just one of many cartoons showing why the Looney Tunes outdid the Disney stuff easily. The scene where Bugs "drops" Elmer out of the service is enough to make anyone die laughing, as is the scene where they run through the ice. There is, however, one scene likely to make us nervous - and possibly doubt the whole cartoon - in the 21st century: at the end, they do a minstrel show, complete with black-face. But other than that, the whole thing's a hoot. Truly classic.

Like Michael Moore reminds us: Canada is the greatest place on Earth.

Bugs Bunny is the last surviving rabbit in the countryside – or, at least, I presume this to be true, because Elmer Fudd seems to have killed and eaten quite a few! This particularly-rotund version of Fudd was a short-lived design used in five cartoons in 1941 and 1942, and was based upon the dimensions of voice actor Arthur Q. Bryan, who played him. In 'Fresh Hare (1942),' Fudd braves the snow and ice of the Canadian wilderness (where his added layers might actually come in handy) to capture the wanted outlaw Bugs Bunny, who is charged with a long list of crimes, everything from jaywalking to "conduct unbecoming to a wabbit." Of course, Bugs has little respect for the Royal Canadian Mounted Police (colloquially known as the "mounties") and, as might be expected, has no intentions of surrendering without a fight.

This cartoon, while nothing particular special amid a vast catalogue of similar Bugs-Fudd encounters, has enough interesting and funny moments to keep the viewer entertained for the full seven minutes. After the inept hunter tracks Bugs to his rabbit-hole, via a trail of graffiti-vandalised WANTED posters (and a rather risqué picture of a woman), he discovers that finding the fugitive was only the beginning of his troubles. When Bugs finds himself handcuffed early in the film, we're certain that this couldn't possibly be the end of the struggle, and, sure enough, the rabbit somehow contorts himself out of custody and replaces his wrist with a fuse-lit bomb. Later, Fudd is stripped off all his clothing – well, almost all his clothing – and left completely exposed to the elements, while Bugs makes a quick getaway; there are also a few amusing visual gags with the characters' outlines in the ice.

Having seen Tex Avery's 'The Heckling Hare (1941)' earlier today, I noticed that here director Friz Freleng recycles one of the gags from that film, as Bugs' ears miraculously separate to avoid an obstacle as he darts through the deep snow. Most often nowadays, 'Fresh Hare' is noted only for its somewhat controversial ending, which has subsequently been censored by do-gooders to gloss over America's darker racial history. Personally, I didn't really find anything particularly wrong with the ending, in which Bugs bursts into a chorus of "I Wish I Was in Dixie" and the cast briefly performs a few lines of "Camptown Races" in black-face. True, it's completely random and doesn't contribute much to the story, but my greater annoyance, in any case, is with the attempt to alter the film itself, which I regard as cultural vandalism in a sense. Keep an eye out for the unedited version.

You know the quality is going to be above average when a cartoon starts with an big orchestral intro and a still picture to complement the titles. Bugs Bunny, looking slightly less cute than he would in later years (and still having to be content with his name under the titles) evades and tricks Elmer the Mountie at every turn. Back in these days Elmer was so overweight he had to wear a girdle. But if you look closely you can actually see him sweating off those pounds during the wild chase scenes.

In the forties the Warner Studios were still competing with Disney to produce the best looking animation around. It is obvious a lot of thought and care went into the backgrounds and character animation. Yet they still could not compare to the competition. However when it came to gags the Merry Melodies were unbeatable. There are probably more jokes crammed into these 7 minutes than in any 7 Disney cartoons of the same era. Only the final scene involving a black and white minstrel show feels a bit awkward nowadays, for we like to forget that these totally incorrect programmes ever existed. In fact it was not until the late Sixties that this type of shows was banned, about the same time the Merry Melodies ended their run.

7 out of 10