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An ahead-of-its-time film if ever there was one, WENT THE DAY WELL? is still a chilling wartime thriller even watched today. It begins deceptively genteel, with Mervyn Johns talking to the camera (a great device) and leading us into a story which times out to be both hard hitting and inspirational.

Like the later film, THE EAGLE HAS LANDED, this fictional movie poses the 'what if?' question - what if the much-mooted Nazi invasion of England had really taken place? The answer is limited to a single rural village in the English countryside which soon finds itself taken over by ruthless German soldiers.

What follows is expertly paced and supremely directed, with the villagers harried, hassled and murdered and eventually fighting back against their oppressors. It's still a violent and grim film, with axe murders, knifings and all manner of shootings put on the screen, although in my mind a scene involving a hand grenade marks the most shocking moment. An excellent cast, topped by THE MOST DANGEROUS GAME's Leslie Banks as a sinister collaborater, help make this a British classic.

In WWII England a troop of surveyors are dispatched into a characteristically happy-go-lucky and scenic village, though really they are a select assemblage of German officers with orders to seize control of the township on the horizon of a covert German attack in a few days. Director Alberto Cavalcani is smart. Rather than this information creeping up on us like a twist, we grasp this from the start. When one of the villagers grows suspicious, we are in an enhanced state of tension. The Germans hijack the parish, a handful among which refuse to lose hope of alerting the unsuspecting free world around them.

Do not make the mistake of presuming that it is an insincere propaganda yarn, considering its era. This is in fact quite an electrifying tale of survival. If so many can overlook the propaganda of obsolete films like Battleship Potemkin, there is certainly room for this picture. It stands out, owing much to its unexpected flashes of violence that are sincerely exhilarating and often frank and uncompromising in terms of the drama. It is not gritty like most modern war films. The quaintly timeless English ambiance, and the consistent theme of it maintaining its spry morale, is a clever and natural juxtaposition to the taut aggression of the conflict, which is thus more well-defined. The relatively unfamiliar cast is plainly high- quality.

At its hub, yes, it's a work of propaganda exploiting a thriller story to enrapture its WWII-era British spectators. But mind you, it is based on a story by English writer and WWII MI6 spy Graham Greene. Nevertheless, the English were righteous in that war, remaining the only European country the Germans intended to occupy but never could. This piece grows to be as riveting as any other good movie, and what's more, its unexpected violence causes it to project with particular prominence.

Watching Went The Day Well? put me in mind of American propaganda films about fifth columnists in the USA. Some like Alfred Hitchcock's Sabotage were well made. The majority of them were so bad that even in those patriotic days of World War II, I'm betting a lot of the audience must have laughed uproariously even then, let alone seeing them now. I can recall the Nazis being involved in black market cattle rustling in a Three Mesquiteers film, the East Side Kids discovering a spy ring in one of their films, and in a Judy Canova film Joan Of Ozark she's targeted by Hitler himself for finding and destroying a wireless transmitter in Arkansas. These films are hysterically funny today even the concept of them.

But for the folks in the United Kingdom this was a real threat. Hitler and his legions were all along the coast of Europe ready to spring into action, threat of an invasion was real. The Germans occupied a few of the English Channel Islands which are part of the United Kingdom proper. To this day historians debate why he shifted his attentions from Great Britain to the Soviet Union. Because of that a film about German troops being brought in stealthily to the United Kingdom and assigned to take a certain village for its geographic location and relative inaccessibility, the better to defend if found out holds up even today.

That's what happens some elite German troops in the uniforms of British sappers are sent to occupy the village of Bramley End. Basil Sydney and David Farrar command the troops and they convince the townspeople at first they're real. A really stupid error on Sydney's part gives them away, so the village is occupied for real. An invasion is coming within a few days and the villagers make many attempts to get help from the outside.

The local squire is played by Leslie Banks and he's a Cliveden set type, a Nazi sympathizer. Banks has the best role in the film as he sabotages a few efforts at resistance.

I do love this film so, it shows that the people who united to save the British army to get them off the beaches at Dunkirk are still doing what they have to in order to save civilization itself. Leading the resistance is a sailor played by Frank Lawton who happens to be on leave visiting his family in Bramley's End.

Went The Day Well? is the best kind of wartime propaganda film and the people's resistance even in an event that never occurred will still inspire audiences today.

I saw 'Went the Day Well' in 1943, as a 12 year old in war-time England.What I remember most about the film is that it was utterly convincing, both in the authenticity of the setting and the quality of the acting,My friends and I were, of course, perhaps less sophisticated and streetwise than the 12 year olds of today, nevertheless, the film left a lasting impression and I, at least, can remember it in a fair amount of detail, even after the passage of nearly sixty years. The least convincing part to us was the fight between the soldiers,English and German, towards the end of the film,located in and around the church - perhaps this was because we had watched too many carefully staged propanganda epics belittling the ability of the Germans ! All in all,though, a film which brought home the fact that the freedom we take for granted can so easily be lost unless we are eternally vigilant.

For a film made in 1942 this film is fairly hard hitting as it does not shy away from the realities and emotions of warfare. The plot gradually gains pace and the atmosphere is tense as the ordinary English folk rally round to face the professional soldiers of Nazi Germany. The quality of acting is superb throughout and although there are signs of propaganda, it is kept to a minimum and is not overly biased. Highly recommended and very cheap to buy (at least in England it is).

Alberto Cavalcanti's outstanding piece of wartime propaganda is worthy of Hitchcock at his best. It's a surprisingly bleak and sometimes vicious study of British resilience, light years away from the dull Hollywood sentimentality of "Mrs Miniver". It's about a group of Fifth Columnists who take over a small British village in 1942 in preparation for the German invasion and of how the villagers fight back.

It has all the usual stereotypical villagers, (the post-mistress, the squire etc), but these clichéd parts are turned on their heads with surprisingly suspenseful results. Good performances, too, from everybody in a film that is largely undervalued, certainly in this country where we are inclined to acknowledge our 'heroism' but draw the line at going beyond that, as this film does, somewhat uncomfortably.

I can't help but think of the similarities between this film and the later production "The Eagle Has Landed" based on the novel by Jack Higgins. Both films concern the capture of a sleepy English village by crack German paratroopers disguised as members of an allied force. In both stories the villagers are herded into the church and held captive, although the duration of captivity in the latter production is relatively short. Also, in the Higgins story, the objective of the German troops is the capture of Winston Churchill, not acting as an advance party probing weaknesses prior to the conquest of Britain.

The beauty of "Went The Day Well" is that is of its time, and the product of a country that was still at war, and reflects the concerns of the British wartime population. If you have an interest in World War Two and like black and white films, then by all means see this film.

I have only managed to see 'Went The Day Well' twice and it is an absolute gem, but one that probably wouldn't appeal to many people nowadays. The events are believable and I am sure this film was very effective as wartime propaganda. Superior to 'The Eagle Has Landed,' which definitely shares many elements, starting with the soldiers graves at the beginning of the films. Excellent stuff.

This is a most unusual film. It is not based on any actual events, but based on what could have happened if Germany were successful in initiating a land invasion of UK. Why a tactical village in the middle of nowhere would be a target is puzzling, but we buy the premise because the situation was possible in the early years of WW2. I have no doubt that the resiliency of the UK residents of this quiet town is suitably stated in the unexpected violence that follows after the subterfuge of a silent invasion by the Germans. A very different kind of WW2 film.

Part propaganda film of 1942 that has a fresh feel to it with unknown actors playing key roles. The danger amongst us works very well, as in The Eagle has Landed (1980's) and the idylic country locations extends the sense of isolation and danger.

Retaliation sequences are well handled. Top notch stuff for the time and still works well 60 years on.

Now I am a sucker for "what if" stories, and what better to have Germans occupying an English village during the war.

What we have in this gem of a film is a great story, we see the villagers pull together and overcome the foe in heroic fashion. We are not spared the horrors of war, I think particularly of the scene when the telephone operator having summoned the courage to kill her German captor is killed trying to contact someone for help, you don't see anything but because of that it is all the more powerful. You are on the edge of your seat hoping the eggs with the message on will get through. We see a lady driving in her car, singing to herself, we then cut to the home guard being mown down on the road, their bodies cleared just as the woman drives round the corner. The two scenes together make for a powerful contrast. Bloody good stuff.

The pace continues through the film at such a rate that you do find yourself on the edge of the seat, the acting is great, though some may find the clipped English accent a little annoying, I liked the fact that there are a number of different accents from cockney to Yorkshire all making the "in it together" message more powerful. When the villagers start to fight back we get to see some hero's, none more so than the lady at the manor house who to save the children throws herself onto a grenade, I remember seeing this scene for the first time and being very moved by it, and every time I watch it again it has the same effect.

As a piece of propaganda it must have worked like a dream as a film it is well made and acted, what more could you want. Even more impressive is that it has aged very little.

This is a pretty well done piece of English wartime film, made in 1942 and clearly intended to buck up the English as they faced the possibility of a German invasion. In the story, the small village of Bramley End is occupied by German paratroopers, who infiltrate the village disguised as English troops, along with the help of a local "Quisling" named Oliver Wilsford, played by Mervyn Johns. Seen with the benefit of hindsight, the story is rather far-fetched, since there really was no serious threat of a German invasion after 1940, but of course those making the movie (and those watching it) didn't have the benefit of hindsight, and so it has to be seen for what it is: a well done bit of movie-making encouraging the English to fight back in case it did happen.

In Bramley End, a pretty good (and ultimately successful) fight was put up once the locals got over their shock, and the fight involved men, women and children; soldiers and civilians alike. The Germans (as expected) are portrayed as ruthless (although, given the context, I thought they might have been portrayed even worse than they were.) Although it clearly was propaganda to an extent, the movie didn't have what I would consider to be a typical "propaganda" feel to it, which I appreciated, and which makes it interesting rather than dated even today. Speaking from a North American perspective, I confess that at times I had a bit of trouble following the accents, but the flow of the story was clear enough in spite of this, and I thought Oliver's ultimate fate at the hands of Nora (Valerie Taylor) represented poetic justice.

The movie opens and closes with a narration which is set in the post-war era, and is perhaps the only thing that seems really out of place today, with references to Hitler getting what was coming to him (I don't think he really did) and speaking of the invasion that finally came (which it didn't.) Aside from that, though, I found this movie quite enjoyable. 7/10

Please don't think my rating of 5 stars means I didn't enjoy this film. I did.

It's a classic case of the plucky underdog brits fighting back against those nasty Germans during the war, the Brits in question being the residents of an idillic rural village suddenly at the mercy of the enemy - and very much the enemy from within in this case.

However my enjoyment was based more on the fun of watching a good story unfolding at pace in a very dated and stereotypical low budget manner. There was nothing remarkable in the story telling or the characters, and some of the fight scenes were truly laughable - I've witnessed more convincing confrontations in school plays.

The thing is none of the flaws really mattered much; it was a decent watch, in the way many older British black and white movies often are - but nothing more.

1942. That is the important date to bear in mind when watching this film. That was when the film was made, and when the UK cinema auidences watching it knew that all that separated them from invasion was a few miles of sea. Imagine the impact it must have had!! Plucky Brits, living in the rural English idyll, threatened by the Hun. Having witnessed their brave fight, the auidences must have come out of the flicks wanting to take on the German army on their own. The comparisons with 'The Eagle Has Landed' are easy to make, but just remember that date of 1942. The threat was real to the people watching it, unlike those watching 'The Eagle' for the very first time. Cracking afternoon entertainment, with a message of its time.

When a group of soldiers arrive in a small village in England during WW2, it's soon revealed that they are in fact German soldiers in disguise, and soon the villagers have to fight back to save themselves....

Made in 1942 as a British propaganda film, Went The Day Well? is not your typical war movie. Until the climax of the film, there isn't a lot of action in it. And when the action does start, it's not soldiers versus soldiers, but villagers versus soldiers.

The cleverness of the tale, is in the way it is little details that give away the fact the soldiers are German (including a line through the number seven - which I do!).

While the script does show its age in some of the language, and some of the performances come over a bit wooden looking at it now, the film still has a lot of power, thanks to the direction of Alberto Cavalcanti. And while the action may not be as dramatic of other films of its type, it still builds to a tense and gripping climax.

Bookended by a couple of scenes that are supposed to be after the war, it works well as the propaganda film it was always meant to be. Taken as a war-set film, it is still one of my favourites, and I think a classic.

English villagers take in some soldiers during WWII, thinking they are English. Turns out they are Nazis planning an invasion. When one of the villagers catches on, the Nazis round them all up as prisoners. Now the villagers have to figure out how to escape or get word out about what's going on, which surprisingly leads to many deaths.

This is a good one. A tense, exciting, mature wartime thriller. You'll find yourself rooting for these incredibly likable villagers, which makes it all the more sad (and realistic) that so many of them don't make it out of the movie alive. Some very strong scenes, such as the pepper scene and the grenade scene, among many others. Terrific acting, writing, and directing. Just a remarkable film all around. One of the best WWII movies I've seen.

May 1942. The small English village of Bramley End is visited by a detachment of about 60 Royal Engineers. They are ostensibly there on an exercise but are in actual fact a detachment of German paratroopers, the advance guard of Hitler's invasion of England. Some of the villagers figure out their true identities but before they can do anything all the villagers are held prisoner by the Germans. Will the villagers be able to get word out of the threat? The fate of England depends on them.

Great WW2 drama. Very realistic and topical for its time: at the time the threat of invasion was very real. Solid, plausible plot. Surprisingly dark and gritty - no Hollywood heroics, no easy win for the good guys, no empty casualty list on the Allied side, no characters that aren't expendable. It's all very real.

Yes, it is ultimately a propaganda movie (it was made in 1942), so the Germans are shown as one-dimensional heartless fiends. This, and the rather badly staged, cavalierly acted, battle scenes, would be the only negatives.