A bold and colorful retelling of the classic tale of the not-so-bright little chicken's encounter with an acorn and gravity. Crazy-eyed Chicken and all his panicked friends run away from the... Read allA bold and colorful retelling of the classic tale of the not-so-bright little chicken's encounter with an acorn and gravity. Crazy-eyed Chicken and all his panicked friends run away from the sky and right into an eye-catching surprise.A bold and colorful retelling of the classic tale of the not-so-bright little chicken's encounter with an acorn and gravity. Crazy-eyed Chicken and all his panicked friends run away from the sky and right into an eye-catching surprise.
Florence Gill
- Hens - clucking sounds only
- (voice)
- (uncredited)
Frank Graham
- Narrator
- (voice)
- (uncredited)
- …
Dorothy Lloyd
- Hens - clucking sounds only
- (uncredited)
Clarence Nash
- Ducks - quacking sounds only
- (voice)
- (uncredited)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaProduced as a propaganda short during WWII, warning audiences not to believe anti-American propaganda. Originally the film was to have had more direct references to the war: Foxy Loxy would have read from "Mein Kampf"; and the chicken's graves would have been marked by swastikas. But Walt Disney decided to keep the film generic so that it would not become dated after the war.
- GoofsAfter Cocky Locky announces "The sky isn't really falling," Chicken Little responds by shouting "I tell you it is too falling!" When he says this, his speech doesn't match his beak movement.
- ConnectionsEdited into The Magical World of Disney: Jiminy Cricket Presents Bongo (1955)
- SoundtracksThe Sky Is Falling
(uncredited)
Traditional
Performed by studio orchestra
Featured review
A Walt Disney Cartoon.
Wily Foxy Loxey uses psychological chicanery to confuse dimwitted CHICKEN LITTLE - Step 1 in his plot to plunder the poultry yard.
This unusual little film eschews a happy ending for a not-so-subtle warning against evil manipulators and gullible citizenry. Foxy Loxey could be the personification of either Hitler or Stalin and the quotes from his psychology book ('To influence the masses, aim first at the least intelligent,' 'If you tell a lie, don't tell a little one - tell a big one,' 'Undermine the faith of the masses in their leaders,' 'By the use of flattery, insignificant people can be made to look upon themselves as born leaders') are pure Marxism. As for Cocky Locky, Henny Penny, Goosey Poosey, Ducky Lucky & Turkey Lurkey - their human counterparts are only too easy to find everyday.
Veteran Disney voice artists Florence Gill & Clarence Nash can be heard making various hen & duck noises.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
Wily Foxy Loxey uses psychological chicanery to confuse dimwitted CHICKEN LITTLE - Step 1 in his plot to plunder the poultry yard.
This unusual little film eschews a happy ending for a not-so-subtle warning against evil manipulators and gullible citizenry. Foxy Loxey could be the personification of either Hitler or Stalin and the quotes from his psychology book ('To influence the masses, aim first at the least intelligent,' 'If you tell a lie, don't tell a little one - tell a big one,' 'Undermine the faith of the masses in their leaders,' 'By the use of flattery, insignificant people can be made to look upon themselves as born leaders') are pure Marxism. As for Cocky Locky, Henny Penny, Goosey Poosey, Ducky Lucky & Turkey Lurkey - their human counterparts are only too easy to find everyday.
Veteran Disney voice artists Florence Gill & Clarence Nash can be heard making various hen & duck noises.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.
- Ron Oliver
- Mar 13, 2003
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Tuppkycklingen
- Production company
- See more company credits at IMDbPro
- Runtime8 minutes
- Aspect ratio
- 1.37 : 1
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