A woman in search of her missing sister uncovers a Satanic cult in New York's Greenwich Village and finds that they could have something to do with her sibling's random disappearance.A woman in search of her missing sister uncovers a Satanic cult in New York's Greenwich Village and finds that they could have something to do with her sibling's random disappearance.A woman in search of her missing sister uncovers a Satanic cult in New York's Greenwich Village and finds that they could have something to do with her sibling's random disappearance.
- Awards
- 3 nominations
Joan Barclay
- Gladys
- (uncredited)
Patti Brill
- Minor Role
- (uncredited)
Wally Brown
- Durk
- (uncredited)
Feodor Chaliapin Jr.
- Leo
- (uncredited)
Wheaton Chambers
- Missing Girl's Father
- (uncredited)
James Conaty
- Party Guest
- (uncredited)
Edith Conrad
- Minor Role
- (uncredited)
Kernan Cripps
- Police Officer Danny
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaErford Gage, who played the poet Jason Hoag, enlisted in the U.S. Army in August 1943 (around the time this film was released) and was killed in action in the Phillipines in March 1945.
- GoofsThe opening text reads: "I run from death, and death meets me as fast, And all my pleasures are like yesterday." The movie attributes the quote to John Donne's Holy Sonnet #7. But it is actually from Holy Sonnet #1.
- Crazy credits[title after starting credits] I runne to death, and death meets me as fast, and all my pleasures are like yesterday. Holy sonnet #VII Jonne Donne
- Alternate versionsExists in a computer-colorized version
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: The Seventh Victim (1967)
- SoundtracksMay Heaven Forgive You
(uncredited)
From "Martha"
Music by Friedrich von Flotow
Arranged by Roy Webb
[The tune playing on the barrel organ as Mary goes to the Dante for the first time]
Featured review
Schoolgirl Kim Hunter (Mary) is called to the office of the Headmistress Ottola Nesmith and told that she can no longer stay on as a pupil as her sister Jean Brooks (Jacqueline) has stopped paying her fees. More than that, Brooks seems to have gone missing. So, Hunter goes off to find her. But Brooks isn't so easy to locate.
This film leaves you with scenes stuck in your mind, so it's good from that perspective. It is also well shot with an eerie atmosphere. Scenes that stand out include the sequence with Hunter and a detective exploring an office at night and the subsequent spooky train ride, a shower scene that will make you think of "Psycho" (1960) and pretty much every scene with Brooks. Fancy a drink? – no thanks but the pressure is on. And how about that ending? Wow, pretty bleak stuff. Especially coming after what had me cringing as we watched God and the Bible being used as a tool to counter Satan and his ways in an extremely simplistic way.
Amo, Amas, Amat, Amamus, Amatis, Amant – remember your Latin from school? The 'ablative absolute' and the 'ut' clause (use the subjunctive). Quamquam. This film also throws in some Latin and I'm glad to hear it. It takes the viewer back to a time sadly long gone as we hear schoolgirls reciting the verb 'Amo' – to love. The day will come when a generation will watch this film and not understand what language it is.
The cast are OK with Jean Brooks standing out. Her look suggests she is leader of the occult movement rather than a victim of it. And all of her scenes are quality – some genuinely scary, and all unworldly because of her appearance. That ending with the neighbour comes as a shock and leaves an eerie memory that will have you thinking about how we view life. It's an interesting film and sad.
This film leaves you with scenes stuck in your mind, so it's good from that perspective. It is also well shot with an eerie atmosphere. Scenes that stand out include the sequence with Hunter and a detective exploring an office at night and the subsequent spooky train ride, a shower scene that will make you think of "Psycho" (1960) and pretty much every scene with Brooks. Fancy a drink? – no thanks but the pressure is on. And how about that ending? Wow, pretty bleak stuff. Especially coming after what had me cringing as we watched God and the Bible being used as a tool to counter Satan and his ways in an extremely simplistic way.
Amo, Amas, Amat, Amamus, Amatis, Amant – remember your Latin from school? The 'ablative absolute' and the 'ut' clause (use the subjunctive). Quamquam. This film also throws in some Latin and I'm glad to hear it. It takes the viewer back to a time sadly long gone as we hear schoolgirls reciting the verb 'Amo' – to love. The day will come when a generation will watch this film and not understand what language it is.
The cast are OK with Jean Brooks standing out. Her look suggests she is leader of the occult movement rather than a victim of it. And all of her scenes are quality – some genuinely scary, and all unworldly because of her appearance. That ending with the neighbour comes as a shock and leaves an eerie memory that will have you thinking about how we view life. It's an interesting film and sad.
Details
- Release date
- Country of origin
- Languages
- Also known as
- La séptima víctima
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 11 minutes
- Color
- Aspect ratio
- 1.37 : 1
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