Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.Radio crime show host "The Fox" finds himself on the trail of a serial killer while a suspect himself.
Rags Ragland
- Chester Conway
- (as 'Rags' Ragland)
Robert Emmett O'Connor
- Detective Leo Finnigan
- (as Robert Emmet O'Connor)
Steven Geray
- Whitey
- (as Steve Geray)
Pat Ankenman
- Pat Ankenman
- (uncredited)
Morris Ankrum
- Blake - Newspaper Editor
- (uncredited)
William Bishop
- Psychiatrist
- (uncredited)
Billy Bletcher
- Announcer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the baseball game Red Skelton gets into an argument with "Durocher" from the other team. That other player was, in fact, the real life legendary baseball player and manager Leo Durocher. When this movie was made in 1943, Leo Durocher was a player/manager for the Brooklyn Dodgers.
- GoofsWhen Rutherford's stunt double jumps off the table to save Skelton she is wearing sneakers instead of high heels.
- Quotes
Wally 'The Fox' Benton: [referring to suitcase] Put that bag in the car.
Chester: You can't talk to Miss Pringle like that.
- ConnectionsFollows Whistling in the Dark (1941)
- SoundtracksAuld Lang Syne
(1788) (uncredited)
Traditional Scottish 17th century music
Lyrics by Robert Burns
In the score with sounds produced by the saw Wally uses to deflect objects thrown at him
Featured review
The overabundance of physical comedy in WHISTLING IN BROOKLYN is staggering. Most memorable moment has four of the principals hanging from an empty elevator shaft, each hanging on the the other for dear life and managing, somehow, to swing to safety at another level. It's probably the trickiest bit of physical comedy in the whole film, but the story requires a constant display of these sort of antics from its stars.
Once again, RED SKELTON is "The Fox", this time anxious to clear himself of a murder the mob is responsible for--with Red being mistaken for "The Constant Reader" due to a remark made by his chauffeur RAGS RAGLAND to newspaper reporter JEAN ROGERS. So, instead of going off on his honeymoon with ANN RUTHERFORD, Red is forced to spend the entire film on the lam from the police and the mob until he clears himself after a hilarious ball game at Ebbets Field with the N.Y. Dodgers, including Leo Durocher.
The slapstick is poured on so thick, it almost feels like a silent comedy with Buster Keaton at times. The storyline is slim, the gags fast and furious, and all of it is so far-fetched that it will strain the tolerance of some viewers.
But it does show that Red was a gifted comedian and that ANN RUTHERFORD and JEAN ROGERS were good sports to put up with all the shenanigans and stunts required of the cast--and both of them, by the way, show a flair for physical comedy.
But--not one of the best in the "Whistling" series.
Once again, RED SKELTON is "The Fox", this time anxious to clear himself of a murder the mob is responsible for--with Red being mistaken for "The Constant Reader" due to a remark made by his chauffeur RAGS RAGLAND to newspaper reporter JEAN ROGERS. So, instead of going off on his honeymoon with ANN RUTHERFORD, Red is forced to spend the entire film on the lam from the police and the mob until he clears himself after a hilarious ball game at Ebbets Field with the N.Y. Dodgers, including Leo Durocher.
The slapstick is poured on so thick, it almost feels like a silent comedy with Buster Keaton at times. The storyline is slim, the gags fast and furious, and all of it is so far-fetched that it will strain the tolerance of some viewers.
But it does show that Red was a gifted comedian and that ANN RUTHERFORD and JEAN ROGERS were good sports to put up with all the shenanigans and stunts required of the cast--and both of them, by the way, show a flair for physical comedy.
But--not one of the best in the "Whistling" series.
Details
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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