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6.6/10
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Director John Huston documents the Battle of San Pietro Infine in December 1943.Director John Huston documents the Battle of San Pietro Infine in December 1943.Director John Huston documents the Battle of San Pietro Infine in December 1943.
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- Writer
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Mark W. Clark
- Self - Introduction
- (uncredited)
John Huston
- Narrator
- (voice)
- (uncredited)
- Director
- Writer
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This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans.
Huston and his crew were attached to the U.S. Army's 143rd Regiment of the 36th Division. Unlike many other military documentaries, it was claimed Huston's cameramen filmed alongside the infantrymen as they fought their way up the hills to reach San Pietro. (Huston's claim that the film was made during the battle was proved false by the research of Peter Maslowski.) Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war. Huston responded that if he ever made a pro-war film, he should be shot. And this coming from a man who served. I think that is a great statement. We can support the troops, especially when they are fighting the fascists, but that should not make us "pro-war". Whatever is between pro- and anti- war, that seems to be the right outlook.
Huston and his crew were attached to the U.S. Army's 143rd Regiment of the 36th Division. Unlike many other military documentaries, it was claimed Huston's cameramen filmed alongside the infantrymen as they fought their way up the hills to reach San Pietro. (Huston's claim that the film was made during the battle was proved false by the research of Peter Maslowski.) Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war. Huston responded that if he ever made a pro-war film, he should be shot. And this coming from a man who served. I think that is a great statement. We can support the troops, especially when they are fighting the fascists, but that should not make us "pro-war". Whatever is between pro- and anti- war, that seems to be the right outlook.
These comments helped me a lot' It is impressive in describing both the events and the atmosphere of a desperate and costly struggle, and it is memorable in preserving its effect on those who had to live through it.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans'
Well i do watched film not the whole of it but i cant get the documentary devices the filmmaker used, uniqueness in the film e.g in Triumph of the Will everyman has got Hitler' s hairstyle and how the editing together with shots relate to what the film is about. Also why is that women and children are shown smiling? Which type of shots are mostly used? What causes this battle? Who won the Battle and what are the effects brought by this fighting apart from people dying? What is the filmmaker trying to explain to the world?Please anyone explain to me.I will be happy... Really want to know about this film Thanks a lot
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans'
Well i do watched film not the whole of it but i cant get the documentary devices the filmmaker used, uniqueness in the film e.g in Triumph of the Will everyman has got Hitler' s hairstyle and how the editing together with shots relate to what the film is about. Also why is that women and children are shown smiling? Which type of shots are mostly used? What causes this battle? Who won the Battle and what are the effects brought by this fighting apart from people dying? What is the filmmaker trying to explain to the world?Please anyone explain to me.I will be happy... Really want to know about this film Thanks a lot
10marie_D
This film is available on DVD -- as part of the "Treasures from American Film Archives" collection released this year. The collection has lots of gems on its four disks but "The Battle of San Pietro" alone would make it worth the price.
I watched this 30-minute documentary of one of many battles in Italy shortly after having viewed "All Quiet on the Western Front" for the first time. I thought the Milestone film was brilliant but it was this Huston documentary that made me cry. I don't know whether it is the matter-of-fact narration (by the director), the sight of all those G.I.s, or the Italian children that got to me but the sum of it all was almost overwhelming. Very highly recommended. 10/10
I watched this 30-minute documentary of one of many battles in Italy shortly after having viewed "All Quiet on the Western Front" for the first time. I thought the Milestone film was brilliant but it was this Huston documentary that made me cry. I don't know whether it is the matter-of-fact narration (by the director), the sight of all those G.I.s, or the Italian children that got to me but the sum of it all was almost overwhelming. Very highly recommended. 10/10
One reviewer commented that he didn't know how this film ever got released during World War II. It almost didn't.
First, you need to know that Hollywood actors, directors and producers were heavily recruited by the War and Navy Departments (the Defense Dept. is a post war innovation). These celebrities got to know a lot of the senior military personnel through their activities in Stage Door Canteens, the USO, recruiting and bond drives. Few were closer to the military top brass than Orson Welles, a close friend of Houston's.
Welles told this story on, I believe, a Dick Cavett Show in the late 1960s or very early 1970s. I repeat it as I remember it.
According to Welles the War Department censors did not want San Pietro released. They felt that the film was too graphic and that it might have an adverse effect on support for the war. Through Welles' personal friendship with General George C. Marshall he and Houston arranged a private screening at the Pentagon for Marshall, his staff and the censors. Following the screening Gen. Marshall stood up and ordered that the film be released. He said that it was an accurate depiction and that war was horrible. He felt that the American people needed to know that horror lest they romanticize war and become fond of a monstrous act of inhumanity.
So San Pietro was released. If Welles exaggerated his role, I can't say. Certainly Houston didn't contradict him. If I have misremembered the tale in some particular, it does not change the fact that San Pietro owed its release to the intervention of Marshall.
Even today San Pietro is worth seeing. As has already been suggested, it is a good complement to Lewis Milestone's All Quiet on the Western Front. I would suggest that it also ranks with two other great movies whose subject is World War I. Those movies are Jean Renoir's Grand Illusion and Stanley Kubrick's Paths of Glory. And, although it doesn't quiet rank with the three films already mentioned, Philippe de Broca's King of Hearts belongs in the insanity of war film festival we seem to be constructing here. Finally, I would point out that earlier wars are often stand ins for the more recent one as in M.A.S.H. Korea stood in for Vietnam.
First, you need to know that Hollywood actors, directors and producers were heavily recruited by the War and Navy Departments (the Defense Dept. is a post war innovation). These celebrities got to know a lot of the senior military personnel through their activities in Stage Door Canteens, the USO, recruiting and bond drives. Few were closer to the military top brass than Orson Welles, a close friend of Houston's.
Welles told this story on, I believe, a Dick Cavett Show in the late 1960s or very early 1970s. I repeat it as I remember it.
According to Welles the War Department censors did not want San Pietro released. They felt that the film was too graphic and that it might have an adverse effect on support for the war. Through Welles' personal friendship with General George C. Marshall he and Houston arranged a private screening at the Pentagon for Marshall, his staff and the censors. Following the screening Gen. Marshall stood up and ordered that the film be released. He said that it was an accurate depiction and that war was horrible. He felt that the American people needed to know that horror lest they romanticize war and become fond of a monstrous act of inhumanity.
So San Pietro was released. If Welles exaggerated his role, I can't say. Certainly Houston didn't contradict him. If I have misremembered the tale in some particular, it does not change the fact that San Pietro owed its release to the intervention of Marshall.
Even today San Pietro is worth seeing. As has already been suggested, it is a good complement to Lewis Milestone's All Quiet on the Western Front. I would suggest that it also ranks with two other great movies whose subject is World War I. Those movies are Jean Renoir's Grand Illusion and Stanley Kubrick's Paths of Glory. And, although it doesn't quiet rank with the three films already mentioned, Philippe de Broca's King of Hearts belongs in the insanity of war film festival we seem to be constructing here. Finally, I would point out that earlier wars are often stand ins for the more recent one as in M.A.S.H. Korea stood in for Vietnam.
I saw this film while watching my copy of the 4-DVD set "Treasures From American Film Archives"--a set of mostly ephemeral films that would have otherwise been lost.
"San Pietro" is a film assembled by the US War Department to chronicle one of many battles from WWII. Like so many government films made during WWII, it is narrated by a Hollywood star (director John Huston) and I assume it was made by film makers who were in military service for the war.
The film's narration and images are surprisingly blunt and free from extreme patriotism--making it highly realistic and gripping. In other words, the film is not all about American victory but shows casualties and describes how difficult this battle was--not some jingoistic rant meant to glorify war and make it seem like the troops were super-human. While some might have thought this would demoralize the folks at home (hence it was held for release for two years), it was direct, informative and well-constructed. At times, it felt almost as if you were there in the action and was very compelling--and a nice tribute to real sacrifices made by some very brave soldiers as well as an important historical record.
"San Pietro" is a film assembled by the US War Department to chronicle one of many battles from WWII. Like so many government films made during WWII, it is narrated by a Hollywood star (director John Huston) and I assume it was made by film makers who were in military service for the war.
The film's narration and images are surprisingly blunt and free from extreme patriotism--making it highly realistic and gripping. In other words, the film is not all about American victory but shows casualties and describes how difficult this battle was--not some jingoistic rant meant to glorify war and make it seem like the troops were super-human. While some might have thought this would demoralize the folks at home (hence it was held for release for two years), it was direct, informative and well-constructed. At times, it felt almost as if you were there in the action and was very compelling--and a nice tribute to real sacrifices made by some very brave soldiers as well as an important historical record.
Did you know
- TriviaThis film was considered so blunt in its depiction of the difficulties of the battle that the US Army refused to show it, believing it to be damaging to troop morale.
- ConnectionsEdited into Story of G.I. Joe (1945)
Details
- Runtime32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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