A senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.A senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.A senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.
- Nominated for 2 Oscars
- 2 nominations total
Olin Howland
- Bigelow
- (as Olin Howlin)
Enrique Acosta
- Passenger on Pier
- (uncredited)
Eddie Acuff
- Cavalry Officer
- (uncredited)
Richard Alexander
- Pioneer
- (uncredited)
Michael Ansara
- California Caballero
- (uncredited)
Gertrude Astor
- Pioneer Woman - Warren's Mother
- (uncredited)
Roscoe Ates
- Lemuel
- (uncredited)
Storyline
Did you know
- TriviaThis is Deanna Durbin's only Technicolor vehicle. Unfulfilled plans to showcase her in color, proposed between 1938-53, included these eventually produced films: First Love (1939) (which starred her in black and white), Phantom of the Opera (1943) (Susanna Foster in Technicolor), Up in Central Park (1948) (in black and white), A Connecticut Yankee in King Arthur's Court (1949) (Rhonda Fleming in Technicolor), Melba (1953) (Patrice Munsel in Technicolor), Kiss Me Kate (1953) (Kathryn Grayson in Anscocolor), The Student Prince (1954) (Ann Blyth in Anscocolor) and Song of Norway (1970) (Florence Henderson in Color by DeLuxe). As reported by A.H. Weiler in "The New York Times" on 8/3/1947, Deanna Durbin was being offered a black-and-white filming in Britain of The Beggar's Opera (1953), which ultimately featured Dorothy Tutin portraying Polly Peachum in Technicolor.
- GoofsAfter her bath Caroline changes into a clean white dress. However, she has had no access to her trunk where she would have kept her clothing. Such a voluminous dress couldn't have been stored in her hat-box or her small case, her only other luggage.
- Quotes
Miss McLean: [to Latham] You know the first time I saw you, you were riding in the park on a beautiful white steed. It was love at first sight. I'm convinced now it was the horse.
- ConnectionsReferenced in Hollywood on Trial (1976)
Featured review
You don't need to be a Deanna Durbin fan to find this film delightful. It should appeal to anyone who enjoys traditional musicals like "Oklahoma" and "Showboat".
Can't Help Singing is filled with humor and wit, played with a wink to the audience and genuine gusto--not dated in the least. Akim Tamaroff is especially funny; you can clearly see how he was the model for "Boris Badinov" in the "Bullwinkle" cartoons.
The songs are first rate; Kearn's melodies are beautiful and Harburg's lyric to "Californiay" is full of wit, creativity, and surprises; his other lyrics are well done, but nothing special.
Another layer of delight and interest to someone who knows about the history of movie musicals, like myself, is how far ahead of it's time this film is. The large majority of it is filled outdoors, a lot of it on location. This is unique and innovative in an era when virtually all musicals were filmed inside sound stages with some use of the studio back lot. One of the musical numbers features Durbin in outdoor locations which vary from shot to shot, while she continues to sing seamlessly. This is something that became common a decade or more later, but certainly pioneering in 1944.
Durbin and Paige are both fine singers, most likable, adept at playing the light humor their roles call for. This is a film that should be much better known and appreciated.
Can't Help Singing is filled with humor and wit, played with a wink to the audience and genuine gusto--not dated in the least. Akim Tamaroff is especially funny; you can clearly see how he was the model for "Boris Badinov" in the "Bullwinkle" cartoons.
The songs are first rate; Kearn's melodies are beautiful and Harburg's lyric to "Californiay" is full of wit, creativity, and surprises; his other lyrics are well done, but nothing special.
Another layer of delight and interest to someone who knows about the history of movie musicals, like myself, is how far ahead of it's time this film is. The large majority of it is filled outdoors, a lot of it on location. This is unique and innovative in an era when virtually all musicals were filmed inside sound stages with some use of the studio back lot. One of the musical numbers features Durbin in outdoor locations which vary from shot to shot, while she continues to sing seamlessly. This is something that became common a decade or more later, but certainly pioneering in 1944.
Durbin and Paige are both fine singers, most likable, adept at playing the light humor their roles call for. This is a film that should be much better known and appreciated.
- pacificgroove
- Sep 3, 2004
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- How long is Can't Help Singing?Powered by Alexa
Details
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.37 : 1
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