A police detective falls in love with the woman whose murder he is investigating.A police detective falls in love with the woman whose murder he is investigating.A police detective falls in love with the woman whose murder he is investigating.
- Won 1 Oscar
- 7 wins & 5 nominations total
Grant Mitchell
- Lancaster Corey
- (scenes deleted)
Dorothy Adams
- Bessie Clary, Laura's Maid
- (uncredited)
Terry Adams
- Woman
- (uncredited)
John Alban
- Executive
- (uncredited)
Wally Albright
- Newsboy
- (uncredited)
Bobby Barber
- Newsboy
- (uncredited)
Edward Biby
- Party Guest
- (uncredited)
Gary Breckner
- Narrator
- (uncredited)
James Carlisle
- Party Guest
- (uncredited)
Harry Carter
- Party Guest
- (uncredited)
Lane Chandler
- Detective
- (uncredited)
Bill Chaney
- Newsboy
- (uncredited)
Dorothy Christy
- Woman
- (uncredited)
Storyline
Did you know
- TriviaAccording to Producer and Director Otto Preminger, he had to work to win the respect of the cast, who all seemed "hostile" to him when he took over, with the exception of Clifton Webb. "I learned later", he said, "that Mamoulian had called each of them individually and warned them that I did not like their acting and intended to fire them." It was not true. Dame Judith Anderson decided to confront him on the set. She said that if he wasn't happy with her performance, then he should show her how to make it better.
- GoofsIn the initial long-shot when McPherson and Lydecker are out to dinner, McPherson's chair is unoccupied (about 15:28). When the camera is at their table, McPherson has materialized.
- Quotes
Waldo Lydecker: I don't use a pen. I write with a goose quill dipped in venom.
- Alternate versionsA scene cut from the theatrical version after its initial release was restored to the film in 1990. In it, Waldo Lydecker described how he transformed Laura's appearance and introduced her to high society. The studio worried that this obsession with decadent luxury would be offensive to WWII soldiers serving overseas, so the scene was deleted.
- ConnectionsFeatured in Vicki (1953)
Featured review
The first time I saw this film, about eight years ago I ended up almost losing a friend because I was hoarding the VHS copy he had lent me for about two months. After seeing it, I quite simply didn't want to give up the tape because in doing so, I wouldn't be able to watch it anytime I wanted to; and I did watch it anytime I wanted to, and often, until he threatened to call a Noir Intervention. I may have loved this film from the first viewing, but I wasn't prepared to deal with something like that, as entertaining as it may have been.
I fell in love with `Laura' because it is biting and evil, intelligent and surprising. The unfathomably gorgeous Gene Tierney plays the title character, an advertising executive whose best friend Waldo Lydecker (played by the always wonderful Clifton Webb) and fiancée Shelby, (a really young Vincent Price) are some of the prime suspects in her murder. The gruff detective leading the case (Dana Andrews) is Det. McPherson, and he quickly essentially falls in love with a ghost while he is trying to solve her murder.
`Laura' has one of the great Noir scripts in that just as the audience thinks they have the case solved, another curve ball is thrown at them which blows that theory out of the water. The acting is pure delightful melodrama, but Clifton Webb's performance is simply show-stopping. His character is a vicious snit of a writer who uses his column as a weapon against anyone he doesn't like or even tolerate. Even upon multiple viewings I can't help but howl at some of his lines and mannerisms.
If anyone was to request suggestions for good Film Noir movies, I would prescribe a heavy dose of `Laura' because it has something for everyone in that it is romantic, thrilling, mysterious, wickedly funny and above all, thoroughly entertaining.
--Shelly
I fell in love with `Laura' because it is biting and evil, intelligent and surprising. The unfathomably gorgeous Gene Tierney plays the title character, an advertising executive whose best friend Waldo Lydecker (played by the always wonderful Clifton Webb) and fiancée Shelby, (a really young Vincent Price) are some of the prime suspects in her murder. The gruff detective leading the case (Dana Andrews) is Det. McPherson, and he quickly essentially falls in love with a ghost while he is trying to solve her murder.
`Laura' has one of the great Noir scripts in that just as the audience thinks they have the case solved, another curve ball is thrown at them which blows that theory out of the water. The acting is pure delightful melodrama, but Clifton Webb's performance is simply show-stopping. His character is a vicious snit of a writer who uses his column as a weapon against anyone he doesn't like or even tolerate. Even upon multiple viewings I can't help but howl at some of his lines and mannerisms.
If anyone was to request suggestions for good Film Noir movies, I would prescribe a heavy dose of `Laura' because it has something for everyone in that it is romantic, thrilling, mysterious, wickedly funny and above all, thoroughly entertaining.
--Shelly
Details
Box office
- Budget
- $1,020,000 (estimated)
- Gross worldwide
- $151
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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