The story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.The story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.The story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.
- Nominated for 2 Oscars
- 2 nominations total
Photos
Margia Dean
- Chorus Girl
- (uncredited)
Eddie Kane
- Theater Manager
- (uncredited)
Harold Miller
- Havana Nightclub Patron
- (uncredited)
Gloria Petroff
- Caroline Jr. - age 5
- (uncredited)
Stanley Price
- Broadway Revival Producer
- (uncredited)
Storyline
Did you know
- TriviaPRC Studio's didn't garner many (if any) Oscar nominations, but did get one for the Paul Francis Webster, Harry Revel-penned; Remember Me to Carolina. Composer, Walter Donaldson, who wrote; Did I Remember, for the Jean Harlow film, Suzy (1936) thought the tunes were too similar. He sued for plagiarism, with the dispute settled out of court.
- GoofsAll entries contain spoilers
- ConnectionsEdited from Whom the Gods Destroy (1934)
- SoundtracksCindy
Lyrics by Paul Francis Webster (as Paul Webster)
Music by Harry Revel
Performed by Benny Fields (uncredited)
also performed by Judy Clark (uncredited)
Featured review
Only watch if you want a negative example of just how insulting old Hollywood could get. Contrary to the other reviews, minstrel and blackface was going strong until the 1950s and even made its way onto TV, until civil rights protests put an end to it. There was even blackface in films into the 1980s, Soul Man and Trading Places. (Yes, Tropical Thunder much later. But that was criticizing and mocking the practice of clueless whites portraying other races.)
The music is terrible and the comedy is far worse. Blackface was half imitating Black culture and half mocking Black people. But here the music is corny and tone deaf.
Blackface makeup can be incredibly jarring to see, to be reminded of just how deep racist hatred went to dehumanize Blacks. Here the mockery is also of Blacks who would dare to dress well or have money, for the clothes are over the top too.
Only see if you have a strong stomach and have a historical interest in Hollywood stereotypes.
The music is terrible and the comedy is far worse. Blackface was half imitating Black culture and half mocking Black people. But here the music is corny and tone deaf.
Blackface makeup can be incredibly jarring to see, to be reminded of just how deep racist hatred went to dehumanize Blacks. Here the mockery is also of Blacks who would dare to dress well or have money, for the clothes are over the top too.
Only see if you have a strong stomach and have a historical interest in Hollywood stereotypes.
- reymunpadilla
- Aug 13, 2023
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- El trovador de Broadway
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 7 minutes
- Color
- Aspect ratio
- 1.37 : 1
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