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Flying saucers and alien invasion movies were the trend in the 1950s. UFO sightings in Washington State in 1947 and the famous crash near Roswell, New Mexico in 1948 had ignited a fever for all things alien. The movies soon followed the public interest with films like The Thing from Another World (1951), The Day the Earth Stood Still (1951), War of the Worlds (1953), This Island Earth (1955), Earth vs. The Flying Saucers (1956), Invasion of the Saucer-Men (1957), and many more of varying levels of quality. Many of these science fiction/horror hybrids were aimed toward an audience of children and teenagers and often featured young people, but few placed the viewer so deeply in the child’s perspective as the 1953 classic Invaders from Mars.

In many ways, Invaders from Mars walked so that Invasion of the Body Snatchers could run just three years later. Much of this is due to its extremely low budget and independent production.

This year, all the Oscar-contending directors are nominated for original screenplay: the Daniels, Todd Field, Martin McDonagh, Ruben Östlund and Steven Spielberg (writing with Tony Kushner).

This is the first time it’s happened in AMPAS history.

The only year that came close was 2017, when all five helmers had written or co-written their scripts, though they didn’t all get writing noms.

So here’s Film History 101.

In Hollywood lore, Preston Sturges is often credited as the first scribe to become a hyphenate, as writer-director of the 1940 “The Great McGinty.” But as with all Hollywood “facts,” there is only an element of truth here.

In the next few years, he was joined by some heavyweights: Orson Welles (“Citizen Kane”) and John Huston (“The Maltese Falcon”) in 1941; Leo McCarey (co-writer of “Going My Way”); Billy Wilder (writing with Raymond Chandler) for “Double Indemnity” in 1944; and Joseph L. Mankiewicz (“Dragonwyck”), 1946.

However, a writer-director wasn’t an innovation.

With both title and central buddy dynamic tipping hat to “Superbad,” among other raunchy teen comedies, “Supercool” is not the kind of movie that wins prizes for originality. Nor is Finnish director Teppo Airaksinen’s first U.S.-shot, English-language project as outrageous as it thinks it is. Nonetheless, this energetic spin through high school antics redolent of everything since “Ferris Bueller” is colorful and amusing enough to entertain viewers looking for a familiar mix of bad-taste gags in a squeaky-clean suburban setting. Vertical Entertainment is releasing it to 20 U.S. theater screens as well as on-demand platforms Feb. 11.

Things commence with an over-the-top action sequence in which Neil (Jake Short) rescues classmate Summer (Madison Davenport) from the clutches of a masked maniac after she’s abducted from their school bus. But this turns out to be one more fantasy from Neil’s vivid imagination, which he channels into the...

Every once in a while a movie studio would ruin what might have been a masterpiece — and Preston Sturges’ last-released Paramount comedy suffered exactly that. “Triumph Over Pain” was supposed to be something new, a daring blend of comedy and tragedy. Studio politics intervened and tried to turn it into a straight comedy. Disc producer Constantine Nasr oversees two extras that explain what happened in full detail; it’s a fascinating story of a brillant and successful writer-director at odds with his studio bosses. Joel McCrea, Betty Field and William Demarest star — and the show is still entertaining despite its problems.

The Great Moment

Blu-ray

Kl Studio Classics

1944 / B&w / 1:37 Academy / 83 min. / Great without Glory, Immortal Secret, Morton the Magnificent, Triumph over Pain / Street Date February 1, 2022 / available through Kino Lorber / 24.95

Starring: Joel McCrea, Betty Field, Harry Carey, William Demarest, Louis Jean Heydt, Julius Tannen, Edwin Maxwell, Porter Hall, Franklin Pangborn,...

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.

Another Round (Thomas Vinterberg)

Superlatives are fatuous, but Mads Mikkelsen’s final dance in Another Round was possibly one of the finest scenes of the year. It is here that Thomas Vinterberg tips his hand: in turns devastating and rambunctious, his latest neither glorifies nor condemns the magic––and sorrows––of day-drinking, but conjures a surprisingly sober study of a midlife crisis, climaxing in this moment of blissful catharsis. As a character-defining moment, it’s up there with Denis Lavant’s pirouettes at the end of Claire Denis’ Beau Travail. – Leonardo G.

Where to Stream: Hulu

Audrey (Helena Coan)

Despite her status as one of the most iconic movie stars in history,...

The Criterion Channel has unveiled their March 2021 lineup, which includes no shortage of remarkable programming. Highlights from the slate include eight gems from Preston Sturges, Elaine May’s brilliant A New Leaf, a series featuring Black Westerns, Ann Hui’s Boat People, the new restoration of Ousmane Sembène’s Mandabi.

They will also add films from their Essential Fellini boxset, series on Dirk Bogarde and Nelly Kaplan, and Luchino Visconti’s The Damned and Death in Venice, and more. In terms of recent releases, there’s also Matthew Rankin’s The Twentieth Century and Claire Denis’ Let the Sunshine In.

Check out the lineup below, along with the teaser for the Black Westerns series. For weekly streaming updates across all services, bookmark this page.

The Adventurer, Charles Chaplin, 1917

Bandini, Bimal Roy, 1963

Behind the Screen, Charles Chaplin, 1916

Black Jack, Ken Loach, 1979

Black Rodeo, Jeff Kanew, 1972

Blood Simple, Joel and Ethan Coen,...

The Great McGinty

Blu ray

Kino Lorber

1940/ 1:33:1 / 82 min.

Starring Brian Donlevy, Akim Tamiroff

Cinematography by William C. Mellor

Written and Directed by Preston Sturges

If the story of a unscrupulous crook who rises to great political power hits a little too close to home these days, consider that in 1940’s The Great McGinty the mobster in question is a fundamentally decent gent who sacrifices his career to do the right thing. When the jig is up he high-tails it to the border, penniless but with a clean conscience. Current events require that Preston Sturges’ bittersweet political satire be filed under Fairy Tales.

The movie opens in a rowdy little dive in South America where the once and future lowlife Dan McGinty has made his new home, lording over the bar while dispensing equal amounts booze and wisdom. One poor fellow wanders in who could use a little of both.

Mubi's series Screwball Now & Then is showing November 21–December 21, 2019 in the United Kingdom.Preston Sturges was a writer and director who could pass muster as a percussionist; his deliciously black-hearted screwball comedies of the forties moved at a clip that would tongue-tie most screen performers today. Rhythm is integral to Sturges’ comedies and his characters move and speak so quickly they can get away with all kinds of things. In his beloved series of films of that decade—The Lady Eve (1941), The Palm Beach Story (1942), The Miracle of Morgan’s Creek and Hail the Conquering Hero (both 1944), among others—Sturges would help to perfect a very particular form of romantic comedy. That venerated form, known as screwball, reached its apotheosis in the late 1930s and early ‘40s, characterized by sharp verbal sparring, chaotic plot twists, and snappy pacing that veered from witticism to pratfalling as it pleased. In The Palm Beach Story,...

Really, I mean Preston Sturges' Hotel Haywire, because nobody's too interested in George Archainbaud, a Paramount contract director who had been directing for 20 years without helming a really memorable film (Thirteen Women, an uncomfortably racist pre-Code with Myrna Loy, is as exciting as it gets, and even that one is remembered chiefly for featuring the girl who threw herself off the Hollywood sign), He would continue for another 20, moving from B-westerns into TV westerns, without making anything else of particular note.Sturges wrote the script as part of his plan to get a long-term contract at Paramount. To particularly appeal to the suits there, he filled the story with roles for Paramount stars such as Mary Boland, Charles Ruggles, Fred MacMurray and Burns & Allen, none of whom were necessarily famous enough to carry a movie, but whose combined star-power might make an attractive investment for studio or future ticket-buyers.

"Holiday Ro-o-o-o-o-o-o-o-o-oad, Holiday Ro-o-o-o-o-o-oad..."

Hard to believe it's been 30 years since the Griswold family first took to the road in "National Lampoon's Vacation." Ever since its release on July 29, 1983, the landmark comedy seems a permanent fixture of pop culture, having created the signature roles of Chevy Chase, Beverly D'Angelo, and Randy Quaid's careers, having helped make stars out of Anthony Michael Hall and Jane Krakowski, and having helped launch the filmmaking career of John Hughes. The movie seems to play on an endless loop on TV, like the neighbors' slideshow of a nightmarish trip you were grateful not to have taken yourself. (Except, let's face it, you probably have a family road trip this disastrous in your past.)

Still, as many times as you've seen the film, there are some details you may have missed. Read on to learn about the in-jokes you haven't spotted, the scenes you didn't get to see,...

We're almost done with these quickie surveys of my favorites and yours from decades past. Herewith the 1940s which I hesitated jotting down as there are more classics from this decade that I haven't seen than in arguably any other. If I keep waiting until I've watched everything it would never be posted. In truth, I need a project which forces me to fully deal with the gaps in my 40s viewing. A pleasurable project it would be, surely. But for now, off the top of my list-manic head....

Black Narcissus (1947)

top ten

01 The Magnificent Ambersons (1942)

02 Casablanca (1943)

03 The Best Years of Our Lives (1946)

04 Meet Me in St Louis (1944)

05 Double Indemnity (1944)

06 Black Narcissus (1947)

07 Citizen Kane (1941)

08 Notorious (1946)

09 It's a Wonderful Life (1946)

10 Gilda (1946) 

with apologies to other greats

The Miracle of Morgan's Creek (1945), Beauty and the Beast (1948), Mildred Pierce (1945), The Lady Eve (1941), Red River (1948), The Bicycle Thief (1949), Pinnochio (1940)

honorable mention

Rope (1948), The Heiress...

This weekend brings what may be the year's ultimate clash of cinematic titans: Steven Spielberg's Lincoln battles The Twilight Saga: Breaking Dawn - Part 2 for the hearts, minds and wallets of America's moviegoers. Which one will take home the box-office gold? I think we all know the answer. Which one will take home the critical acclaim? We all know the answer to this question, too. Which one will your teenage daughter see? Hopefully, Lincoln. (Tell her that those who do not remember the past are condemned to fail their history exams.)

If you don't know Team Edward from Team Jacob and think the Civil War is so 19th century, how about a little French New Wave? On Saturday and Sunday at the Alamo South Lamar, the Austin Film Society presents Jacques Rivette's celebrated 1974 experimental narrative, Celine and Julie Go Boating (pictured above). This surrealistic tale recounts the adventures of two women who,...

Last Sunday night, I went to Alamo Ritz for this month's Cinema Club screening, The Miracle of Morgan's Creek. Cinema Club is a monthly(ish) series that focuses on older films, with a discussion of those films afterward. A special guest is invited who has expert knowledge of the film being shown, and the discussions are often lively and interesting.

This month's Cinema Club special guest was Joe Bob Briggs, as you can see in the center of the above photo. You might not associate the drive-in movie critic of Grapevine, Texas with Preston Sturges movies, but he knew all about Sturges' work for Paramount and the ways in which Sturges managed to push this surprisingly racy-for-its-time movie -- about a young woman who finds herself pregnant after a night with a lot of soldiers -- past the Production Code office. I love Preston Sturges films and 1930s screwball comedies in general,...

This gem from a former assistant to Michael Haneke centres on a group of visitors to France's famous site of pilgrimage

From Vittorio De Sica's Miracle in Milan to Preston Sturges's The Miracle of Morgan's Creek, the cinema has been fascinated by the miraculous, whether real, imaginary, fake or metaphorical. This gem of a film from an Austrian former assistant to Michael Haneke centres on a disparate international party of pilgrims visiting the Pyrenean village where Bernadette Soubirous saw visions of the Virgin Mary in 1858, providing the subject for the most famous example of the genre, The Song of Bernadette.

At the film's centre is the young, sweet-natured Christine (Sylvie Testud, Piaf's close friend in La Vie en rose), crippled with multiple sclerosis and a veteran of such organised trips both religious and cultural. She's accompanied by others confined to wheelchairs as well as the less handicapped, the pious,...

Instead of doing a cheesy list for Veteran's Day, we here at Fsr decided just to give a run down of all the war-type movies that we've covered over the years (the good, the bad, and the boots on the ground). Some of these you'll be able to pick up at the rental store on your way back home from work, but hopefully your employer was nice enough to give you the day off so you could sit back with a beer, some BBQ and a swelling fervor in remembrance of the monumental jobs done by the bravest members of our society. And since we're overloading here, we went ahead and included just about any flicks that involve soldiers and wartime. We even included some featuring those limey Brits! Look how far we've come since 1776. As an added challenge, why not watch all of them? The General (1927) Battleship Potemkin (1925) The Miracle of Morgan's Creek (1944) To Hell and Back (1955) Operation Petticoat...