Directed by
Henry King |
Writing Credits
Lamar Trotti | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Darryl F. Zanuck | ... | producer |
Music by
Alfred Newman |
Cinematography by
Leon Shamroy | ... | director of photography |
Ernest Palmer | ... | (uncredited) |
Editing by
Barbara McLean |
Art Direction by
James Basevi | ||
Wiard Ihnen |
Set Decoration by
Thomas Little |
Costume Design by
René Hubert |
Makeup Department
Guy Pearce | ... | makeup artist |
Production Management
R.L. Hough | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Joseph C. Behm | ... | assistant director |
Otto Brower | ... | second unit director (uncredited) |
Art Department
Paul S. Fox | ... | associate set decorator |
Hector Serbaroli | ... | painter: historic paintings (uncredited) |
Sound Department
Edmund H. Hansen | ... | sound |
Roger Heman Sr. | ... | sound |
E. Clayton Ward | ... | sound |
Visual Effects by
Fred Sersen | ... | special photographic effects |
Camera and Electrical Department
Dave Anderson | ... | electrician (uncredited) |
E. Truman Joiner | ... | key grip (uncredited) |
Costume and Wardrobe Department
Sam Benson | ... | wardrobe supervisor (uncredited) |
Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
Natalie Kalmus | ... | color director: Technicolor |
Richard Mueller | ... | associate color director: Technicolor |
Lyman Hallowell | ... | apprentice editor (uncredited) |
Music Department
Edward B. Powell | ... | orchestrator |
Additional Crew
Ray Stannard Baker | ... | technical advisor |
Jane Lockwood | ... | production staff |
Miles McCahill | ... | technical advisor |
Frances C. Richardson | ... | researcher (uncredited) |
Helen Webb | ... | researcher (uncredited) |