User reviews

In Bells Of Rosarita Roy Rogers steps out of any character and simply plays himself, Roy Rogers singing cowboy movie star. He's asked by Dale Evans who is playing a character to help save her circus and her ranch which the circus uses as headquarters from the clutches of the evil Grant Withers.

It's not a request directly from Dale. Rather it comes from the kids who make up the Robert Mitchell Boys Choir who love the circus and love the Roy Rogers films. What they want him to do is be the cowboy hero in real life that he is on the screen. Whatever else he was, Roy does feel an obligation to his public.

In a move worthy of a Mickey Rooney/Judy Garland film, Roy offers his services and that of fellow Republic cowboy heroes, Wild Bill Elliott, Allan Lane, Don Barry, Bob Livingston, and Sunset Carson for a show. The climax involves a robbery and a chase and these guys all form a posse with Roy. Would any gang of outlaws stand a chance with this posse?

The film also has a bit of humor with Roy remarking at one point after shooting off a tin chimney from a cabin where the outlaws are held up that he did that in a film once. And two of the others remark that in the final shootout that the blanks in their western guns aren't going to cut it. That was refreshing that these guys didn't take this all that seriously. Gave something for the adults in the audience to enjoy besides Dale Evans and her sidekick Adele Mara.

Bells Of Rosarita was a good one from Republic with Roy aided and abetted by the best posse any cowboy hero ever had. As Gabby Hayes would remark, 'you're durn tootin'.

Janet Martin who is listed in the supporting cast credits, has no lines and appears in only one short scene in the film Bells of Rosarita shot within the film we are watching. She played the lovely bride in the marriage scene and though she had no dialogue sang beautifully while riding off from the wedding celebration. Roy Rogers enters the scene and carries her off while riding on his horse. Miss Martin, played Mexican girls in several films though she was actually of Russian descent. Adele Mara, who was also in one of the lead roles was of Mexican descent, but rarely if ever played a Mexican seniorita. Both, played polynesians in their roles in the film "Call of the South Seas."

In many of Roy Rogers' pictures, he plays characters named Roy or even Roy Rogers. In "Bells of Rosarita", however, he plays a fictional version of the movie cowboy star! Sounds confusing? I'll try to explain:

When the film starts, Gabby (Gabby Hayes...but he's NOT playing Gabby Hayes the actor...just a guy named Gabby) and Sue (Dale Evans) meet up and head west to Hollywood. On the way, they wander into the middle of the filming of a Roy Rogers film and they soon make friends with the gosh-darned nice actor. However, a jerk is trying to steal out the circus from underneath a nice lady. Roy responds by calling the other B-western stars from Republic Studios and they plan on putting on a charity event to help her.

It is a bit strange to see Roy playing an idealized version of the actor, Roy Rogers...and Dale and Gabby NOT playing themselves! Odd...but also interesting and fun...like most Rogers' films. And, while not among his best, it's quite good and great for his fans.

This is a very good Roy Rogers feature, perhaps among the best of his many B-Westerns. It is, as usual, primarily light entertainment, with a lot of humor and music, and this time there is some clever irony deriving from the setting - Roy plays himself, acting in a cowboy feature and at the same time getting involved in a situation that in some respects parallels his film. Dale Evans and Gabby Hayes complete the picture, and there are short appearances by several other Western stars of the era.

The story starts with Dale and Gabby heading west to try to save a circus that belonged to the father of Dale's character, while the unscrupulous Ripley (Grant Withers) has plans to take it over himself by any means necessary. As soon as Dale and Gabby arrive, they find themselves mixed up in a scene from the movie (whose title is also "Bells of Rosarita") that Roy and Bob Nolan are shooting. It's a funny scene, and cleverly done, and it sets up the story that follows as well as establishing the connection between film and reality. Most of the actual plot is not to be taken too seriously - the villains are, as usual, pretty incompetent - but it has a very pleasant tone, and a pretty good variety of action and entertainment.

This is very good for a B-Western, and certainly recommended for any fan of Roy Rogers or for those who like Westerns of the era.

Roy rogers, dale evans, and gabby hayes, of course. He was in just about every western ever made. When sue farnum inherits a circus, she tries to make a profit, in spite of those working against her! Lots of film within-a-film stuff. It's pretty dated at this point, but good to see the big stars of hollywood westerns. The boys choir sings a couple songs. Directed by frank mcdonald. He had started in talkies, then moved into television series. Story by jack townley. Songs by robert mitchell boy choir and sons of the pioneers. Under a blanket of blue by...dale evans! Roy sings "singing down the road". And in a bizarre bit, we see trigger's back end kind of swinging back and forth while roy sings. Weirdest thing ever. It's exactly what you expect from a roy rogers western. A sixty eight minute shortie from republic pictures.

Here is a pacey work that employs standard elements to be found in Republic Pictures' contemporary Western films starring Roy Rogers, including the familiar plot artifice of shooting a movie within another, cowboys on horseback chasing motor vehicles bearing villains, musical interludes that interrupt the action at random, et alia, with an additional device utilized herein: "cameos" from cowpoke stars under contract with Republic: Wild Bill Elliott, Robert Livingston, Allan Lane, Don "Red" Barry, and Sunset Carson. Sue Farnum (Dale Evans) has been willed her father's traveling circus but his erstwhile partner Bill Ripley (Grant Withers) intends to take it from her as she cannot locate a receipt confirming that her sire had repaid a loan enabling him to gain title to the big top company, and when she and her employee and friend Gabby Whittaker (Gabby Hayes) accept aid from her dad's pal Slim Phillips (Addison Richards), the three, along with Slim's daughter and troupe entertainer Patty (Adele Mara), entrain to the southern California fictional town of Cabrillo wherein Slim believes he will locate the missing receipt, thereby ending Sue's plight. The Forces of Evil soon kidnap Slim but subsequent events are but ill-explained by a slapdash screenplay that accords space for eight musical numbers (not counting repeats) and while Rogers plainly is tasked, as is his wont, with rescuing a city-bred damsel in distress, he is equally motivated by a primal need to burst into song, a predilection shared with, among others, Evans, Mara, Janis Martin, and the baritone Bob Nolan-led Sons of the Pioneers. This lower case effort benefits from a panoply of Republic casting roster supporting players from whom, despite the film's following the accepted trend of Rogers "B" Westerns, a number of telling performances will be enjoyed from uncredited actors (including dancing girls!); Hayes reprises his wearisome shtick that he displays in each of his movies, even to the phrases, but Evans has a clamp on the acting laurels with a vivacious turn, while able editing supervised by Arthur Roberts makes for a snappily moving although somewhat goofy picture.

This Roy Rogers film has everything we love about the genre. Co-starring Trigger, Gabby Hayes, Dale Evans, Bob Nolan and the Sons of the Pioneers. It carries the bonus of guest appearances of Wild Bill Elliott, Allan Lane, Don 'Red' Barry, Robert Livingston and Sunset Carson. The action with the good guys riding after the bad guys and realizing they are firing blanks is a great touch. The Robert Mitchell Boys Choir is terrific and blend their voices with Roy! You will really enjoy the scene featuring the rodeo/circus parade which Sheriff has said is not allowed. Our family rates this one in the top five of Roy's films. Hope you enjoy it too! Happy Trails! -Revran

Sue Farnum is in danger of losing her recently inherited circus, so she has a friend Slim Philips come out west with her (along w/ his daughter Patty) to see what can be done. While out west, the group encounters Roy filming his latest movie, and when Roy discovers the plight of Sue, he helps by staging a circus show w/ Republic's biggest B western names (Bill Elliott, Allan Lane, Sunset Carson, Don Barry, and Robert Livingston. John Wayne was out of town). The biggest obstacle is Ripley, Farnum's partner in the circus, who is trying to claim the circus as his own by trying to destroy a receipt that Farnum paid off his share of the circus, even kidnapping Philips to get it. Roy and the gang go to save the day before the show must get on. This B western has everything a fan can want from the genre: Action, Thrills, Humor, Singing, and done so well. Every performer is at the top of their game and it shows, as well as script, directing, and score. Favorite moments for me are the "funeral procession" as well as Roy Barcroft commenting on the crooks hanging around. Rating, based on B westerns, 10.

In one scene, Don "Red" Barry is called to the phone during the shooting of one of his films. This is evidently a modern day film since he is dressed in 1940's attire, not western clothes. As he leaves the movie set to answer the phone off stage, look at the actress who has been in the scene with him. Her hair is done up in a fashionable upsweep and she is wearing a long designer gown. This is Helen Talbot who appeared in some of Barry's films. Since she was a contract actress, Republic put her in films just as "set decoration." Although this film was shot about the time of THE CHICAGO KID, in which Barry co-starred with Lynne Roberts, the "movie scene" was not part of the film and was included just to give the flavor of behind-the-scenes at Republic.

This Republic Pictures production has been a favorite of mine since I've seen it on a DVD for the less few years. Not only did I like seeing Roy Rogers and the appealing Dale Evans together, but I did like seeing Gabby Hayes, who was likable and garrulous as always. Too, it was good seeing Bob Livingston, Don "Red" Barry, Sunset Carson, and two of my favorites-Allan Lane and Bill Elliott. What brought about a lot of joy as well was hearing Bob Nolan and the Sons of The Pioneers. Roy Barcroft must have been born as mean as mean could be, since he played very aptly a scheming crook, as he did in many westerns. It was comical in places, even though it was not actually a comedy, per se.(Naturally, Gabby Hayes contributed to that comic relief.) I did like the excitement in it as well. The story is simple: Sue Farnum (played by Evans) comes from the East to Hollywood after she learns that her late father's circus, and the orphanage he had once had built, might go under because a necessary document cannot be found. Will a show with, again, some of the top cowboys in Hollywood save the circus? That is basically the storyline. Again, it's very exciting and entertaining, and one of my favorite B-rated westerns. Yes, it made for a wonderful cowboy reunion.

Dale Evans and her late father's longtime friend Gabby Hayes come to see Addison Richards at his ten-in-one. Grant Withers is claiming an unpaid debt to seize all the estate's property, but Richards remembers it being paid just before he sold his share of her father's show to him. The receipt would be in the safety deposit box the two of them kept at the bank. So they all head out to California and the family ranch, where the circus is being stored, as well as the orphaned children of circus performers. Republic Pictures is shooting a Roy Rogers western on the ranch, and it's called Bells of Rosarita. When Richards is kidnapped before he can get to the bank box, Roy sees the chance to play a cowboy hero in real life, so he calls up Republic's other western stars -- Bob Nolan being allergic to horses -- and....

The music is good, if not as good as in other Rogers vehicles, but it doesn't matter, with the reality-bending jokes and general good humor. Director Frank MacDonald may not have been Republic's best western director, but he was a pretty comedy one for handling comedy, and there's plenty of that here. With Adele Mara, the Robert Mitchell Boy's Choir, AND Bill Elliott, Alan Lane, Robert Livingston, and Sunset Carson.

Bells of Rosarita (1945)

*** (out of 4)

A rather original Western has Roy Rogers and Republic Pictures in a small town filming a movie when he gets involved with a young woman (Dale Evans) who is about to lose her property due to a bad debt of her dead father. It turns out that the father actually paid the debt but there's just no proof so Roy comes to the rescue with a bunch of other Republic cowboys (Don Berry, Bill Elliott, Bob Livingston, Sunset Carson, Allan Lane). Say what you want about the "B" Westerns but I think even the most jaded people would have to give this film credit for at least being original and fun. The entire set-up of the movie production added a real twist to an already familiar story and it took this movie to a new level. Had the film simply told the story of a pretty girl being cheated out of her land then that's really nothing new. Added to the story of a movie studio and real actors coming to the rescue was a neat little trick and really sealed the deal. I thought there were some funny moments where the film takes shots at movies, cowboy stars and that type of thing and we even get a funny joke aimed at John Wayne. As you'd expect, Rogers fits his role just fine and comes across very charming during the more tender scenes but also a real action star during the fights. He gets to sing several tunes including the title track, the catchy "I'm Going to Build a Big Fence Around Texas," and a highly entertaining sequence when we get "When the Circus Comes to Town." Evans, as usual, makes for a good lead lady and we get some nice support from the one and only Gabby Hayes. The other Republic cowboy stars just make cameos but it's nice seeing everyone together and it certainly adds to the film. BELLS OF ROSARITA isn't a John Ford masterpiece but it's quite fun with a good story, fun songs and some nice action.