Laird Cregar stars as George Harvey Bone, a turn of the 20th century London composer. He's busy working on a concerto, but gets distracted by a chanteuse named Netta Longdon (Linda Darnell). He gets his heart broken by this self-serving lady, who's only interested in what he can do for her. Meanwhile, he keeps suffering prolonged "episodes" - brought on by loud, discordant noises - and he can't remember what he does or where he goes during these periods. As it turns out, he becomes impulsively murderous.
"Hangover Square", named for the London address at which Bone resides, was scripted by Barre Lyndon, based on a novel by Patrick Hamilton. Sadly, it would turn out to be the final picture for Cregar, who suffered the ill effects of an attempted crash diet. But he certainly goes out in style, creating a vivid character who's far more sympathetic than the character he played for director John Brahm in "The Lodger". While the other cast members are good, this largely remains his show - one that his character sees through to the bitter end.
Darnell and the equally lovely Faye Marlowe are intoxicating as the women in his life. One does feel disgruntled on Bones' behalf when Netta reveals her true colours. George Sanders is his typical classy, dapper self as an analyst working for Scotland Yard. Glenn Langan is amusingly smarmy as Bones' rival for Nettas' affections. And Alan Napier, Michael Dyne, and Frederic Worlock lend able support in various other roles.
While the excellent black & white cinematography by Joseph LaShelle is definitely a key element, the film works best as a marriage of image and music. Bernard Herrmann is one of the most valuable assets that the film can boast, as his lush score & concerto provide the perfect accompaniment for these melodramatic goings-on.
One clever highlight: Bone taking advantage of a fiery Guy Fawkes celebration night.
Eight out of 10.
