Metacritic reviews

Hope and Crosby accomplished a rare thing, an ad-libbed, brilliantly performed surrealistic romp through the fourth wall of studio convention. Their comic timing has to be seen to be believed, and Road to Utopia is the place to go to be converted.

A blizzard of fractious sport and clowning, a whirlwind of gags and travesty, a snowdrift of suffocating nonsense.

It's one of the most consistently funny films in the “Road” series, though by this late point (1945) the manic unpredictability of the early films has settled slightly into formula.

Once again, animals talk, sight gags abound, and the complementing temperaments of Hope and Crosby are mined to great advantage.

A typical Road movie (Utopia being Alaska), this has Lamour oscillating between Bob and Bing for possession of both halves of the map to her goldmine. But kiss-kiss and moonlight serenading aside, it's always the quipping rivalry of the duo that rules.

Technically picture leaves nothing to be desired. Paul Jones, producer, and Hal Walker, who directed, make a fine combination in steering and in the production value provided.

Perhaps the farthest out of the Bob Hope--Bing Crosby road pictures. Some of the patter is pure, relaxed craziness, but the topical jokes and the awful quips keep pulling it down.