IMDb RATING
6.3/10
1.9K
YOUR RATING
Tough dance hall girl working for the local villain falls for a cowboy trying to clean up the town.Tough dance hall girl working for the local villain falls for a cowboy trying to clean up the town.Tough dance hall girl working for the local villain falls for a cowboy trying to clean up the town.
- Nominated for 2 Oscars
- 2 nominations total
S.Z. Sakall
- Sacha Bozic
- (as S.Z. 'Cuddles' Sakall)
Pedro de Cordoba
- Ricardo Torreon
- (as Pedro De Cordoba)
Eddie Acuff
- Gawking Townsman
- (uncredited)
Victor Adamson
- Barfly
- (uncredited)
Fred Aldrich
- Townsman
- (uncredited)
Walter Bacon
- Townsman
- (uncredited)
Ray Beltram
- Townsman
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe song "Some Sunday Morning", written for this movie, went on to be hit records for numerous singers of the 1940s, including Frank Sinatra, Helen Forrest and Dick Haymes.
- GoofsWhen Clay Hardin tells the driver to turn the coach around at the end, the long shot shows his horse tied to it. However, just before this shot, Bozic sees Hardin's 'empty' horse running free.
- Quotes
Clay Hardin: [about the dance] Took me years to pick up.
Jeanne Starr: It must have been the only thing that took you that long.
Clay Hardin: Well, we don't get pretty girls like you down here often. Guess that's why we have to pay for it.
- ConnectionsEdited into Cheyenne: Star in the Dust (1956)
- SoundtracksSome Sunday Morning
Music by M.K. Jerome and Ray Heindorf
Lyrics by Ted Koehler
Sung by Alexis Smith (dubbed by Bobbie Canvin) (uncredited)
Featured review
San Antonio is directed by David Butler and written by Alan Le May and W. R. Burnett. It stars Errol Flynn, Alexis Smith, Paul Kelly, S.Z. Sakall, Florence Bates and Victor Francen. Music is by Max Steiner and cinematography by Bert Glennon.
It's always interesting to compare Errol Flynn's Westerns, his work in a genre he was not overly fond of. Depending on your Western genre proclivities of course, there's a mix of the old fashioned type, where Errol flirts and is heroic, or the more serious ones where his heroism is underplayed. San Antonio is the former.
Plot has Flynn as Clay Hardin, who is the man who can prove that town impresario Roy Stuart (Kelly) is the man responsible for the rampant cattle rustling going on in the state. There's agendas gnawing away in the plot, romantic dalliances that bring the delightful Alexis Smith into prominence, and of course there's frothy comedy light relief - the proviso here is if Sakall and Bates' thing doesn't irritate you?
Flynn is ace, athletic with a handsomeness that's rarely been bettered in Hollywood, to which here he's on lovable rascal form, playing off of Smith with appealing skill. Smith is a strong foil for her leading man, holding her end up in both stern characteristics and comedy angles. While it's always great to find Kelly in a villain role, here getting his teeth into it for much viewing reward.
Unfortunately this really could have done with a better director, the blend of drama and comedy seemingly uneasy in Butler's hands. The big denouement between hero and villain is a damp squib, which is a shame as we are in the ruins of The Alamo, a poignant piece of architecture that positively demands a more extended and vigorous finale. Elsewhere, Glennon's photography is pleasing if lacking in exterior splendours, and Steiner's score will sound familiar to anyone already familiar with his work.
Gloriously pretty, vibrant and colourful, it's well weighted with good production values and a solid cast, but as fun as it is it does lack some urgency ingredients to be great. 7/10
It's always interesting to compare Errol Flynn's Westerns, his work in a genre he was not overly fond of. Depending on your Western genre proclivities of course, there's a mix of the old fashioned type, where Errol flirts and is heroic, or the more serious ones where his heroism is underplayed. San Antonio is the former.
Plot has Flynn as Clay Hardin, who is the man who can prove that town impresario Roy Stuart (Kelly) is the man responsible for the rampant cattle rustling going on in the state. There's agendas gnawing away in the plot, romantic dalliances that bring the delightful Alexis Smith into prominence, and of course there's frothy comedy light relief - the proviso here is if Sakall and Bates' thing doesn't irritate you?
Flynn is ace, athletic with a handsomeness that's rarely been bettered in Hollywood, to which here he's on lovable rascal form, playing off of Smith with appealing skill. Smith is a strong foil for her leading man, holding her end up in both stern characteristics and comedy angles. While it's always great to find Kelly in a villain role, here getting his teeth into it for much viewing reward.
Unfortunately this really could have done with a better director, the blend of drama and comedy seemingly uneasy in Butler's hands. The big denouement between hero and villain is a damp squib, which is a shame as we are in the ruins of The Alamo, a poignant piece of architecture that positively demands a more extended and vigorous finale. Elsewhere, Glennon's photography is pleasing if lacking in exterior splendours, and Steiner's score will sound familiar to anyone already familiar with his work.
Gloriously pretty, vibrant and colourful, it's well weighted with good production values and a solid cast, but as fun as it is it does lack some urgency ingredients to be great. 7/10
- hitchcockthelegend
- Sep 22, 2018
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Details
Box office
- Budget
- $2,000,000 (estimated)
- Runtime1 hour 49 minutes
- Aspect ratio
- 1.37 : 1
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