IMDb RATING
6.4/10
1.6K
YOUR RATING
An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.
- Nominated for 2 Oscars
- 2 nominations total
Jean Aloise
- Dancer
- (uncredited)
Carol Andrews
- Dolly
- (uncredited)
Maxine Ardell
- Dancer
- (uncredited)
Charlene Arnold
- Flapper
- (uncredited)
Gene Ashley
- Dancer
- (uncredited)
Walter Bacon
- Restaurant Patron
- (uncredited)
Valmere Barman
- Dancer
- (uncredited)
Jackie Barnett
- Dancer
- (uncredited)
Dorothy Barrett
- Showgirl
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAfter Fred Astaire announced his retirement before completing this film, New York's Paramount Theater generated a petition of 10,000 names to persuade him to come out of retirement.
- GoofsAt the beginning of the movie, which is just after World War I, the Crosby character tells the De Wolfe character to do his Frankenstein routine. The Frankenstein character he does is based on Boris Karloff's 1931 version which some ten years or so in the future. At that time in the movie Frankenstein was just a creature in Mary Shelly's book.
- Quotes
Jed Potter: Song and Dance Man.
Johnny Adams: Song and Dance Man, that's right.
Jed Potter: He didn't remember it then, how could he know it now?
Johnny Adams: Oh, get out, I bet I could do it right now, the whole thing.
- ConnectionsFeatured in The Dick Cavett Show: Fred Astaire (1970)
- SoundtracksA Pretty Girl Is Like a Melody
Words and Music by Irving Berlin (1919)
Sung by Fred Astaire
Danced by Fred Astaire, Joan Caulfield, chorus
Featured review
Fred Astaire, Bing Crosby, and Joan Caulfield star in "Blue Skies," a 1946 musical film also starring Billy de Wolfe and Olga San Juan. The film starts with Jed (Astaire) on the radio telling the story of his buddy Johnny's (Crosby) relationship with Mary (Caulfield), and saying that he hoped Mary, wherever she was, would hear him. Both Jed and Johnny had been in love with her, but she had chosen Johnny.
The story of this love triangle is backed up by one Irving Berlin song after another - there is a lot of music, some fine singing by Crosby and tremendous dancing by Astaire. This was to be his last film but his retirement only lasted a couple of years. He worked in film until 1977 and continued working in television and doing voiceovers until 1981; he died in 1987. In the late '50s, he did two dance specials on television, and he did one in 1968. Was he dancing at the age of 69? Probably.
The movie doesn't really hang together. The production values are great, but the story is trite, and there aren't enough fabulous numbers. Astaire does "Puttin' on the Ritz," which is the height of the film, also "Heat Wave," and with Crosby, "A Couple of Song and Dance Men." There is a section during World War II where Crosby sings some of his Berlin standards, "This is the Army, Mr. Jones," "White Christmas," and "Any Bonds Today?" The beautiful "Always" is done as a chorus number, as is "How Deep is the Ocean," with Crosby sometimes singing along.
Having heard Crosby when he had something to prove back in the early '30s, I can never be content with his crooning, except perhaps in some parts of "Holiday Inn." Astaire is the one who makes this film worthwhile at all. See it for him and for some of the music and musical numbers. Ignore the story.
The story of this love triangle is backed up by one Irving Berlin song after another - there is a lot of music, some fine singing by Crosby and tremendous dancing by Astaire. This was to be his last film but his retirement only lasted a couple of years. He worked in film until 1977 and continued working in television and doing voiceovers until 1981; he died in 1987. In the late '50s, he did two dance specials on television, and he did one in 1968. Was he dancing at the age of 69? Probably.
The movie doesn't really hang together. The production values are great, but the story is trite, and there aren't enough fabulous numbers. Astaire does "Puttin' on the Ritz," which is the height of the film, also "Heat Wave," and with Crosby, "A Couple of Song and Dance Men." There is a section during World War II where Crosby sings some of his Berlin standards, "This is the Army, Mr. Jones," "White Christmas," and "Any Bonds Today?" The beautiful "Always" is done as a chorus number, as is "How Deep is the Ocean," with Crosby sometimes singing along.
Having heard Crosby when he had something to prove back in the early '30s, I can never be content with his crooning, except perhaps in some parts of "Holiday Inn." Astaire is the one who makes this film worthwhile at all. See it for him and for some of the music and musical numbers. Ignore the story.
- How long is Blue Skies?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Blau ist der Himmel
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Runtime1 hour 39 minutes
- Aspect ratio
- 1.37 : 1
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