IMDb RATING
6.7/10
9.8K
YOUR RATING
Beautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.Beautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.Beautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.
- Nominated for 2 Oscars
- 1 win & 4 nominations total
Griff Barnett
- The Bordertown Jailer
- (uncredited)
John Barton
- Party Guest
- (uncredited)
Storyline
Did you know
- TriviaAccording to King Vidor, director Josef von Sternberg was hired only as a lighting expert by David O. Selznick in order to give his wife--and the film's star--Jennifer Jones a more glamorous look.
- GoofsThe opening shows saguaro cacti in the valley. The film is supposed to take place in Texas, but southern Arizona is the only place in the US with saguaro cacti, unless they've been transplanted.
- Quotes
The Sinkiller: Under that heathen blanket, there's a full-blossomed woman built by the devil to drive men crazy.
- Alternate versionsThe original "roadshow" version ran 144 minutes. The additional 16 minutes, over the commonly-shown 128 minute version, consisted of a musical "prelude," an "overture" (which contained a spoken prologue, by Orson Welles), and exit music, but no additional scenes in the film. The two additional opening sequences were each inadvertently given the other's label.
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Featured review
The restored "Road Show" DVD of David O. Selznick's production of "Duel in the Sun" is a most impressive experience. What this restoration has done is to place the viewer back to 1946 at the premiere itself.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
Details
- Release date
- Country of origin
- Language
- Also known as
- King Vidor's Duel in the Sun
- Filming locations
- Tucson Mountain Park, Tucson, Arizona, USA(final duel)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $20,408,163
- Gross worldwide
- $20,428,771
- Runtime2 hours 9 minutes
- Aspect ratio
- 1.37 : 1
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