IMDb RATING
7.4/10
2.8K
YOUR RATING
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during World War II.After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during World War II.After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during World War II.
- Awards
- 1 nomination total
Wilhelm Borchert
- Dr. Hans Mertens
- (as W. Borchert)
Albert Johannes
- Bartolomaeus Timm
- (as A. Johannes)
Christian Blackwood
- Otto
- (uncredited)
Michael Günther
- Herbert
- (uncredited)
Christiane Hanson
- Dienstmädchen
- (uncredited)
Käthe Jöken-König
- Kundin
- (uncredited)
Wanda Peters
- Schwester
- (uncredited)
Featured reviews
"Die Morder sind unter uns" is a film about guilt,helplessness and incapacity.Its story is told through two main protagonists: Dr.Mertens (Ernst Wilhelm Borchert) and Suzanne Wallner (Hildegard Knef).Mertens is a doctor by profession yet he is an angry man as he hates the fact the war has killed countless innocent people. He is horrified to personally experience that in all wars pawns are always sacrificed to save the king. It is equally hard for the photographer Suzanne Wallner to forget her past. She gets tremendous shock as upon her arrival she finds that her city has turned into a pitiful heap of rubble. Both of them are lonely souls.In this film there is a villain too. He appears in the form of an evil Nazi man Bruckner.Die Morder sind unter uns was the first film made by DEFA (Deutsche Film Aktiengesellschaft). It might appear rather unusual but this film has film noir kind of looks. Expectations were very high with this film. Staudte was triumphant to have created a ground-breaking film. In the original version of the script Bruckner is shot by Mertens.This end was changed on the wishes of the Soviet Cultural officer Dymshitz as he reckoned that a notion of self justice should not be propagated.Staudte was fortunate enough to have Soviet side willing to produce the film as it was rejected by English and American military authorities.Die Morder sind unter uns occupies a unique place in world cinema history as it established the antifascist genre in DEFA film.
Having just seen this movie for the first time, I'll agree with some of the other comments.
The acting seems theatrical, at times almost political. The movie would make a great double with "The Third Man".
What struck me was the significance of this movie. That the Soviets are the ones that made it possible. That forgiveness (and legal justice) not revenge were the goals to move past the horrors of life, a message only brought about by the Soviets changing the ending. Not having known the history of this movie, I wondered about the soviet involvement, when in one street scene children were playing within a stones throw of a wrecked soviet tank. (Or was it wrecked?).
It was made in 1946. I can only imagine the hardship for everyone overrun by the wars destructive path. This movie plainly shows that life does continue.
The acting seems theatrical, at times almost political. The movie would make a great double with "The Third Man".
What struck me was the significance of this movie. That the Soviets are the ones that made it possible. That forgiveness (and legal justice) not revenge were the goals to move past the horrors of life, a message only brought about by the Soviets changing the ending. Not having known the history of this movie, I wondered about the soviet involvement, when in one street scene children were playing within a stones throw of a wrecked soviet tank. (Or was it wrecked?).
It was made in 1946. I can only imagine the hardship for everyone overrun by the wars destructive path. This movie plainly shows that life does continue.
"Die mörder sind unter uns" takes place in Berlin in ruins and features three main characters:Susanne (Hildegarde Knef),a survivor from the concentration camps;a former army medical officer,haunted and tormented by what he did and saw;a former nazi officer who feels no remorse because "he used to obey".
Susanne ,played by gorgeous Knef,wants to pick up the pieces.She's the strongest character of the movie .She comes back from hell,so what could be worse?To her Xmas means forgiveness and she knows that death breeds death.When he sees her take care of the seedy flat,the doctor first shrugs,but soon he will use his radiographs to replace the panes. Biggest flaw:it's impossible to believe that Susanne is just out of a camp:actually she seems to go out of a beauty parlor.
The doctor is a human wreck who heavily drinks to forget the war horrors.It's only when he meets again his former superior that he rouses himself from his lethargy.Although he feels hatred and thirst of revenge,he is not devoid of compassion:when he takes the man he wants to kill to a desert place among the ruins ,he heeds the call of a desperate mother:it's the most emotional sequence of the movie.
On the other hand,the officer behaves as if the war had never happened:the parallel between the two Xmas celebrations(past and present) climaxes the movie .The director chose a good-natured actor,nothing like the nazi villain we generally meet.
The directing shows Fritz Lang's (and expressionism) influence:the huge shadow on the criminal recalls the little girl with the balloon scene in "M".And along with "the third man",the movie had a strong influence on two movies: -"the man between"(1953),another Carol Reed movie :James Mason's character resembles the doctor of this movie.
-and mainly,mainly, Rosselini's "Germania anno zero"(1948),which dwarves "die mörder sind unter uns".People who enjoyed Staudte's movie should see the Italian genius's masterpiece.
Susanne ,played by gorgeous Knef,wants to pick up the pieces.She's the strongest character of the movie .She comes back from hell,so what could be worse?To her Xmas means forgiveness and she knows that death breeds death.When he sees her take care of the seedy flat,the doctor first shrugs,but soon he will use his radiographs to replace the panes. Biggest flaw:it's impossible to believe that Susanne is just out of a camp:actually she seems to go out of a beauty parlor.
The doctor is a human wreck who heavily drinks to forget the war horrors.It's only when he meets again his former superior that he rouses himself from his lethargy.Although he feels hatred and thirst of revenge,he is not devoid of compassion:when he takes the man he wants to kill to a desert place among the ruins ,he heeds the call of a desperate mother:it's the most emotional sequence of the movie.
On the other hand,the officer behaves as if the war had never happened:the parallel between the two Xmas celebrations(past and present) climaxes the movie .The director chose a good-natured actor,nothing like the nazi villain we generally meet.
The directing shows Fritz Lang's (and expressionism) influence:the huge shadow on the criminal recalls the little girl with the balloon scene in "M".And along with "the third man",the movie had a strong influence on two movies: -"the man between"(1953),another Carol Reed movie :James Mason's character resembles the doctor of this movie.
-and mainly,mainly, Rosselini's "Germania anno zero"(1948),which dwarves "die mörder sind unter uns".People who enjoyed Staudte's movie should see the Italian genius's masterpiece.
Unit 5 film discussion Matt Butcher The Murderers Are Among Us is a film made immediately after World War II in East Germany. The melancholy of the film is derived from its main characters, a female concentration camp survivor who returns to her old apartment to find it occupied by an ex-military doctor. This military doctor drives the main conflict of the film in that his conscience is slowly eating away at him for his apparent actions during the war.
In this regard, the film acts as a conscience for the people of East Germany, slowly asking themselves about their past and how they are going to live with it. It was a tumultuous period of reconciliation that the Germans were trying to live through. This movie tries to act on those feelings.
Silberman notes that another film of this time, Rotation, "constructs a narration based on identification and emotional catharsis rather than on the cognitive terms of epic distanciation." The Murderers Are Among Us also tries to wipe the slate clean. It comes out and admits that what happened was wrong, hence the horrible feelings that the doctor is going through. They cannot completely distance themselves from these previous events, these earth-shattering events, unless they work through these feelings.
In this regard, the film acts as a conscience for the people of East Germany, slowly asking themselves about their past and how they are going to live with it. It was a tumultuous period of reconciliation that the Germans were trying to live through. This movie tries to act on those feelings.
Silberman notes that another film of this time, Rotation, "constructs a narration based on identification and emotional catharsis rather than on the cognitive terms of epic distanciation." The Murderers Are Among Us also tries to wipe the slate clean. It comes out and admits that what happened was wrong, hence the horrible feelings that the doctor is going through. They cannot completely distance themselves from these previous events, these earth-shattering events, unless they work through these feelings.
"The murderers are among us" is a remarkable and ground breaking film: the first German film made after the war. Just for this it deserves wider recognition.
Filmed in the actual ruins of Berlin in 1945/46, this film tells many stories on many levels. Excellent black & white imagery and camera work which really captures the mood and setting.
There is emotional, psychological and physical devastation here. Everything and everyone is ruined, the future wiped away replaced only by recent horrors and appalling choices. "War forces us to choose between greater or lesser evils..."
Hildegard Knef (Suzanne) is beautiful and restrained. She wants a "normal life", whatever that is, in post-apocalyptic Berlin, and will fashion it from what comes to hand. Her past, in a concentration camp, is so bad, that it is not mentioned by her or the film makers, only hinted at. Wilhelm Borchert (Dr Hans Mertens) has also returned from war. He is hopelessly damaged... No spoilers.
Although acted expertly, Knef's story doesn't quite hold up, hence the 7 and not higher. But otherwise this film is limited only by the circumstances and zero resources.
A very interesting and worthwhile film. Watch The Murderers Are Among Us and see what you think. T.
Filmed in the actual ruins of Berlin in 1945/46, this film tells many stories on many levels. Excellent black & white imagery and camera work which really captures the mood and setting.
There is emotional, psychological and physical devastation here. Everything and everyone is ruined, the future wiped away replaced only by recent horrors and appalling choices. "War forces us to choose between greater or lesser evils..."
Hildegard Knef (Suzanne) is beautiful and restrained. She wants a "normal life", whatever that is, in post-apocalyptic Berlin, and will fashion it from what comes to hand. Her past, in a concentration camp, is so bad, that it is not mentioned by her or the film makers, only hinted at. Wilhelm Borchert (Dr Hans Mertens) has also returned from war. He is hopelessly damaged... No spoilers.
Although acted expertly, Knef's story doesn't quite hold up, hence the 7 and not higher. But otherwise this film is limited only by the circumstances and zero resources.
A very interesting and worthwhile film. Watch The Murderers Are Among Us and see what you think. T.
Did you know
- TriviaThis was the first German movie made after World War II.
- Quotes
Herr Mondschein: You are a poor soul, Dr. Mertens
Dr. Hans Mertens: We all are, my friend.
- ConnectionsFeatured in Century of Cinema: Die Nacht der Regisseure (1995)
- How long is Murderers Among Us?Powered by Alexa
Details
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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