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7.6/10
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An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.An unwed mother, forced to give up her child to avoid scandal, follows her son's life from afar even as she prospers in business.
- Won 1 Oscar
- 3 wins & 2 nominations total
Olivia de Havilland
- Jody Norris
- (as Olivia De Havilland)
Billy Ward
- Gregory - Younger
- (as Bill Ward)
Featured reviews
Although I don't think To Each His Own is as good as Olivia DeHavilland's other Oscar winner The Heiress or as good as the film she lost for in between these two, The Snake Pit, To Each His Own was the film that Olivia finally came into her own as an actress. She also showed Jack Warner a thing or two about type casting.
The story of To Each His Own is very much like something that Olivia's friend from Warner Brothers, Bette Davis, might have done. Bette won and was nominated multiple times for films like these and it's the stuff that Olivia badly wanted to do and was thwarted by Jack Warner who could only see her as the clinging leading lady to some dashing hero like Errol Flynn.
This film is all Olivia and she's the right age to do it. She was 30 at the time she made To Each His Own and the part called for her to age from her Twneties to her Forties. When we first meet her she's a a rather unhappy middle aged spinster doing duty as an air raid warden in wartime London. She's an American expatriate who is a cosmetics queen though her factory has now been converted to war use. She meets up with dashing Roland Culver who's a titled earl doing the same work and her thoughts go back to her years as a kid during that first World War.
A romance with a dashing flier played by John Lund and she's left pregnant and no chance of married when he's killed in action. Illegitimate birth was a horrible situation back in the day, so Olivia gives up the child to friends Philip Terry and Mary Anderson. Still the maternal instincts can't be snuffed out and she intrudes in their lives as well as a friend of the family her own child refers to as an 'aunt'.
Of course the whole thing becomes impossible and Olivia eventually moves to London when her factory becomes British based. Still she never stops thinking about the child someone else is raising.
Playing Josephine Norris as a young girl was no stretch because that's what she was playing all those years at Warner Brothers. But the more difficult challenge and what got her the Oscar for Best Actress was the way Mitchell Leisen guided her through the many stages of life. That called for Olivia to draw from the wellsprings of talent and ability that she knew she had and couldn't convince Jack Warner of the same.
The film was aided at the box office by the popularity of the song To Each His Own. You will not hear a note of it in the film, but The Ink Spots and Tony Martin had best selling records that year, The Ink Spots version going to number one on that Hit Parade that Lucky Strike sponsored. In fact I'm sure the popularity of the song and the film aided each other.
To Each His Own also earned an Academy Award nomination for Charles Brackett for Best Original Story.
You watch this film and you wonder just what Jack Warner must have been thinking when Olivia DeHavilland's name was announced on Oscar night.
The story of To Each His Own is very much like something that Olivia's friend from Warner Brothers, Bette Davis, might have done. Bette won and was nominated multiple times for films like these and it's the stuff that Olivia badly wanted to do and was thwarted by Jack Warner who could only see her as the clinging leading lady to some dashing hero like Errol Flynn.
This film is all Olivia and she's the right age to do it. She was 30 at the time she made To Each His Own and the part called for her to age from her Twneties to her Forties. When we first meet her she's a a rather unhappy middle aged spinster doing duty as an air raid warden in wartime London. She's an American expatriate who is a cosmetics queen though her factory has now been converted to war use. She meets up with dashing Roland Culver who's a titled earl doing the same work and her thoughts go back to her years as a kid during that first World War.
A romance with a dashing flier played by John Lund and she's left pregnant and no chance of married when he's killed in action. Illegitimate birth was a horrible situation back in the day, so Olivia gives up the child to friends Philip Terry and Mary Anderson. Still the maternal instincts can't be snuffed out and she intrudes in their lives as well as a friend of the family her own child refers to as an 'aunt'.
Of course the whole thing becomes impossible and Olivia eventually moves to London when her factory becomes British based. Still she never stops thinking about the child someone else is raising.
Playing Josephine Norris as a young girl was no stretch because that's what she was playing all those years at Warner Brothers. But the more difficult challenge and what got her the Oscar for Best Actress was the way Mitchell Leisen guided her through the many stages of life. That called for Olivia to draw from the wellsprings of talent and ability that she knew she had and couldn't convince Jack Warner of the same.
The film was aided at the box office by the popularity of the song To Each His Own. You will not hear a note of it in the film, but The Ink Spots and Tony Martin had best selling records that year, The Ink Spots version going to number one on that Hit Parade that Lucky Strike sponsored. In fact I'm sure the popularity of the song and the film aided each other.
To Each His Own also earned an Academy Award nomination for Charles Brackett for Best Original Story.
You watch this film and you wonder just what Jack Warner must have been thinking when Olivia DeHavilland's name was announced on Oscar night.
First, let me say I'm in awe of the previous reviewers and their spot-on knowledge of this film and Olivia de Havilland's body of work. Bravo, and thank you for pointing me towards this "hidden" treasure.
So allow me to confirm that this "small" 1946 movie is still riveting fare in 2010. The subject matter is just as relevant today and will speak to women for generations to come. In that regard, its forever timeless.
Filmed in b&w, and happily so, though 7 years newer than "The Wizard of Oz"... I'm still waiting for them to colorize the rest of that bloated Saturday matinée flick. *s* Tune in next time when I attack "Gone with the Wind," "Casablanca" and "Citizen Kane."
This film dealt with a delicate subject in a frank and realistic manner. I'm particularly impressed by the way this movie was story-boarded. It flowed brilliantly. If shot today, it would be shoved in my face, every stinkin' detail, nothing left to the imagination... plenty of yelling, smashing dishes and cussing.
Equally impressive is Ms. de Havilland's Oscar-winning performance. I couldn't take my eyes off her. When the movie took her back 20 years younger, my mouth dropped.
But it was much more than the make-up. It was Olivia.
Happy ending or sad? not telling. I'll reveal this, though. This 55 year old man doesn't typically cry at weddings or funerals, but by the closing credits, both cheeks were wet. But then maybe its because she reminds me of my mother, 1933-1981.
Search out this gem.
So allow me to confirm that this "small" 1946 movie is still riveting fare in 2010. The subject matter is just as relevant today and will speak to women for generations to come. In that regard, its forever timeless.
Filmed in b&w, and happily so, though 7 years newer than "The Wizard of Oz"... I'm still waiting for them to colorize the rest of that bloated Saturday matinée flick. *s* Tune in next time when I attack "Gone with the Wind," "Casablanca" and "Citizen Kane."
This film dealt with a delicate subject in a frank and realistic manner. I'm particularly impressed by the way this movie was story-boarded. It flowed brilliantly. If shot today, it would be shoved in my face, every stinkin' detail, nothing left to the imagination... plenty of yelling, smashing dishes and cussing.
Equally impressive is Ms. de Havilland's Oscar-winning performance. I couldn't take my eyes off her. When the movie took her back 20 years younger, my mouth dropped.
But it was much more than the make-up. It was Olivia.
Happy ending or sad? not telling. I'll reveal this, though. This 55 year old man doesn't typically cry at weddings or funerals, but by the closing credits, both cheeks were wet. But then maybe its because she reminds me of my mother, 1933-1981.
Search out this gem.
After having only seen Olivia de Havilland in 2 films (Gone With the Wind and In This Our Life) I could tell she was a very natural actress, gifted at convincing you she is who she plays onscreen. I became interested in her and purchased To Each His Own on a recent holiday to America. I didn't know what to expect except I knew she won the 1946 Academy Award for Best Actress for her performance of Jody Norris in this wonderful film. Olivia puts a lot of actresses to shame with her understated, technical and extremely moving portrayal of a small-town girl forced to give up the son she bore out-of-wedlock to the county's richest family. Jody sells the family business once her father dies and goes to New York to roll in the high life and become a successful business woman. 20 years later she sees her son once again, and he learns the truth. A masterful performance by Olivia de Havilland and fine supporting performances, particularly by Mary Anderson as Jody's son's adopted mother and Robert Culver as Jody's friend Lord Deshem. A fine film that will have you in giggles and tears. Give it a chance, you won't be disappointed.
I found this web site so I could find this movie! This story was so captivating and Olivia's performance was so endearing that I was glued to the television at 2am and didn't care! For those of you who love the tales of tragic love denied and then bestowed - this is one of the best kept secrets of classic movies.
The title of the movie was misleading,but as a huge fan of Ms. de Havilland, I watched this movie. It was a very tender story of the enduring and endearing love a mother had for her child.
It brought to mind the contrast of today's societal views of unwed mothers(as it were).
The story made me even more grateful to have 3 wonderful sons.
I would love watch this movie with my mom and my five sister,on the day before mothers' day. What a good way to have your 'tears jerked'! What a celebration of motherhood!
I will be happy when it is released on DVD. Hopefully very soon.
It brought to mind the contrast of today's societal views of unwed mothers(as it were).
The story made me even more grateful to have 3 wonderful sons.
I would love watch this movie with my mom and my five sister,on the day before mothers' day. What a good way to have your 'tears jerked'! What a celebration of motherhood!
I will be happy when it is released on DVD. Hopefully very soon.
Did you know
- TriviaThis was Olivia de Havilland's first film role in three years. She was suspended by Warner Brothers after she filed suit against the studio on August 23, 1943, and was officially fired upon winning her suit by unanimous decision on December 8, 1944. Because of this lawsuit and her reputation as a perfectionist, de Havilland was labeled "difficult" in show business, temporarily making her an undesirable choice for many producers.
- GoofsWhen Captain Cosgrove shuts off the power to his biplane, it continues to glide on a level path. Biplanes have very high drag because they have two wings and all the supports in between. The plane would have started to fall toward the ground, not continue on. The clouds in the background show a level path of travel.
- Quotes
[last lines]
Captain Bart Cosgrove: I think this is our dance, Mother.
- ConnectionsFeatured in The 40th Annual Academy Awards (1968)
- SoundtracksThree Little Fishies (Itty Bitty Poo)
Word & Music by Saxie Dowell
- How long is To Each His Own?Powered by Alexa
Details
- Runtime2 hours 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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