A young man loved by two sisters becomes a naval officer and sails to New Zealand, where he drunkenly writes a marriage proposal to the wrong sister, profoundly affecting the life of the oth... Read allA young man loved by two sisters becomes a naval officer and sails to New Zealand, where he drunkenly writes a marriage proposal to the wrong sister, profoundly affecting the life of the other.A young man loved by two sisters becomes a naval officer and sails to New Zealand, where he drunkenly writes a marriage proposal to the wrong sister, profoundly affecting the life of the other.
- Won 1 Oscar
- 1 win & 3 nominations total
- Mother Superior
- (as Dame May Whitty)
- Young Priest
- (uncredited)
- Corinne
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhether it was a wig or dye, Lana Turner let her hair go back to its natural brown color for this role.
- Goofs(at around 2 mins) As the two nuns exit the gate, they go out the left one. However, the next shot appears to show them going out the right gate. The next exterior shot shows the nuns exiting the abbey; it is a tight angle shot without a clear view of the gates, but the nuns do, in fact, exit the gate (now on the right side due to change in camera view) that they entered.
- Quotes
Marianne Patourel: [Discussing William's love for Marguerite] But when you wrote to my father you lied. You asked for my hand in marriage.
William Ozanne: I didn't lie. Listen to me, Marianne. I love you.
Marianne Patourel: Listen to more lies! You never loved me! You loved *her*. But you sent for me. Why?
William Ozanne: It wasn't a lie. It was o...
Marianne Patourel: Why did you send for me?
William Ozanne: I'll tell you, Marianne. Now I must tell you. I never wanted you to know. I never thought you would ever find out. But now...
Marianne Patourel: What did you never want me to find out?
William Ozanne: That I accidentally wrote your name instead of Marguerite's in the letter to your father.
Marianne Patourel: [She looks crushed] You accidentally wrote my name? Our whole marriage has been a... slip of the pen?
William Ozanne: Marianne...
Marianne Patourel: Does Marguerite know of-of your slip of the pen?
William Ozanne: No. Absolutely not. I never even so much as hinted anything. Oh, please. Believe me, Marianne. I never told a living soul. Well, that's not quite true. I told Tai Haruru.
[She looks moritfied]
William Ozanne: I had to tell him.
Marianne Patourel: Tai Haruru knew? He knew that you hated me. I thought I reached the lowest depths of degradation. But I didn't expect this. So, Tai knew. Course he knew. Now I understand everything. Why you never would've married me if he hadn't forced you into it. Would you, William?
[He turns away guiltily]
Marianne Patourel: Oh, William. William don't ever speak to me again!
- ConnectionsFeatured in Challenge the Wilderness (1951)
The film is a bit long but holds the viewer once it gets going. Its main problem when it's seen today is the painted backdrops and fake scenery, all extremely obvious. When one compares the backdrops and scenery of the earlier Gone with the Wind to this, it's obvious that Selznick demanded a lot more care from his artists than did the powers that be on this film.
There are several striking scenes, but the best is Donna Reed climbing a tunnel inside of a cave to escape the rising tide. The earthquake scenes and the Maori attacks are also excellent and exciting.
The role of Marianne is huge and well essayed by Lana Turner. Marianne is a smart, controlling woman whose guidance turns William into a success. Apparently the character in the book was somewhat plain; obviously, Turner isn't, so she brings a femininity and beauty to the part as well as a strong core. Of course, when she's supposed to be pregnant, she's wearing a dress tightly cinched at the waist. It was considered indecent to show pregnancy back then, but it's ridiculous. As Marguerite, Donna Reed manages to bring some color into what is a somewhat thankless role. Van Heflin, as a friend and eventual partner of William, gives a wonderful performance as a tough but kind and tender man who makes William do the right thing by Marianne. Gladys Cooper does her usual fine job as Mrs. Patourel, and her final scene is beautiful. There were several very touching parts of the movie, and that was one of them. Newcomer Richard Hart, who died four years later, is William and looks good once he grows his mustache. The role, however, could have used a more exciting performance. Hart was from the theater and actually performed many of the classics on television in its early days.
On an interesting side note, Linda Christian plays Turner's Maori maid. Turner at that time was seeing Tyrone Power. The story goes that Christian overheard Turner say that Power was going to be in Rome. Christian wangled the money for her and her sister, went to Rome, and stayed in the same hotel as Power. He never returned to Turner and the next year married Christian.
Apropos of this, "Green Dolphin Street" asks age-old questions - are there mistakes in life, or a guiding hand? Did William really write the name of the wrong sister, or was that as it was meant to be? We all have to decide for ourselves. I'm not sure "Green Dolphin Street" will help one do that, but it's entertaining nonetheless.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- La calle del Delfín Verde
- Filming locations
- Upper Klamath Lake, Oregon, USA(earthquake scene)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $4,391,000 (estimated)
- Gross worldwide
- $2,482
- Runtime2 hours 21 minutes
- Color
- Aspect ratio
- 1.37 : 1