Directed by
Roy Ward Baker | ... | (as Roy Baker) |
Writing Credits
Eric Ambler | ... | (novel) |
Eric Ambler | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Eric Ambler | ... | producer |
Phil C. Samuel | ... | associate producer |
Herbert Smith | ... | executive producer in charge of production (uncredited) |
Music by
William Alwyn |
Cinematography by
Erwin Hillier | ... | director of photography |
Editing by
Alan Jaggs | ... | (as Alan L. Jaggs) |
Casting By
Irene Howard | ... | (uncredited) |
Art Direction by
Alex Vetchinsky | ... | (as Vetchinsky) |
Costume Design by
Eleanor Abbey | ... | (gowns) (uncredited) |
Makeup Department
Betty Dymore | ... | hairdresser (uncredited) |
Frances Sear | ... | hairdresser (uncredited) |
Tony Sforzini | ... | makeup supervisor (uncredited) |
Sidney Turner | ... | makeup artist (uncredited) |
Vivienne Walker | ... | hairdresser (uncredited) |
Production Management
Frank Bevis | ... | production manager |
Filippo Del Giudice | ... | in charge of production (as F. Del Giudice) |
Second Unit Director or Assistant Director
Mark Evans | ... | assistant director |
Alec Gibb | ... | third assistant director (uncredited) |
Paul Kelly | ... | second assistant director (uncredited) |
Art Department
Stanley Adams | ... | draughtsman (uncredited) |
Brian Herbert | ... | assistant art director (uncredited) |
Harold Hurdell | ... | draughtsman (uncredited) |
Ray Simm | ... | draughtsman (uncredited) |
Sound Department
W.H. Lindop | ... | sound recordist |
Harry Miller | ... | sound editor |
L.E. Overton | ... | sound recordist |
Peter Davies | ... | second assistant dubbing mixer (uncredited) |
Fred Goodes | ... | sound camera operator (uncredited) |
David Hildyard | ... | boom operator (uncredited) |
G. Saunders | ... | boom assistant (uncredited) |
Special Effects by
Sydney Pearson | ... | special effects (uncredited) |
James Snow | ... | special effects (uncredited) |
Visual Effects by
George Blackwell | ... | special processes supervisor (uncredited) |
Val Elsey | ... | matte artist (uncredited) |
Henry Harris | ... | model miniatures (uncredited) |
Jack Higgins | ... | hanging miniatures (uncredited) |
Bert Marshall | ... | matte camera (uncredited) |
Sydney Pearson | ... | model miniatures (uncredited) |
Bill Warrington | ... | matte supervisor (uncredited) |
Jack Whitehead | ... | model miniatures (uncredited) |
Shiela Wilson | ... | matte artist (uncredited) |
Camera and Electrical Department
H.A.R. Thomson | ... | camera operator (as Russell Thomson) |
Arthur Evans | ... | still photographer (uncredited) |
Reginald H. Morris | ... | focus puller (uncredited) |
Wilfrid Newton | ... | still photographer (uncredited) |
Charles Trigg | ... | still photographer (uncredited) |
Casting Department
William Fleming | ... | crowd casting (uncredited) |
Maude Spector | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Harry Haynes | ... | wardrobe master (uncredited) |
Alice McLaren | ... | wardrobe mistress (uncredited) |
Editorial Department
Dennis Gurney | ... | first assistant editor (uncredited) |
Andrew Michailidis | ... | second assistant editor (uncredited) |
Gerald Thomas | ... | assistant editor (uncredited) |
Music Department
London Symphony Orchestra | ... | music played by |
Muir Mathieson | ... | conductor |
George Stratton | ... | orchestra leader: London Symphony Orchestra |
London Symphony Orchestra | ... | music performed by (uncredited) |
Script and Continuity Department
Olga Brook | ... | continuity (uncredited) |
Additional Crew
J. Arthur Rank | ... | presenter |
Ken Green | ... | press representative (uncredited) |
Margaret Marshall | ... | publicist (uncredited) |