Roy Rogers deserved his title of "King of the Cowboys." He could sing western songs better than any of the other singing cowboys with the possible exception of Tex Ritter, plus he was one of the best yodelers around, which few people realized. He also fit the image of a singing cowboy from the old west, even though he was actually from Ohio. His horse, Trigger, was called "The Smartest Horse in the Movies," because he probably was. Roy had a winning personality with a certain magnetism that drew kids to him. He had helped start the Sons of the Pioneers, one of the best vocal groups around, with a top notch songwriter from Canada, Bob Nolan. All these things combined to make a Roy Rogers western a real treat. He later found a partner on and off the screen who could be called "The Queen of the West," the talented and lovely Dale Evans.
All of these things, except Dale is not in the film, should have made "On the Old Spanish Trail" a winner. It also had a competent funny man, Andy Divine, to help out in the humor department. The villain was not Roy Barcroft this go around but rather Charles McGraw who would later star in the film noir classic "Narrow Margin." There are also two beautiful leading ladies rather than one, Jane Frazee and Estelita Rodriguez, who plays somewhat of a spitfire as the Gypsy's (Tito Guizar) jealous girlfriend. And the action sequences, especially the stagecoach chase toward the end, are marvelous. Only Republic could do such a splendid job in 1947.
But there is a problem with "On the Old Spanish Trail" and it is a big one. Republic tried to give the fans not only two leading ladies but also two leading men. Roy is purposely overshadowed in several scenes by Tito Guízar who plays sort of a Zorro type character known as the Gypsy. He is also a singer. Tito had a great voice but it was much too refined and proper for singing cowboy ballads. He possessed a fine operatic voice. Tito's acting was also at times on the hammy side. I gather from all this that Republic was apparently grooming Tito for his own Saturday matinée series. If the viewer can overlook the spotlight being thrust on Tito throughout much of the film, then this Roy Rogers outing should be pleasing for his many fans.
