User reviews

The major studios which M.G.M. was the biggest, had a stable of contract players that had to be kept occupied. From the heavy-weight Stars like GABLE, LOY, POWELL, SHEARER and TRACY to character actors, all had to be kept busy. Fifty-Two (52) features a year was the standard of the 'majors' plus shorts. From 'A' efforts too 'Bs' like this one, HOLD THAT KISS (1938).

The plot of these were simple. This comedy is a typical 'Boy meets Girl', both pretending to be of the '400'. Not wishing the other to know of their rather common back-rounds. Neither wanting to admit the truth until the last reel when true love wins out over perceived social prejudices.

MAUREEN O'SULLIVAN, never a major star was a good filler for this type of film. Something to plug into between TARZANs' and pregnancies. DENNIS O'KEEFE was being groomed for a stardom he would never fulfill, but MICKEY ROONEY would go on to greater things. The rest of the cast, all professional character actors. Who knew their lines, hit their marks and got the picture done on time and under budget. This made them very popular with Louis B. Mayer and the money men back in New York City.

Average 1930's romantic situation comedy that had a low budget but nevertheless delivered the expected average goods for the genre.Nothing too badly done here and nothing spectacular either.This movie is sure to delight the big fans of the lead stars though as they indeed look good here in all their prime good looks.This movie will also satisfy big fans of romantic situation comedies set in 1938 city life......

While watching Hold That Kiss this morning I once again had in mind the famous MGM pecking order. The film was to me obviously something written with Joan Crawford in mind.

But it went to Maureen O'Sullivan for one reason or another and wound up as a B film with her and Dennis O'Keefe. She's a fashion model in a fancy department store and he's a travel agent. They meet at a society wedding and each thinks the other is worth a few bucks. After that they put on quite interesting campaigns to land the other.

Hold That Kiss is a pleasant and amusing comedy from MGM's B picture unit. It's got quite a good list of character actors in support. Most prominent however was Mickey Rooney who next year would be the number one box office male star in the nation. He plays O'Sullivan's younger brother and an eager participant in her schemes.

There's also a nice diverting subplot involving Frank Albertson who's another of O'Sullivan's brothers and Edward Brophy who is O'Keefe's sidekick. Each has an all consuming interest in the sport of kings and not from the society end of owning and improving the breed. I can't really go into too many details, but trust me it's a pip.

I could easily see Hold That Kiss on an MGM double bill at the Loew's theaters around the nation with Boys Town. Imagine that, a double Mickey.

During the Great Depression, audiences liked to see the differences between rich and poor people played for laughs. This frothy romance from 1938 is in that vein. If you like mix-ups, silly situations and innocent fun in the classic Hollywood spirit, this should appeal to you.

Maureen O'Sullivan and Dennis O'Keefe play working-class folks in the big city who happen to meet under confusing circumstances. They quickly fall in love, but each gets the mistaken impression that the other is rich.

As the romance heats up, the two try harder and harder to impress each other with bogus details of their "privileged" lives. But each feels ashamed of being a phony, and each dreads the day when the truth comes out.

The girl's wacky relatives (including a younger brother played by Mickey Rooney) take her wealth charade to extraordinary lengths, and their antics supply most of the comedy in the film. Some of the gags are dated, but a few are still laugh-out-loud funny.

The main problem is with the leads. While O'Sullivan was perfectly cast in this movie, O'Keefe was not. He was more suited to tough guy roles than to this kind of gentle fluff. But he deserves credit for trying hard. The same could be said for the picture itself.

Maureen O'Sullivan works for a caterer at a wedding. Dennis O'Keefe is a clerk from a travel agency delivering steamship tickets. They mistake each other for wealthy guests. They begin a courtship, masquerading as the cream of society.

MGM's efforts at screwball rarely sparkled, but this one shows the usual studio gloss with a cast that includes Mickey Rooney, Jessie Relph, and Eddie Brophy. Miss O'Sullivan remains too ladylike at all times. However, there are enough well-crafted lines and situations to make this one enjoyable; I suspect that Ogden Nash's uncredited contribution are among the best.

Surprisingly enjoyable grade B comedy with large cast of solid actors who put on a good (but not great) show. The basic premise is that two ordinary people meet and think that the other has money. Bolstering this premise is a tangled story line that weaves each of the main characters into contact with others without each knowing who the other is relative to the main plot. The viewer has full knowledge of how all these characters relate to each other and is thus always expecting the truth to out.

A good deal of slapstick comedy and a comedic St. Bernard aid cast members. The film has the same tempo and feel as MGM's 'You Can't Take It With You' – done the same year however with a first rate crew. Lots of uncomplicated comings and goings keep the story moving but not too hard to follow. The rich really do not have it better than just plain folks.

Maureen O'Sullivan is delightful and perky. Mickey Rooney overacts – but the part calls for it and he steals a number of scenes. Edward Brophy plays Brophy once again. Dennis O'Keefe is plausible. Leonard Carey (uncredited) does a fine job as a comedic elevator operator/butler. Racial slurs typical of the time could be cut for modern audiences. Recommended.

MGM used their second and third tier actors for their B films, making them really more like A-. These movies were used as a training ground for up and coming actors as well. Here, Dennis O'Keefe and Maureen O'Sullivan star with Mickey Rooney, Frank Albertson, and Jesse Ralph, and another young up and coming, Ruth Hussey, in "Hold that Kiss," from 1938.

June (O'Sullivan) comes from a chaotic family and works in the couturier business; Tommy (O'Keefe) is a travel agent. At a posh wedding, she's helping the bride with her going-away outfit, and he's delivering tickets. Each assumes the other is a guest and therefore a member of the rich, horsey set.

Both O'Keefe and O'Sullivan were very good, if lightweight actors who never achieved superstardom. O'Sullivan, busy most of the time having her seven children, was very beautiful with a nice Irish lilt to her voice.

Enjoyable movie, with an upbeat performance by Rooney. I loved the atmosphere in the family especially, with the brothers teasing one another, and June bringing home that giant St. Bernard. Good fun.

Then certainly you belong in a romantic comedy! I don't think so. Nobody thinks anything of brother Steve stealing one thing after another. This really bothered me. He steals the silver from a home not his, then a marble sculpture and still nothing. He takes grocery money to put on the ponies and loses the money! Still nothing. The stars deserve better but the brother deserves jail! I know this is the depression but the law was still the law.

I just don't get it but truly don't waste your time with this one. The moderate amusement from Mickey Rooney fronting a swing band or Maureen O'Sullivan modeling are nothing to the pain you'll feel.

The worst thing about this charming, well acted comedy is its generic title. Hold what kiss?

The leads are at their romantic best. The supporting players are delightful.

I personally would have preferred it sans the Mickey Rooney character but he doubtless helped its box office (if it had any.)

A few stereotypes are engaged in, too; but otherwise, it is a charming concoction. It's funny: O'Sullivan's boss Monsieur Maurice is written very broadly but the penultimate scene in which a tricked O'Keefe tricks her by making her pose in one gown after another after another -- they now know each other to be in retail and not in society -- is very funny.

Poor travel agent Tommy Bradford (Dennis O'Keefe) gets invited by wealthy J. Westley Piermont to his daughter's wedding. Piermont introduces June Evans (Maureen O'Sullivan) to him. They both start lying about themselves to the other. She's also poor and her younger brother Chick (Mickey Rooney) only adds to the lie.

This starts with an interesting premise. I like the couple, but they're not really heating up the screen until after they discovered the truth. After the initial start, the family becomes the more prominent part and their antics are much more fun. Mickey Rooney has third billing in this. It is the third act where the couple comes back hard and it is a fun time.

This charming comedy revolves around as case of mistaken identity, which is not a novel idea, but it feels fresh in the hands of Director Edwin L. Marin, who keeps things moving. And the script is cleverly written.

A strong cast pulls laughs from the story at every turn. I especially enjoyed Maureen O'Sullivan and Mickey Rooney. I wish they had a few more scenes together, highlighting their sibling quarrels.

Dennis O'Keefe plays the boyfriend to O'Sullivan, and they are a good romantic match, especially when played for laughs, as in this film.