Gangster Hal Wilson takes psychiatrist Dr. Shelby hostage. While captive, the doctor analyzes Wilson as though he were a patient.Gangster Hal Wilson takes psychiatrist Dr. Shelby hostage. While captive, the doctor analyzes Wilson as though he were a patient.Gangster Hal Wilson takes psychiatrist Dr. Shelby hostage. While captive, the doctor analyzes Wilson as though he were a patient.
John Eldredge
- Dick Holbrook
- (as John Eldridge)
Eddie Acuff
- State Trooper Stopping Fred
- (uncredited)
James Craig
- Joe
- (uncredited)
Dick Curtis
- Trooper with Joe
- (uncredited)
Ralph Dunn
- Trooper Cronin
- (uncredited)
John Hamilton
- Warden
- (uncredited)
Featured reviews
I saw this movie when I was seven, 'way back in 1939. I had never seen anything like the dream sequence and the psychiatrist's explanation. They both were shot from the camera's viewpoint, something I wasn't to see again until Robert Montgomery's version of Raymond Chandler's "The Lady In The Lake. This stuck in my cerebellum since. The remake, "The Dark Past," with Wm. Holden wasn't quite as good, but then I was older and more sophisticated when I saw that one. And, anyone who says Chester Morris couldn't act obviously hasn't seen "The Big House," "Three Godfathers" (not the John Wayne one), or any of the Boston Blackie movies. P.S. Where are the Boston Blackie movies?
Enjoyed this film starring Chester Morris, (Hal Wilson) who has escaped from a prison along with a group of criminals with him. Hal finds a home which is near water where he can make his escape by boat and takes over a home of Dr. Shelby, (Ralph Bellamy) who is a college professor and also a psychiatrist. Dr. Shelby has a house full of guests, his wife and young son and the home becomes one big nightmare for everyone. Shelby tries to calm Hal Wilson and decides to try and solve his mental problems because Hal has killed one person in his house and is capable of killing everyone in the house. The entire household is struggling to keep calm and at the same time try to keep alive. Great Classic 1939 film with all great veteran actors. Enjoy.
This is a film that you just have to watch without thinking too much--particularly if you realizes how silly the film is from a psychological point of view. Chester Morris and his gang take a group of people hostage while hiding out from the police. With very little provocation, Morris kills one of the hostages and in response, the psychiatrist (Ralph Bellamy) decides to mess with Morris' mind in order to drive him over the edge. Much of the movie is spent watching Bellamy slowly gain Morris' trust and later they begin exploring the meaning and significance of Morris' recurring dream. This is amazingly silly, not only because the cops might burst into the home at any minute but because in only a short time they are able explore and work out ALL of Morris' problems!! Also, while the style of therapy and theory behind it seemed pretty sound for the 1930s, today a lot of this just seemed like very silly mumbo-jumbo. Still, if you can ignore the silliness of all this and Morris' over-acting, then it is an entertaining little film.
By the way, for a much better film without the mumbo-jumbo, try watching THE DESPERATE HOURS. This film is also about a vicious gang taking a family hostage but is far more realistic and compelling.
UPDATE: I just saw the remake of this film, "The Dark Past" (1948) and I think it's a superior picture. Much of this is due to William Holden's more subdued performance.
By the way, for a much better film without the mumbo-jumbo, try watching THE DESPERATE HOURS. This film is also about a vicious gang taking a family hostage but is far more realistic and compelling.
UPDATE: I just saw the remake of this film, "The Dark Past" (1948) and I think it's a superior picture. Much of this is due to William Holden's more subdued performance.
Based on a 1935 Broadway success, this film presents an early "psychological" approach to depicting a cold-blooded criminal, here played by Chester Morris, an excellent and very versatile actor, ably supported by a fine cast including Ann Dvorak and Ralph Bellamy. My wife, Yuyun Yuningsih Nollen, and I are currently writing the first-ever book on Chester Morris, which hopefully will correct any oversights that have been made about this performer and introduce a new generation of classic film fans to his extensive body of work, on film, television and radio. Morris also was a well-respected star on stage, following in the footsteps of his father, William Morris, and sharing the profession with his younger brother, Adrian, who unfortunately died far too soon.
When I wrote a review of the remake of Blind Alley that starred William Holden I had not yet seen this nor had investigated the Broadway play from where this film came from. I've come to some interesting conclusions as a result.
Chester Morris plays the killer role in Blind Alley which is a combination of The Petrified Forest and The Desperate Hours and the viewer will recognize parts of both those classics. Morris and his gang are on the run having just busted out of prison where they took the warden hostage and Morris kills him. He then takes refuge at the lakeside home of Ralph Bellamy and wife Rose Stradner who happen to be entertaining guests at the time.
Bellamy is a psychiatrist who teaches and after Morris coldbloodedly murders Stanley Brown one of his students he thinks the only way to save his and everyone else's lives is to get into his head. Bellamy is a cool customer doing this, especially with friends and family's lives at stake.
When Lee J. Cobb played the part of the psychiatrist in The Dark Past he was detached almost clinical in the way he probed at Holden. Bellamy is not looking at this as an experiment and now having seen both films I can say Bellamy's interpretation was superior.
Blind Alley originated as a play on Broadway by James Warwick with a 119 performance run in the 1935-36 season. Looking at that cast I saw that George Coulouris played the psychiatrist and this is one instance where we are so unfortunate that he did not do either movie version. Coulouris would really have been special in the part.
This film is a real sleeper from Columbia Pictures, don't miss it if ever broadcast again.
Chester Morris plays the killer role in Blind Alley which is a combination of The Petrified Forest and The Desperate Hours and the viewer will recognize parts of both those classics. Morris and his gang are on the run having just busted out of prison where they took the warden hostage and Morris kills him. He then takes refuge at the lakeside home of Ralph Bellamy and wife Rose Stradner who happen to be entertaining guests at the time.
Bellamy is a psychiatrist who teaches and after Morris coldbloodedly murders Stanley Brown one of his students he thinks the only way to save his and everyone else's lives is to get into his head. Bellamy is a cool customer doing this, especially with friends and family's lives at stake.
When Lee J. Cobb played the part of the psychiatrist in The Dark Past he was detached almost clinical in the way he probed at Holden. Bellamy is not looking at this as an experiment and now having seen both films I can say Bellamy's interpretation was superior.
Blind Alley originated as a play on Broadway by James Warwick with a 119 performance run in the 1935-36 season. Looking at that cast I saw that George Coulouris played the psychiatrist and this is one instance where we are so unfortunate that he did not do either movie version. Coulouris would really have been special in the part.
This film is a real sleeper from Columbia Pictures, don't miss it if ever broadcast again.
Did you know
- TriviaThis film was re-made as The Dark Past (1948). It starred Lee J. Cobb as the psychiatrist and William Holden as the killer.
- GoofsThe gangster's fingers are supposedly paralyzed, but when he pushes the "Insanity and the Criminal Mind" book back onto the shelf, you can clearly see him flick it into place with one of his "paralyzed" fingers.
- ConnectionsReferenced in Girls Who Like Girls (2001)
- SoundtracksFar Above Cayuga's Waters
(ca 1870) (uncredited)
(Cornell University's "Alma Mater")
Music (from the song "Annie Lisle") by H.S. Thompson (1857)
Played during the opening scene
Details
- Release date
- Country of origin
- Language
- Also known as
- Rejas humanas
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content