A Midwesterner waitress, scheming to gold-dig her way to Paris, gets mixed up with a wealthy New York family.A Midwesterner waitress, scheming to gold-dig her way to Paris, gets mixed up with a wealthy New York family.A Midwesterner waitress, scheming to gold-dig her way to Paris, gets mixed up with a wealthy New York family.
- Awards
- 3 wins total
Howard Hickman
- Jeffers - Brand's Butler
- (as Howard C. Hickman)
Jean Acker
- Minor Role
- (uncredited)
Harry A. Bailey
- Wedding Guest
- (uncredited)
Don Beddoe
- Attorney Thomas Jamison
- (uncredited)
Jeanne Beeks
- Wedding Guest
- (uncredited)
Leon Belasco
- Nightclub Violinist
- (uncredited)
Brooks Benedict
- Party Guest
- (uncredited)
Edward Biby
- Nightclub Patron
- (uncredited)
Storyline
Did you know
- TriviaOriginally titled "Good Girls Go To Paris, Too," but the censors objected.
- GoofsWhen Ronald is introduced to his class, a shadow of the boom microphone moves onto the blackboard upper left of the frame.
- Quotes
Tearoom Hostess: The students are supposed to keep their minds on their studies and you girls must remember, that we're only here to satisfy their appetite... for food.
- ConnectionsFeatured in Good Witch: How to Say I Love You! (2017)
- SoundtracksI'll Take Romance
(1937) (uncredited)
Music by Ben Oakland
Played during a dance at the Brand's house.
Featured review
This does start off pretty badly, well very badly but then, all of a sudden it turns into something really good and very funny. So don't get fooled by the false start, stick with it. If you liked TOPPER and MY MAN GODFREY, you'll probably enjoy this as well.
The beginning is not promising - in fact, after ten minutes of cringingly awful stereotypes, I nearly switched this off. I'm glad I kept with it because it switched from being a tiresome corny comedy set in the world's most sexist university (you ladies are here to serve the young gentlemen not to distract them by showing them your legs etc. Etc.) to a fast, well written, well acted witty comedy of errors.
I wasn't too sure at first about Joan Blondell's character: on one hand she's blatantly setting out to blackmail the young gentlemen (who all look like they're in their 30s) yet also innocent and naive. Her character makes no sense - how can such a calculating schemer be so genuinely sweet? Well she can't, you just have to park that gaping plot hole in the darkest recesses of your mental garage which you can because Joan Blondell plays this impossible character so well.
As she stands directly in front of their faces, looking straight into their eyes, smiling and fluttering her eyelashes, it's perfectly obvious that she's got that confidence, that ability to turn a man to jelly. She does it without trying, without even knowing what she's doing. It's quite an interesting change of character for her and she does it remarkably well. I'm not sure anyone else could make such an unbelievable character so believable and of course likeable.
Once it gets going, it's got a feel of MY MAN GODFREY about it. Unlike most of those so-called screwball comedies, this one is actually funny. Although this is very much a Joan Blondell movie, the real star is Walter Connolly. A lot of reviews have commented that he horribly overacts in this but so what - so did Basil Fawlty! Don't know why but when he exclaims: 'What kind of house is this that doesn't have a herring?' I laughed out loud. Out of context that just sounds weird doesn't it - but just watch it, it's great, stupid but great.
Two frivolous observations: 1) Joan Blondell's dress is (sadly) not as short as it is in the poster. 2) Walter Connolly looks absolutely identical to the 'matured' Mr Scott from 1980s Star Trek movies.
The beginning is not promising - in fact, after ten minutes of cringingly awful stereotypes, I nearly switched this off. I'm glad I kept with it because it switched from being a tiresome corny comedy set in the world's most sexist university (you ladies are here to serve the young gentlemen not to distract them by showing them your legs etc. Etc.) to a fast, well written, well acted witty comedy of errors.
I wasn't too sure at first about Joan Blondell's character: on one hand she's blatantly setting out to blackmail the young gentlemen (who all look like they're in their 30s) yet also innocent and naive. Her character makes no sense - how can such a calculating schemer be so genuinely sweet? Well she can't, you just have to park that gaping plot hole in the darkest recesses of your mental garage which you can because Joan Blondell plays this impossible character so well.
As she stands directly in front of their faces, looking straight into their eyes, smiling and fluttering her eyelashes, it's perfectly obvious that she's got that confidence, that ability to turn a man to jelly. She does it without trying, without even knowing what she's doing. It's quite an interesting change of character for her and she does it remarkably well. I'm not sure anyone else could make such an unbelievable character so believable and of course likeable.
Once it gets going, it's got a feel of MY MAN GODFREY about it. Unlike most of those so-called screwball comedies, this one is actually funny. Although this is very much a Joan Blondell movie, the real star is Walter Connolly. A lot of reviews have commented that he horribly overacts in this but so what - so did Basil Fawlty! Don't know why but when he exclaims: 'What kind of house is this that doesn't have a herring?' I laughed out loud. Out of context that just sounds weird doesn't it - but just watch it, it's great, stupid but great.
Two frivolous observations: 1) Joan Blondell's dress is (sadly) not as short as it is in the poster. 2) Walter Connolly looks absolutely identical to the 'matured' Mr Scott from 1980s Star Trek movies.
- 1930s_Time_Machine
- Jul 19, 2023
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Details
- Release date
- Country of origin
- Language
- Also known as
- Good Girls Go to Paris, Too
- Filming locations
- 855 North Vermont Avenue, Los Angeles, California, USA(Millspaugh Hall - building with the domed roof - on what was the USC campus at the time - demolished 1960s as it did not meet earthquake codes)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Good Girls Go to Paris (1939) officially released in Canada in English?
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