Hell's Kitchen

Once again RONALD REAGAN is involved with The Dead End Kids, only this time the romantic interest is supplied by MARGARET LINDSAY rather than ANN SHERIDAN. Otherwise, the plot here resembles the studio's other Dead End Kids entry, ANGELS WASH THEIR FACES produced the same year, in that the Kids put the bad man on trial and eventually put him out of business.

GRANT WITHERS is the corrupt principal of a reform school who uses dirty tactics to keep his kids in line, even to the point of punishing a sick kid who fails to survive solitary confinement. It's up to Ronald Reagan, on the good side of the law with Margaret Lindsay, to urge the boys not to take vigilante justice.

Warner Bros. apparently intended this to be a showcase, not for Reagan or Lindsay, but The Dead End Kids who get all the prominence in the script. It's all got a familiar ring, but is directed in brisk style by Lewis Seiler and is lively enough to hold the interest.

Nevertheless, it never rises above the ordinary and the overall impression is that of a formula crime melodrama, the kind that Warners churned out pretty frequently in the late '30s and early '40s.

Hell's Kitchen (1939)

** 1/2 (out of 4)

The Dead End Kids star in this remake of The Mayor of Hell and Crime School. This time out (again) a gangster (Stanley Fields) gets out of going to prison but he must do good in the community so he gets involved with a reform school where he soon learns that the owner is abusing the boys. If you've seen either of the previous versions then you won't be shocked by anything that happens here but Fields is good enough to raise the material to a watchable level. There's several failed attempts at humor, which brings the film down some but the drama is pretty strong throughout. Ronald Reagan plays Fields lawyer.

The Dean End Kids are fine - Led by Billy Halop, the "kids" perform well. In fact, they are better in this "juvenile delinquent" genre than many others. Mr. Halop is strong, with Leo Gorcey, Gabe Dell and the others; they work well as a team. It looks like Bobby Jordan is directed (Lewis Seiler) to overplay, but he is endearing.

The "Adults" are not so good. Stanley Fields is okay, but his performance doesn't belong in this movie. Ronald Reagan isn't very good, with a performance that may not belong in any movie. Margaret Lindsay is pretty. Some of the performances are inappropriately comic.

There is a reference in this film to MGM's "Boys Town" (1938), which invites comparisons. It's direct enough for anyone who as seen the "Boys Town" films. The character played by Ms. Lindsay wants to use the techniques successfully employed by Spencer Tracy's character on the "Dead End" kids of "Hell's Kitchen".

The studio took the cheaper route with the "Dead End" series, obviously. The film is not technically competent. For example, a great "West Side Story"-type moment is ruined when the chanting on the soundtrack doesn't match the marching Dead Enders. Actors don't know how to play their parts - or don't play their parts at all. Still, the Dead End Kids make it enjoyable. Their terrific "Trial" for Headmaster Grant Mitchell is a most complete summation of the American justice system. Through all the bad editing, you'll get some suspense and action, too - including a "foul" hockey game, and a fire.

***** Hell's Kitchen (7/3/39) Lewis Seiler ~ Billy Halop, Bobby Jordan, Leo Gorcey

When you come down to it, THE DEAD END KIDS were a teenage version of OUR GANG/THE LITTLE RASCALS, only with more trouble on their hands! These guys were a phenom when they all made their debut in the iconic DEAD END (1937) for Warner Brothers. And it's not to say, as I have mentioned in my last review, that they didn't drive ole Jack Warner and company bonkers with their antics, both on and off the screen! That said, the kids had an immense amount of talent, of course lead by the outrageous Leo Gorcey! Gorcey admitted in a 1960s radio interview (on YOUTUBE) that they did a lot of crazy stuff on the lot and were very lucky. No one in Hollywood had ever seen their likes before, and perhaps that was made them so original. Here, the gang goes after distinguished Grant Mitchell, who runs a reformatory like a prison. This scenario is not new by any means, but it makes for some dynamic confrontations, including poor Bobby Jordon being locked in a freezer by Mitchell and eventually dying.

The kids are aided by Stanley Fields (as Buck) a Runyanesque character if there ever was one, playing a reformed gangster himself who steals a lot of scenes here! Fields was in high demand throughout the 1930s up until his sudden death in 1941. This film marks Ronald Reagan's first appearance with the Dead End Kids, portraying Jim, a social worker who is watching over the boys. It was either Gorcey or Huntz Hall, in later years, that said Reagan (behind the scenes) was originally a bit scared of them and kept his distance! At least in this film. Beautiful Margaret Lindsay plays Beth, the other social worker and, of course, love interest for Reagan. There are some publicity shots of Lindsay and Gorcey kidding around and look like they are genuinely enjoying each others company (she was not married at the time!), so there are two sides to a story! Gorcey also said he had a crush on Ann Sheridan, who he worked with at WB. Also the great Vera Lewis is in the cast as Sarah, who majored in matronly roles for decades, later to appear in the Bowery Boys SPOOK BUSTERS as a mean old lady! She was in many classics. Note the cool names the guys have; Gorcey plays Gyp, Hall plays Bingo and Gabe Dell as Ace. This was directed by veteran German silent film director EA DuPont, who did a superb job, especially with the powerful ending. Always on Warner Brothers box set dvd.

The fact that this is a remake of a 1933 film and a reworking of a film made in 1938 is not that unusual for Warner Brothers. Often they remade films only a year or two or three later. Other studios often did the same but Warner seemed to do it a lot.

In spite of this being a remake, and I usually hate remakes, I found I enjoyed this every bit as much as the other two films--perhaps a little more. This is because instead of the tough guys Cagney or Bogart playing the lead, this one had Stanley Fields who brought an entirely different element. He was much larger and scarier looking but also had a comedic edge to him--sort of like a big criminal teddy bear!! The only part that didn't work for me was the whole hockey team angle--that was weird and the street kids seemed practically like champion skaters almost immediately! Still, this is an enjoyable Warner film and another chance to see the early (and best) incarnation of the Dead End Kids--a group that morphed and changed a lot over the years as the East Side Kids and the Bowery Boys (which were almost like a parody of the Dead End Kids). Well worth seeing.