User reviews

Long before Harry Potter arrived to slake the thirst of voracious young readers, the factory minted Hardy Boys and Nancy Drew mystery series were getting regular readers.

While straight forward and relatively uncomplicated in their mystery plotting, they were basically solid "B" level templates, and at the height of the 30's Hollywood mystery vogue, Warner Brothers jumped on the bandwagon with a creditable four film series of Nancy Drew's - this final effort arguably the best (and the only one to share a title and a couple plot elements with an actual Nancy Drew book).

Bonita Granville makes a borderline silly Nancy, with a mad energy level approaching Betty Hutton levels and (plot-wise) causing as many problems as she solves, but once accepted, her chemistry with John Litel's warm Carson Drew (the father figure) and Frankie Thomas' guileless comic foil/boyfriend Ted Nickerson is outstanding. Had the series tried for more, these solid supporting performances might well have kept it around for a longer run, but Granville's frequently charming caricature and Frank Orth's even sillier Police Captain Tweedy (who never listens to ANYONE once he hears half a clue) firmly place it in limited audience "B" territory - above the cartoonish "Dick Tracy" series, but several steps below the longer running "adult" Charlie Chan's, Mr. Moto's, Sherlock Holmes', Thin Man's or even the solid Saint's, Falcon's or Lone Wolf's.

The best thing about the series 70 years after it was first shown (and which should still hold the attention of the serious film lover) is its beautifully observed picture of life in small town America just before World War II, when icemen actually did deliver blocks of ice to the actual ice boxes which adorned most kitchens (and the standard system for calling for delivery) both of which form interesting plot points.

We're not talking great art here. Consider the drop in quality of the still decent 3rd and 4th Harry Potter films - as the books got better, "movie-movie" directors made the films less faithful and less effective. At least the Nancy Drew series ended on a high note as they edged closer to the source material.

Bonita Granville has the title role in "Nancy Drew and the Hidden Staircase," the final entry into the Nancy Drew series. It also stars Frankie Thomas and John Litel. This particular film is based on one of the actual books, but how closely it sticks to the story - well, I haven't read Nancy Drew in nearly 50 years, so I can't remember. Since in the books, Nancy had two girlfriends, missing in the series, it probably doesn't stick all that closely.

In this one, Nancy is determined to make sure that two elderly sisters keep to their father's will so that the house can be donated to a hospital. That won't happen unless at least one of them is in the house every night for twenty years. With only two weeks to go, and their chauffeur shot dead in the house, the ladies want out - fast.

Nancy manages to drag Ted Nickerson, her quasi-boyfriend, into all kinds of trouble, and that's where the fun happens. Thomas is a riot. Nancy always got into deep water in the books, but I remember her as more serious and perfect. That wouldn't have worked for the films, so Nancy is kind of a Lucy and Ted is Ethel, an unwilling participant in her schemes.

Bonita Granville was a fine movie Nancy, very lively, wacky, and likable. It's a shame there are only four "Nancy Drew" films. It is a very good series.

This is the fourth of four Nancy Drew films by Warner Brothers starring Bonita Granville. It was based on the Drew story "The Hidden Staircase", though I've never read the book and have no idea how close it is to the original tale. But, knowing Hollywood, many liberties were taken with the story.

The story begins by learning that two elderly sisters, the Turnbulls, stand to inherit the home they've been living in many years. However, the will has an odd proviso--that they MUST remain in it every night until some goal is met. Well, they've abided by the will so far, but when their servant is murdered and all sorts of mayhem follows, the sisters' resolve begins to wane. Naturally, the pushy Nancy Drew has decided to make the case her business and naturally the cops investigating are all idiots!

This film is one of about 600,000 B-mysteries made by Hollywood...and they were churned out like mad by both the big studios and the tiny ones. Why? Well, they were pretty cheap to make and made plenty of money! And, compared to the rest of them, this one is a bit better due mostly to better and more competent direction. Too many of them simply looked rushed but this one seemed more polished and complete. Well worth seeing.

I stumbled upon this series, courtesy of TCM, and was pleasantly surprised by their almost effortless charm. Bonita Granville was especially well cast as Drew, and cohort Frankie Thomas shared a good onscreen chemistry with her. I too wish there were more episodes in this underrated series; one can still appreciate its breezily innocent yet often witty qualities--all too rare to find let alone do nowadays. It remains a homage to the skills of workaday backlot Hollywood, circa 1939, showcasing plenty of talent for an otherwise unassuming footnote in the Warner Bros. vault. Thanks again, TCM.

Fourth and final entry in the wonderful Nancy Drew series starring the ever-adorable Bonita Granville. This time out Nancy's trying to help a couple of elderly sisters. They want to donate their mansion for a children's hospital but their father's will stipulates the ladies must live in the house every night for twenty years before it's theirs. With two weeks to go before the twenty year deadline, someone is trying to scare the old ladies out of the house. So Nancy investigates, dragging best friend Ted (Frankie Thomas) into trouble along the way.

As in the other films in the all-too-short series, pretty Bonita Granville is extremely likable. John Litel as her dad and Frankie Thomas as her sidekick are also great. Frank Orth's Captain Tweedy is amusing. The culprit behind the mystery is pretty obvious but it's still fun. Seems odd nobody suggested someone stay with the two old ladies to keep them safe, but I guess we wouldn't have had much of a movie then. Exciting finish, as the Drew series was usually good at providing. Wish there had been more of these movies.

This is the first of these Nancy Drew movies I have seen, having just watched it on TCM.

In general, I love movies from the 1930s, but this one was disappointing. When my daughter was growing up, I read to her every night, and often read a Nancy Drew mystery. It would usually take at least a week to finish one. They were quite good juvenile fiction, intriguing and suspenseful.

This movie has a totally different feel and tone. It is basically a comedy with a mystery subplot. Most of the characters are just silly compared to those in the books, especially Nancy, "Ted" (what's wrong with "Ned"?), and the police chief.

It got better once the staircase was discovered, and the last ten minutes or so was clever and entertaining. But still, I would much rather have a story faithful to the novels.

From 1938 to 1939, Warner Bros. produced four entries in its "Nancy Drew" series. Each is a perfect delight; why didn't the studio continue making more of them? Perky, blonde, vivacious Bonita Granville is perfection as the feisty teenaged sleuth. John Litel is equally solid and dependable as her tolerant dad. Rene Riano is a joy as the Drews' long-suffering but devoted housekeeper. And the underrated Frankie Thomas outshines them all with his droll, engaging, All-American-Boy niceness as Nancy's would-be boyfriend Ted, whom Nancy drags reluctantly into each of her outlandish crime-solving schemes. This final entry packs more fun, suspense, and twisty plot turns into a mere 60 minutes than most of today's bloated bombs manage to squeeze into two hours. The Drew's home, nestled on a cozy small-town American street, complete with picket fences and old-fashioned street lights, could be a block away from the Hardy family's domain. Although done on a B-budget, the production values of the entire Nancy Drew series are first-rate (craftily utilizing the sets of Warners' big-budget films of the era). Watch "Nancy Drew and the Hidden Staircase" (and spend the night in a "haunted" house, shivering along with Nancy and Ted) and I guarantee you'll be hooked--and searching TCM's listings for showings of the other three entries in the series. Mystery, wry comedy, spine-chilling suspense, first-rate writing, crisp direction, and endearing performances by actors with charisma to spare--movies of any generation don't get any better than this! The Drew series quartet is a fascinating forerunner of the teenagers-in-jeopardy genre revived in 1978 by "Halloween" (and a thousand imitators) for a more blood-thirsty generation. There's not one single drop of blood to be seen in the entire Nancy Drew series, but the suspense and chills are no less palpable. Catch these unsung classics as soon as possible. After 60-some years, they are still fresh as if newly minted, and thoroughly irresistible.

Wills like this one are usually only found in mystery novels. Two spinster sisters were left property by their father on the condition that at least one of them remain there every night for twenty years at which time they can sell out. Otherwise it reverts to the city. That certainly must have cramped their social life, no wonder they remained spinsters.

But when the family chauffeur is murdered and other strange things happen our teenage heroine goes to work. As usual Bonita is helped by Frankie who it seems she can talk into just about anything in these films including having all American football player Thomas lose his clothes and have to get into drag which was an offense back in the day.

In three of the four films law enforcement is represented by Frank Orth as the local police captain. Seeing Orth in what was his career role as the bumbling Captain Tweedy, no wonder they need Granville's help whenever a serious crime occurs.

There would be no more Nancy Drew films after this as Granville left Warner Brothers. It was a nice series and I'm sure the kids in the Saturday matinée crowd enjoyed it. Dashiell Hammett and Raymond Chandler were not threatened by Carolyn Keene though.

I think Warner Bros. captured the spirit of the Nancy Drew novels, and presented them in great style. The give and take between Nancy and her father is actually better than the books, and Ted Nickerson, as played by Frankie Thomas, makes the character stand out far more than in the books, where he was just a straight man for Nancy. And Bonita Granville as Nancy gives a phenomenal film portrayal of the heroine of millions, without going over the top, and she is especially likable and memorable. We have to remember this is a film portrayal of a book, it is not the book, nor was it meant to be, and it captures exactly the feeling of Nancy Drew mysteries. I wish the Hardy Boys had been done like this! I gave it a 10 not because it was the best movie ever made, but because it was a great interpretation of the book that lost nothing in the translation to screen, and gained in the character given by superb actors.

The elderly Turnbull sisters want to donate their home for a children's hospital. Their late father stipulated that at least one of them has to be in the house every night for 20 years or else it goes to the city. A goon pushes Nancy Drew (Bonita Granville) aside to steal her father's affidavits. Her boyfriend Ted Nickerson saves her in the nick of time. The Turnbulls' chauffeur Phillips dies mysteriously but the cause is under dispute. The sisters are scared. Nancy helps to investigate.

It's the fourth and last time Bonita Granville played the teen sleuth. I'm not going to compare it to the book. Quite frankly, I've never read any of the books anyways. I want more out of the mystery solving. Nancy should be Sherlock but she's really only an inquisitive girl. She needs to be smarter than the audience. Instead, she's more driven than brilliant. She's being too girlie. She is often surprised by simple discoveries. She just needs to investigate on her own. She shouldn't need her father and the cops are cartoonish in their incompetence. Then, there is boy toy Ted. I like the couple's relative brain powers. I don't like that they have so much time together. After all, it's not a Ted and Nancy mystery solving team. It's supposed to be her alone solving the case.

It always was a great joy to read Nancy Drew books and being able to see "The Hidden Staircase" was a wonderful thing Hollywood was able to give to the public in the 1940's. Bonita Granville, Frankie Thomas and John Litel gave excellent performances and made the Drew characters come to life. Films in those days had a limited budget and it was an innocent age without all the blood and gore in todays films. No criticism is necessary for these Classic Films with Classic actors which are still being shown in the year 2000 and forever.

Bonita Granville takes on the role of girl detective Nancy Drew one last time in this light-hearted mystery. According their father's will, two elder sisters must remain in the family house for twenty years to earn its title. But they get cold feet when their chauffeur turns up dead. This sounds like a case for the distaff detective and her reluctant sidekick, Ted Nickerson (Frankie Thomas).

Nancy runs rings around police chief Tweedy, uncovering clues and working her own line of speculation. The plot is feasible and the acting is up to the standards of this fare, but there is little feeling of peril, mainly because there is no persistently evil villain.

"Hidden Staircase" is an enjoyable lark and Bonita is perfect for such a story.

William Clemens directed this fourth and final cinematic outing starring Bonita Granville as Nancy Drew, John Litel as her father Carson Drew, and Frankie Thomas as her boyfriend Ted Nickerson. Here, two elderly ladies call upon Carson to help them after their chauffeur is murdered. The two ladies have been living in an old mansion for twenty years, and must stay another two weeks before they can sell it to be used as a children's hospital, but someone wants to stop them, and Nancy and Ted defy authorities to investigate. The best of the series, which uses more imagination in its story, though it still feels half-baked and too abrupt, coming up short, though the three leads(especially Granville) are fine, and could have made a fifth case, sadly not to be. This plot was used on the later(and unrelated) "Nancy Drew Mysteries" with Pamela Sue Martin called 'The Mystery Of The Whispering Walls'(Much better handled too.)

I never read the books, knowing Nancy Drew only through the TV series with Pamela Sue Martin and HerInteractive's video game series. So I wasn't really prepared for Bonita Granville's ditzy, ball of energy approach to the character. I think of Nancy Drew as smart, but Bonita is more determined and energetic.

She's also a terrible person. One of the first things she does is manufacture evidence to interfere with a police investigation. She also has a friend who's kind of like a romance-less boyfriend who she is constantly manipulating into doing risk things with no thought to his welfare.

The story itself is rather dull. There's an amusing police captain in it, but it's generally a substandard B mystery with weak humor and an unengaging story.

And seriously, Nancy Drew may be an actual psychopath.

Not recommended. And while there are some exceptions, most user reviews say this is the best of the series, so I don't plan to watch any more!

Warner Bros. filmed several of these Nancy Drew stories in the late 1930s with Bonita Granville, Frankie Thomas and John Litel top-billed and this one is probably the best--and the only one actually based on one of the early Carolyn Keene novels.

But the script is a hapless, far-fetched one and really stretches credibility and patience when viewed today. Only a certain nostalgia for these kind of B-films that played the lower half of a double bill can have any appeal for modern viewers.

The actors aren't to blame. Bonita Granville as Nancy does an excellent job, as does Frankie Thomas as her All-American boyfriend Ted, and John Litel as her lawyer father. All of it, however, is weakened by a poor script and a weak storyline. Only the last twenty minutes or so maintains any real suspense.

Most of it is pretty uninvolving but appeals more as a curiosity piece than anything else.

I like quality filmmaking, and this was certainly that. But as a child reading The Hidden Staircase I came to know all of the characters well, all of whom have either been renamed here, eliminated entirely (poor Helen Corning), re-aged, or given different roles. Why even name it after the book?

A one-star for misuse of the book title.

Nancy Drew and the Hidden Staircase (1939)

** 1/2 (out of 4)

Fourth and final film in Warner's detective series has Bonita Granville returning as Nancy Drew. In this film, two old women are about to turn over their property to charity but someone is trying to haunt them out of it. You see, the women must stay there day and night for two weeks or the will is no good and the property is turned over to the city. This final film is the shortest of the four (only running 60 minutes) but it's also the weakest. There isn't any comedy to speak of and none of the mystery aspects are fully recognized. Granville is good in her role as usual but the supporting characters are weak this time out.