A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- Won 1 Oscar
- 1 win total
Eddie Acuff
- Second Bus Driver
- (uncredited)
Maude Allen
- Woman
- (uncredited)
Dorothy Appleby
- Waitress
- (uncredited)
Jane Barnes
- Waitress
- (uncredited)
Georgie Billings
- Boy Hiding From Policeman
- (uncredited)
Gladys Blake
- Tenement Resident
- (uncredited)
Stanley Blystone
- First Bus Driver
- (uncredited)
Wade Boteler
- Policeman at Pier
- (uncredited)
Harry C. Bradley
- Reverend Mr. Morris
- (uncredited)
Helen Brown
- Waitress
- (uncredited)
Sonny Bupp
- Boy Hiding from Policeman
- (uncredited)
Storyline
Did you know
- TriviaAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- ConnectionsRemade as Interlude (1957)
- SoundtracksYankee Doodle
Traditional
Played by the busboys at the labor meeting
Featured review
Charles Boyer and Irene Dunne couldn't catch a break in 1939. First LOVE AFFAIR turns out badly for the body of the movie, then here we have Miss Dunne, a waitress, in love with Boyer, a concert pianist-prince with Barbara O'Neil as his mad wife. He loves her too, but Miss O'Neil has bouts of sanity, during which she comes to Miss Dunne's apartment.
This is one of the prestige dramas that John Stahl directed every year or so for Universal during the 1930s. As in the other movie, the chemistry between the leads is marvelous. This movie is the lesser, which I attribute to the utter lack of humor of Stahl, as opposed to Leo McCarey. Of course, the fact that a reported 21 writers worked on this picture may have given the film maker so much material that any humor had to be cut. Once you get past the meet cute, in which Boyer tries to order apple pie with cheese, hold the pie, it's all a romantic heartbreaker with their unfulfilled love. And that it is.
This is one of the prestige dramas that John Stahl directed every year or so for Universal during the 1930s. As in the other movie, the chemistry between the leads is marvelous. This movie is the lesser, which I attribute to the utter lack of humor of Stahl, as opposed to Leo McCarey. Of course, the fact that a reported 21 writers worked on this picture may have given the film maker so much material that any humor had to be cut. Once you get past the meet cute, in which Boyer tries to order apple pie with cheese, hold the pie, it's all a romantic heartbreaker with their unfulfilled love. And that it is.
- How long is When Tomorrow Comes?Powered by Alexa
Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content