User reviews

The Judy Garland many venerate today is the post-Plaza Theater (c.1951) Judy --damaged, pill-popping, alcoholic, overweight--the inspiration for female-impersonators everywhere because of her unique way of pouring out a broken heart in song while living life on the brink as Liza's mother. But the real Judy, the Judy who won America's heart back in the late 1930s is this incandescent teenager, eighteen years old at the time of this film. Those who find the later Judy's manner of acting and singing over-the-top, a bit vulgar, should listen here to the sheer beauty and purity of her soprano voice, her flawless enunciation and phrasing, her feeling for jazz, her utter simplicity. What's more she was a superb actress; witness the scene in the Central Park hansom cab with Mickey, so touchingly real and affecting. It is said that Stella Adler, who was to become Marlon Brando's teacher, but working for Arthur Freed at MGM at that time, was a great supporter of her amazing talent; perhaps Stella coached her acting. The story of this film is typically silly and dated but Judy and Mickey together are as always wonderful!

Andy's got a crush on famous New York socialite Daphne Fowler (Diana Lewis) and brags to Polly and Beezy that he knows her. Judge Hardy has to go to New York to save the Carvel orphanage and decides to bring the family along. When Andy's friends hear about this, they expect him to bring back photographic proof of his romance with Daphne. Once in New York, he gets help from his friend Betsy Booth (Judy Garland), who's grown up some and still in love with Andy.

The ninth entry in the MGM Andy Hardy film series is a good one. Probably the most quotable of the Hardy movies. Lots of funny lines ("We're not hillbillies. We wear shoes every day."). Mickey Rooney is terrific. Andy always had to learn life lessons in these movies but here he learns them all the hard way and Mickey does a fantastic job making Andy sympathetic while making us shake our heads at him at the same time. Judy Garland reprises her role as Betsy Booth from earlier in the series. She's a joy to watch and has great chemistry with Mickey. She gets to sing a couple of nice songs, too. Clyde Wilson steals his few scenes as the orphan Francis, who gets man-to-man advice from Andy. Cy Kendall has a good part as the owner of a fancy restaurant who gives Andy a tongue lashing for running up a bill pretending to be a big shot ("I've got eight dollars in my bankroll and with eight dollars I could buy the Club Sirocco."). A really good entry in the series with quality writing and solid performances from everybody.

Just by the title alone you know that Mickey Rooney is once again going to have some woman trouble. Andy Hardy Meets Debutante has the Hardy family going to New York to make a holiday of it because Lewis Stone has a court case there. Judge Hardy is stepping off the bench in Carvel and going to New York to represent an orphanage in Carvel that is in danger of closing due to a loophole in a trust agreement the Judge drew up while he was still in private practice.

Rooney is once again putting his steady girlfriend Ann Rutherford on hold again while he fantasizes about Diana Lewis who is a Paris Hilton type débutante. When the Hardys arrive in New York they stay with Judy Garland's family whom we met in a previous Hardy film. And of course Andy in his naive way makes a huge fool of himself a few different ways in the film.

Judy Garland's two songs are the highlight of the film. She sings I'm Nobody's Baby written for this film and Alone which MGM owned the copyright for having been sung most memorably by Allan Jones in A Night At The Opera. As it turns out she knows Diana Lewis and Judy plays little Miss Fixit and cures Rooney of his puppy love. Of course you know the next Hardy film, he'll be back and involved in some other romantic mess. Why Ann Rutherford just didn't give that boy the heave-ho is one of the screen's greatest mysteries.

There is also a very touching scene one of the best father and son moments with Lewis Stone and Mickey Rooney when they visit New York City's Hall Of Fame at New York University Bronx campus. Rooney is wishing that the Hardys who are big-shots in Carvel had a little more class and were mixing easily in society with Diana Lewis's crowd. Stone gives him a most stern lecture about all the people in that Hall of Fame who started from nothing and made the country what it is. It was one of the best patriotic moments in an era where the screen was starting to fill with such sentiments I've ever seen.

Andy Hardy Meets Debutante still holds up well and should be seen for Judy Garland's singing and Lewis Stone's very unsentimental but very real lecture on the spirit of America.

A movie made 60yrs ago, is still one of my favourites. If you want a light-hearted comedy, superbly acted & directed this may be the movie for you. Judy Garland was beautiful (as ever!) & her radiance in this film is one of the highlights. One could wax lyrical for ages about this film, but I won't. Just when you get the opportunity to view this film, do it. You won't be disappointed.

Just two years after "Love Finds Andy Hardy", Mickey Rooney and Judy Garland meet again in another tale about Carvel's most dramatic high schooler. In this film, girlfriend Polly Benedict has slowed his roll and ridiculed Andy's obsession with a New York debutante named Daphne Fowler (Diana Lewis). When Judge Hardy decides to take the entire family to NYC while he confronts a big city law firm over financial commitments due an orphanage, Andy (Rooney) reconnects with Betsy Booth (Garland) and contrives to meet the mysterious and desirable Miss Fowler.

At this point the story bogs down. But two somehow-interconnected stories emerge: the benefits of living in the American Republic and Andy's despondency at being a backwater fish from a small pond.

The first part might be expected in a nation perched on the philosophical precipice of isolationism versus involvement in the ongoing war in Europe. Judge Hardy delivers a stirring speech that defines equality as equal opportunity under the law.

The party of the second part---Andy---somehow finds a way through his gloom and returns to Carvel a wiser man, where he confronts Polly, hoping to put their relationship back on track.

The best part of this film might be the musical interludes by Miss Garland. But Rooney is the driver of this and all the Andy Hardy films, and he does not disappoint. If you enjoy the Garland-Rooney vehicles, be sure to watch "Girl Crazy".

In the ideal Midwestern town of Carvel, high school teenager Andy (Mickey Rooney) uses books to hide pictures of New York socialite Diana Lewis (as Daphne Fowler). When friends discover his pin-up pictures in a botany book, Andy covers embarrassment by pretending to be intimately acquainted with the glamorous debutante. Meanwhile, Judge Hardy (Lewis Stone) finds out that a local orphanage may lose its funding. Hoping to protect the orphanage's trust funds, Judge Hardy takes the family to Manhattan. Intending to strike up a real romance with Ms. Lewis and impress his classmates, Andy pretends to be wealthy...

Andy does get to meet his female infatuation in New York, but the young woman getting most of the screen time with Mr. Rooney is Judy Garland (as Betsy Booth)...

Returning from her appearance in the series' "Love Finds Andy Hardy" (1938), Ms. Garland is a little older and has "filled out" (like they used to day). Garland beautifully sings "Alone" and "I'm Nobody's Baby". She still likes Andy, although he doesn't seem to notice. It doesn't matter what they do, the chemistry is clearly evident. The story is a little thin for its length, but good. By the time this picture was released, Rooney and Garland were the top box office "teen idols" in the country. They made other films, but were never fresher. Their scene near the end, with Rooney and Garland riding in the back of a coach, is a career highlight.

****** Andy Hardy Meets Debutante (7/5/40) George B. Seitz ~ Mickey Rooney, Judy Garland, Lewis Stone, Ann Rutherford

ANDY HARDY MEETS DEBUTANTE (Metro-Goldwyn-Mayer, 1940), directed by George B. Seitz, marks the ninth installment to the "Andy Hardy" family series starring Lewis Stone,Mickey Rooney, Cecilia Parker, Fay Holden and Sara Haden. It also marked the return of Judy Garland, reprising her role of Betsy Booth introduced in LOVE FINDS ANDY HARDY (1938). Lana Turner, who also appeared in that same movie, does not appear in this segment, though her Cynthia Potter character and photograph are mentioned and shown here. As for Garland, though she plays a debutante, the debutante in the title happens to be characterized by another new MGM starlet by the name of Diana Lewis, who would become Andy Hardy's latest problem and new love combined interest.

ANDY HARDY MEETS DEBUTANTE breaks its series tradition by not opening in Judge Hardy's courtroom. Instead, it begins Saturday morning with teenage lover boy, Andy Hardy (Mickey Rooney) asleep in bed with magazine photo cover of the Number 1 debutante, Daphne Fowler beside him, while Judge Hardy (Lewis Stone) is away fishing. Hardy is then called back to Carvel by George Benedict (Addison Richards) regarding some legal matters regarding on shutting down the Carvel Orphanage and displacing many of its orphans. Though Andy has never met Daphne Fowler, he brags about having met her two years ago to his girlfriend, Polly Benedict (Ann Rutherford), who, after learning the Hardy family will be heading for New York City where the Judge is to go on a business matter to keep the orphanage from closing, she and his best pal, Beezy (Georgie Breakstone) have Andy promise to return home with a photo of he and Daphne together to place in their high school newspaper, the Olympian. After a train ride to New York City, the Hardy's family, also consisting of mother (Fay Holden), Aunt Milly (Sara Haden) and Andy's older sister, Marian (Cecilia Parker), stay at a brownstone apartment on East 49th Street as arranged by Andy's debutante girlfriend, Betsy Booth (Judy Garland). As the Judge works on legal matters to save the orphanage, Betsy, whose parents are out of town, tries to help Andy with his latest problem, but doesn't know what to do since Andy insists she not ask him any questions. Going through much difficulty trying to meet Daphne Fowler (Diana Lewis), it is unknown to Andy that Daphne and Betsy are the best of friends. Others in the cast include: Marjorie Gateson (Mrs. Desmond K. Fowler); George Lessy (Mr. Underwood);Clyde Willson (Francis, later called Butch); and Cy Kendall (Mr. Carrillo, the Club Sirocco restaurant manager). If Clyde Wilson seems a bit familiar, he is that little boy who gets extreme closeup while leading a parade of little kids in the Mickey Rooney-Judy Garland musical, BABES IN ARMS (1939). This is probably the only time Willson would have an extensive role in a feature film. While his character ends every other sentence with the word "please," he also gets his man-to-man talk from Andy on how to become more of a man with a stronger name of Butch.

With Judy Garland in the cast, playing a girl of age 15 as opposed to her true older age, she still gets treated like a child by Andy, unaware he's more like a child than Betsy is. As the Hardy's find time to see such New York City landmarks as The Statue of Liberty, Andy and Betsy take time walking together on Fifth Avenue, standing by St. Patrick's Cathedral, visiting Grant's Tomb, and even have their horse and buggy ride alone together in Central Park. Garland gets to sing a couple of songs, first an oldie introduced in the Marx Brothers comedy, A NIGHT AT THE OPERA (1935) titled "Alone," followed by a new tune, "I'm Nobody's Baby." Some lighter moments of humor feature Andy acting like a big shot while eating at a swank New York restaurant and running up a high bill of $37.25 while having only $8 in his pocket. Lessons learned later by Andy regarding his father to be not just a "hick small town judge" as compared to those highly educated ones of the New York City court.

Though not as memorable as the popular LOVE FINDS ANDY HARDY, ANDY HARDY MEETS DEBUTANTE, at 87 minutes, is both typical and acceptable entry to the Hardy franchise. As the series progresses more on Andy and his father in that order, roles involving his sister Marion (Cecilia Parker); mother Emily (Fay Holden) and Aunt Milly (Sara Haden) have their limitations. Formerly available on video cassette dating back to the 1990s, and later DVD, ANDY HARDY MEETS DEBUTANTE can be seen whenever broadcast on Turner Classic Movies. Next installment: ANDY HARDY'S PRIVATE SECRETARY (1941) introducing Kathryn Grayson. (***)

Andy Hardy (Mickey Rooney) has been bragging again, claiming that New York debutante Daphne Fowler is somebody that he knows, that she likes him, and that he must break up with Polly Benedict (Ann Rutherford) because of this attachment. When Judge Hardy must go to New York City to take care of an issue involving the estate of the benefactor of the Carvel Orphanage having stopped funding, the entire family is going with him. So Polly plans to embarrass Andy with the cover of the next copy of the High School magazine unless Andy returns with a photo of himself and Daphne together. Complications ensue.

Andy pulls a bunch of bone-headed stunts trying to meet Ms. Fowler, the result being that rather than him being angry at himself for trying to plunge headlong into the adult world of New York society without the wisdom or knowledge to do so, he feels the problem is that he and his entire family are a bunch of "nobodies" who have no position in a place like New York, and therefore will always be nobodies. Has Andy's reticence to read prices on a menu turned him into a Marxist? The judge takes him to task and even more complications ensue.

The real attraction here is Judy Garland who returns as Betsy Booth, a younger girl who has always had a crush on Andy. She's a better friend than he deserves and a real sticking point for me is that he doesn't seem to really appreciate her, even if he says that he does.

Highlights include a couple of numbers by the effervescent Judy Garland, when she was a young fresh face at MGM. Also, the judge and Aunty Milly have a word over a conspiracy they have going to get Mrs. Hardy to accept a fur coat, showing that they really had a very good friendship going.

ANDY HARDY MEETS DEBUTANTE (1940) is the ninth (9th) film of the series and it shows the direction it was inevitably headed into. Characters ANDY HARDY (Mickey Rooney) and JUDGE HARDY (Lewis Stone) were going to be front and center. The rest of the cast was going too just punch the clock and collect their checks. The series would rise to the occasion again and have its moments but a fatal decline had set in.

Lewis Stone throughout the series would continue too portray the character of JUDGE HARDY in a sympathetic manner. The rest of the cast would be professional even though given less and less to do. Mickey Rooney on the other hand would continue his character as if there was no learning curve. ANDYs' reaction to any situation was in a naive and unbelievable way. Even after he returned as a veteran of World War II service in LOVE LAUGHS AT ANDY HARDY (1946) his reaction to any 'teapot tempest' was the same, juvenile.

In this film it is clearly illustrated. ANDY gets himself into several unbelievable situations that with a simple explanation would have been resolved. This screen writing device was known as the 'idiot plot'. A means of stretching a poorly written scenario. Maybe it was less Mickey Rooneys' fault then the Director and the Writers. Most likely George B. Seitz had directed one too many and a firmer hand was needed too control Rooneys' excesses. To see our overview of the entire series go to YOU'RE ONLY YOUNG ONCE (1937).

Once again Micky Rooney and Judy Garland team up to create a better than average Finding love movie as it p retains to the 40's.

Judge Hardy has to go to New York City. Andy (Mickey Rooney) has more girl troubles when he claims to have a secret romance with socialite Daphne Fowler. Polly and Beezy intend to out him in the lie with the school magazine. The Judge forces Andy to join the family to New York where Betsy Booth (Judy Garland) eagerly reunites with Andy. He goes to meet Miss Fowler but he's soon over his head.

Judy is back. It's the ninth film in the Hardy franchise and Judy Garland makes her second appearance. If only... If only, she could be a permanent member of the franchise. She sings a few songs but non is that catchy. She gives Andy a real emotional moment in the end. The movie is a little disappointing because Andy keeps ignoring her. She's mostly stuck in friendzone but that's why the send-off is so emotional. Quite frankly, Betsy and Polly would make a fun love triangle.

Judy was virtually the definition of classic Hollywood. When she is on screen this film is worth watching. When she isn't, it descends into corny teen adventure.

I am a huge fan of Judy so this review may be biased. I enjoyed this very much. "I'm Nobody's Baby" was typical early Judy. She and Mickey make a delightful team. They just make me smile when they come on screen. You can tell they had a blast working together. I especially like when Mickey goes out on the town and his shirt stud...I like at the very end of the movie when he looks at his photographs and says, "How one's women do mount up!" Just priceless.

I have found that the Andy Hardy films are enjoyable light entertainment--certainly not great films but likable nonetheless. However, this installment is the first I've seen from the series in which I didn't like Andy...a serious problem. While he's always been rather sweet and likable, here he seems like a phony--a social- climber who often disregards those around him.

It all begins with Andy (Mickey Rooney) creating a lie to impress his friends. He tells them that he's friends with a famous New York débutante, Daphne Fowler. But when his father announces that they family is going to New York because he has business, Andy panics. Instead of just telling the truth, he just tells one lie after another.

When the family arrives in the city, they are met by Betsy (Judy Garland) and she plans on doing her best to make sure the family has a great visit. She also helps Andy without question in his scheme to meet Daphne...and it's obvious she's doing it because she is in love with Andy. How is it obvious? She sings a song all about it...which is what most young adults do when they are faced with problems. Despite her help, Andy digs a hole for himself because he's much more concerned about looking big in society instead of caring for everyone around him. At one point, a restaurant owner tells Andy "I think you need a good spanking"...and I heartily agree! He has been a complete jerk throughout the film. Can he possibly redeem himself or will he just digging his self-absorbed hole even deeper?

There is a HUGE problem with a sense of perspective in this film. Andy whines and mopes and complains that his family isn't rich instead of just telling the truth and being a stand-up guy...and it's made worse since Judge Hardy is in New York because the local orphanage has lost its funding...a far, far, far more important problem. Again and again, I just wanted to see someone bust Andy in the mouth and tell him to grow up and shut up! Eventually he learns his lesson in this heavy-handed film but he's simply insufferable in the meantime...making it one of the worst films in the series. Had they had more balance and made Andy not quite so awful, it would have worked much, much better.

Andy Hardy Meets Debutante (1940)

** 1/2 (out of 4)

The ninth film in the series (if you don't count the two shorts) has the Hardy family going to New York so that the Judge (Lewis Stone) can help keep an orphanage open. Andy (Mickey Rooney) has gotten into some trouble because he told people back home that he knows a famous model (Diana Lewis) and that she has the hots for him. While he tries to track her down he's too stupid to realize that there's one young woman (Judy Garland) who really does care for him. Outside the two shorts, this here was my first film from the series and it was pretty much what I expected even though I've read this wasn't nearly one of the best of the series. There's enough charm and good will for two movies so it's hard to imagine someone not getting some entertainment out of the film. I think it goes without saying that this film, and the series for that matter, was built around moral lessons for young people as Andy has a problem and then Judge is there to help him. The problem here is Andy being poor and from a small town feeling as if he isn't good enough to be around those who might look down on him. The importance of social standing and money is something Judge has to explain and this scene, while over-dramatic, does deliver a nice message. Rooney is in top form and delivers another winning performance. His comic timing is just right and his attitude perfectly mixes in with the stern Stone. The two of them work well together but that's to be expected considering how long this series ran. Garland is also pretty good here and manages to get off two songs. Rutherford, Fay Holden and Cecilia Parker are also winning in their roles. The scene stealer is the young Clyde Willson who plays one of the orphans and gets a big laugh each time he says a line given to him by Andy.

I always thought people were a little too cynical about these old Andy Hardy films. A couple of them weren't bad. Modern film critics are not ones who usually prefer nice to nasty, so goody-two shoes movies like these rarely get praise

Nonetheless, I can't defend this movie either. You can still have an dated dialog but still laugh and cry over the story. Watching this, you just shake your head ask yourself, "how stupid can you get?" This is cornier than corny, if you know what I mean. It is so corny I cannot fathom too many people actually sitting through the entire hour-and-a-half.

The story basically is "Andy" (Mickey Rooney) trying to get out of jam because he makes up some story about involved with some débutante from New York City as if that was the ultimate. People were a lot more social-conscious in the old days. You'd hear the term "social-climber" as if knowing rich or beautiful people was the highest achievement you could make it life. It's all utter nonsense, of course, and looks even more so today.

However, it's about as innocent and clean a story and series (there were a half dozen of these Andy Hardy films made) as you could find. Also, if you like to hear Judy Garland sing, then this is your ticket, as she sings a couple of songs in here and she croons her way into Andy's heart. Oh man, I almost throw up even writing about this!

Sometimes Mickey Rooney tones his goofiness down, and sometimes he doesn't. In Love Finds Andy Hardy, he's at his goofiest. In Andy Hardy Meets Debutante, he's definitely toned it down. Mickey Rooney's ridiculous mugging to the camera is in the past, and while this one still isn't a good movie, at least it's not painfully torturous whenever he's on the screen. And, since he's the lead, that's a plus.

The Hardy family returns, including Lewis Stone, Fay Holden, Cecilia Parker, and Mickey Rooney. Mickey, with his hormones still raging, has a collection of magazine clippings of the famous New York debutante, Diana Lewis, and when his friends tease him about his crush, he's humiliated. Then, when he goes to New York to visit his friend Judy Garland, he tries to meet Diana in person-but of course, his plans go awry.

If you're a teenager and you think the biggest problem in the world is getting teased by your friends for having a celebrity crush, you might like this very silly teen comedy. If you don't get annoyed by a hormone-struck Mickey Rooney, a loud Judy Garland, and a pointless plot, you might like this. I didn't like it, but it's not nearly as painful as the earlier films.