A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.A young Spanish aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Caballero
- (uncredited)
Storyline
Did you know
- TriviaThe famous duel was staged by Hollywood fencing master Fred Cavens. He specialized in staging duels that relied more on real swordplay rather than the jumping on furniture and leaping from balconies that many film duels incorporated up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were under-cranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized.
- GoofsWhen Diego dines with the Quinteros, Inez asks him to show them the new dance steps. He and Lolita then dance together, but somehow the sheltered young Lolita knows the dance perfectly. This doesn't make sense if it contains new dance steps that even society-mad Inez doesn't know.
- Quotes
Don Diego Vega: I must please ask you to change the subject. His Excellency objects to talk of throat-cutting.
Captain Esteban Pasquale: Quiet, you Popinjay! I have no reason to letting you live either.
Don Diego Vega: What a pleasant coincidence. I feel exactly the same way about you Capitan.
Captain Esteban Pasquale: You wouldn't care to translate that feeling into action would you?
Don Diego Vega: I might be tempted. If I had a weapon.
Captain Esteban Pasquale: Would you.
- Crazy creditsOpening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ...
- Alternate versionsAlso available in a colorized version.
- ConnectionsEdited into Myra Breckinridge (1970)
Tyrone Power goes with great ease from the fop to the swashbuckler Zorro, all the while displaying a great deal of charm and good looks. The romantic role of "the girl" goes to Linda Darnell who is more than adequate in the looks department herself.
In the chapel scene and "The White Sombrero" dance routine they have a chance to show the kind of sparks that made them popular movie stars of the '40s. Linda was just about to break out of her virginal roles and about to play more tempestuous heroines, but she does an excellent job as Power's love interest.
Basil Rathbone is at his finest for the final dueling scene, surely even more robustly performed than the one he shared with Errol Flynn in THE ADVENTURES OF ROBIN HOOD--and that's really saying something. Power seems to be evenly matched with Rathbone in his skilled swordsmanship.
Alfred Newman's fitting pseudo-Spanish background music provides just the right amount of excitement to make this a most entertaining show. And the supporting cast--including Gale Sondergaard, J. Edgar Bromberg, Eugene Palette, Montagu Love, Janet Beecher and others is excellent.
By all means worth watching anytime for sheer entertainment.
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Californian
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,000,000 (estimated)
- Gross worldwide
- $10,248
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1