IMDb RATING
7.4/10
9.4K
YOUR RATING
The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.The arrival of wealthy bachelors in town causes an uproar when families with single daughters aggressively seek engagements, including the Bennet family, with five eligible daughters.
- Won 1 Oscar
- 2 wins total
Storyline
Did you know
- TriviaAccording to Ann Rutherford, although the filmmakers were committed to begin shooting on a particular date, they discovered that producer David O. Selznick had used every available reel of Technicolor film in existence to make Gone with the Wind (1939). Therefore, despite the lavish sets and opulent costumes, this movie had to be shot in black-and-white.
- GoofsMrs. Bennet is seen steaming open the letter to Jane from Caroline Bingley. The envelope is a modern-day, gummed envelope fit for stationery letters. In 1815, the year the film takes place, letters would have been folded in and sealed with a wax seal. Gummed envelopes would not be invented for another 100 years.
- Quotes
Mr. Bennet: An unhappy alternative is before you, Elizabeth. Your mother will never see you again if you do not marry Mr. Collins. And I will never see you again if you do.
- Crazy creditsOpening credits prologue: It happened in OLD ENGLAND . . . . in the village of Meryton . . . .
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Hollywood: Style Center of the World (1940)
- SoundtracksFlow Gently Sweet Afton
(1786) (uncredited)
Music by Alexander Hume
Lyrics by Robert Burns (1786)
Performed by Marsha Hunt
Featured review
Is the 1995 television version superior? Yes - every historical period is better recreated since Stanley Kubrick took up the reins with Barry Lyndon in the mid 1970s. Lighting, dress, authentic settings, more faithful adaptations - though not better acting. In the last thirty years, we've been treated to the re-making of all that Hollywood and television had adapted from much of Thackeray, Austen, Balzac, Dickens, Eliot, Hardy, James, Wharton, Twain, Zola, DeMaupassant, even Leopardi. and in virtually every case, the movies are more faithful to their books, the spirit better represented.
Why? I think because movies and television have been more segmented. In 1940, Hollywood was appealing to everyone attending their weekly movies - from the 8 year old girl to the 60 year old man, from the miner to the mine owner, banker and sewer worker. In America alone, 90 million people attended the movies EACH WEEK in the early 1940s. As a result, Hollywood felt it had to appeal to all - and that some aspects of classics could be made more palatable in making them more mainstream.
"Horrors" say the purists. Well, I don't think so - but yes I do prefer the more recent version (of everything).
And yet this is a delightful, charming, humorous, moving film. Greer Garson and Maureen O'Sullivan, Laurence Olivier, Frieda Inescourt (what a voice!), Edna May Oliver, Gwenn and all the rest of the cast are fun, great fun to watch.
In watching this movie, you're watching Hollywood at its top at the time - the same studio that produced the Wizard of Oz and Gone With the Wind in the years immediately preceding this. And you get to see the glowing Greer Garson and Laurence Olivier.
So, this is very enjoyable - except to the purists.
Why? I think because movies and television have been more segmented. In 1940, Hollywood was appealing to everyone attending their weekly movies - from the 8 year old girl to the 60 year old man, from the miner to the mine owner, banker and sewer worker. In America alone, 90 million people attended the movies EACH WEEK in the early 1940s. As a result, Hollywood felt it had to appeal to all - and that some aspects of classics could be made more palatable in making them more mainstream.
"Horrors" say the purists. Well, I don't think so - but yes I do prefer the more recent version (of everything).
And yet this is a delightful, charming, humorous, moving film. Greer Garson and Maureen O'Sullivan, Laurence Olivier, Frieda Inescourt (what a voice!), Edna May Oliver, Gwenn and all the rest of the cast are fun, great fun to watch.
In watching this movie, you're watching Hollywood at its top at the time - the same studio that produced the Wizard of Oz and Gone With the Wind in the years immediately preceding this. And you get to see the glowing Greer Garson and Laurence Olivier.
So, this is very enjoyable - except to the purists.
Details
Box office
- Gross worldwide
- $4,030,820
- Runtime1 hour 58 minutes
- Color
- Aspect ratio
- 1.37 : 1
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