Now-widowed Tugboat Annie, tugboat queen of the Northwest, struggles to save her job against the competition of rival Captain Bullwinkle.Now-widowed Tugboat Annie, tugboat queen of the Northwest, struggles to save her job against the competition of rival Captain Bullwinkle.Now-widowed Tugboat Annie, tugboat queen of the Northwest, struggles to save her job against the competition of rival Captain Bullwinkle.
Sidney Bracey
- Limey
- (as Sidney Bracy)
Margaret Hayes
- Rosie
- (as Dana Dale)
Leon Belasco
- Headwaiter
- (uncredited)
George Campeau
- Olcott's Announcer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is the only movie that brothers Neil Reagan and Ronald Reagan ever made together.
- GoofsEarly in the movie, a scene is shot at Alec Severn's office and the character's first name is incorrectly spelled (Alex) on the front door.
- Quotes
Tugboat Annie: We've been a great success together. Him given the orders and me doin' - just as I please.
- ConnectionsFollowed by Captain Tugboat Annie (1945)
- SoundtracksA Life on the Ocean Wave
(1838) (uncredited)
Music by Henry Russell
Lyrics by Epes Sargent
Played during the opening credits
Sung a cappella by Marjorie Rambeau
Sung a cappella by Harry Shannon
Variations included in the score throughout
Featured review
Marjorie Rambeau, an excellent character actress twice nominated for the Best Supporting Actress Oscar, has the unenviable task of having to attempt to fill the shoes of the legendary Marie Dressler in one of her most famous and popular roles in this quasi-sequel to TUGBOAT ANNIE. Ms. Rambeau has her work cut out for her saddled with an uneven script, a modest B production, and a aging makeup job that at best makes her look like a worn Ethel Barrymore and at worst (most of the picture) like a slightly feminine Lon Chaney. Add it a heavy, unnecessary Irish accent for the character and dialogue with episodes loaded with lame malapropisms and it's a tribute to Ms. Rambeau's talent that this boat manages to float at all.
Tugboat Annie and rival tugboat captain Alan Hale (playing a character named Bullwinkle, which I first thought was merely a slam of a moniker given him by Annie) clash as they vie for jobs at sea. Hale is not above dirty tricks to try to come out on top. Annie and her small crew (which include Chill Wills and Victor Kilian in early roles) however are seldom bested but circumstances come about where Annie's job is in jeopardy and one rich customer wants her replaced by a man. Meanwhile the millionaire's daughter (played by a gorgeous young blonde Jane Wyman) has a crush on one of Annie's young assistants (Ronald Reagan) and stowaway on one rough trip to Alaska. The Wyman-Reagan semi-romance is so prominent in the early scenes it's a shock that their storyline is pretty much dropped in the last third of the film.
The story loses what interest it has somewhere midway in the picture but recovers nicely toward the end with one genuinely hilarious scene at a beauty salon as the now unemployed Annie attempts to relax and be a conventional female but can't help but talk old shop talk about tugboats, unbeknownst to the society woman who sits near her who is horrified at Annie's tale of a "tramp" (boat) ruined by a worthless man, some surprisingly strong double entendres in Annie's story for a studio film of the period.
Tugboat Annie and rival tugboat captain Alan Hale (playing a character named Bullwinkle, which I first thought was merely a slam of a moniker given him by Annie) clash as they vie for jobs at sea. Hale is not above dirty tricks to try to come out on top. Annie and her small crew (which include Chill Wills and Victor Kilian in early roles) however are seldom bested but circumstances come about where Annie's job is in jeopardy and one rich customer wants her replaced by a man. Meanwhile the millionaire's daughter (played by a gorgeous young blonde Jane Wyman) has a crush on one of Annie's young assistants (Ronald Reagan) and stowaway on one rough trip to Alaska. The Wyman-Reagan semi-romance is so prominent in the early scenes it's a shock that their storyline is pretty much dropped in the last third of the film.
The story loses what interest it has somewhere midway in the picture but recovers nicely toward the end with one genuinely hilarious scene at a beauty salon as the now unemployed Annie attempts to relax and be a conventional female but can't help but talk old shop talk about tugboats, unbeknownst to the society woman who sits near her who is horrified at Annie's tale of a "tramp" (boat) ruined by a worthless man, some surprisingly strong double entendres in Annie's story for a studio film of the period.
Details
- Release date
- Country of origin
- Language
- Also known as
- Bogserbåts-Annie går ombord
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Tugboat Annie Sails Again (1940) officially released in Canada in English?
Answer