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If anyone is expecting any true notes out of this film concerning Belle Starr they are in for a sad disappointment. One of the very few things that this film got right was that Belle Starr as befit a lady to the manor born rode side saddle. You wouldn't catch Calamity Jane doing that.

If you saw this film you would think that Belle's career ended a few years after the Civil War was over. In fact Belle's time on earth was 1848 to 1889 and in that period Belle Shirley married several times, the last being a Cherokee Indian named Sam Starr. No hint of that background in Randolph Scott, he plays the part as the real Randolph Scott was, a courtly southern gentleman from Virginia.

I don't know if Gene Tierney was in the Scarlett O'Hara sweepstakes, but in playing Belle Starr she does it in the fiddle-dee-dee tradition that Vivien Leigh did in Gone With The Wind. She's got all the men in the area ready to do and die for her and that includes Dana Andrews the Yankee major who is from Missouri also and has a real case of the hots for her. But Dana does his duty no matter how distasteful it is and Tierney's heart is only for Randolph Scott.

The real Belle was quite a bit more earthy a character and had a few children as well. One of them, a daughter became the madame of a brothel later in life. This film is entertaining with Tierney acting like Scarlett O'Hara and the plot lifted from that other Twentieth Century Fox classic about a Missouri outlaw, Jesse James.

Belle Starr will never make the top ten list of any of the cast members.

How many westerns have there been about the life of Belle Starr? For that matter who knows that much about her real life? I remember seeing this film as a youngster and fell in love with it. I have always liked civil war films and 20th Cent. Fox put together a very good cast in the 1941 version. Gene Tierney plays the bandit queen very well, despite forcing herself to use a phony southern accent throughout the film. Randolp Scott is resplendent as captain Sam Starr, a renegade who rounds up bunch of confederate soldiers near the end of the civil war to stir up trouble in post war Missouri. Scott hates carpetbaggers and yankee soldiers in equal amounts and has no problem raiding banks and railroads for booty. Along the way he meets up with Belle Starr, who finds Scott very brave. Belle Starr is a fiery southern belle and when the yankees burn down her home because she is caught harboring Captain Starr, she joins forces with the rebels in her hatred against the transplanted Yankee forces sent to Missouri to clean out the "rebel rabble". An odd love twist forms when her childhood friend, Dana Andrews, a yankee captain, fights to conceal his true feelings for her and his hatred against Sam Starr and his rebel friends. Along the way Scott and Tierney become married and continue raiding and chasing out carpetbaggers out of Missouri. The twosome become a Missouri legend, much to the anger of the yankee forces trying to capture them. Jasper Tench, a town misfit and drunk, shoots and kills Belle Starr near the end of the film, sending Scott into surrendering to the yankee forces. Good scene at end when Scott surrenders to Andrews and both men nearly lose their composure in sadness over Belle's death. Belle's "mammy", played by Louise Beavers in a good supporting role adds a touch of warmth and comfort to Belle throughout the film.

Good performances by Chill Wills as a redneck southern soldier, and John Shepard who plays Belle's brother, Ed. You might get teary eyed at the end of this film. Excellent western.

Tierney does fine opposite an uninspired Randolph Scott as the fiery Belle Starr. Her scenes with Andrews have far more electricity and pick the film's pacing up midway through. A veteran supporting cast gives their all for the cause, or is that causes? The movie, of course, takes generous liberties with actual history, but that's part of the fun in this one.

Western freely based on a real heroine including noisy action , go riding , assaults, and crossfire . This is the legend of outlaw Belle Starr and how she became the West's most wanted - and desired woman . The career of Wild West outlaw Belle Star is chronicled in this vintage western about lawlessness and war . At the end of the Civil War, an embittered Southern belle joins forces with a Confederate guerrilla leader to raid Union towns.¨Belle Star¨1941 by Irving Cummings boasts a good cast with Gene Tierney , Randolph Scott , Dana Andrews ; this is the best rendition about Belle Starr's character in which the setting is the Civil War and its aftermath . Belle's family has lost their house and land to Yankees, then she marries Confederate guerilla leader Sam Starr and they continue activities against exploiters until she is shot riding to alert Sam to a trap , while Confederate guerrilla leader to raid an Union town . Belle Star is a female bandit with an itch to ride with other Western legends . She makes her way around the Old West , usually wearing male garb . This Southern belle joins forces with Southern captain commencing a long and troubled relation . Bandit Queen & Desperadoes Who Killed For Her!. Her Name Was A Proud, Fierce Challenge Flung Defiantly At The West! Into the Cimarron Badlands came a new west queen! The exciting loves and battles of America's first "Two-Gun" Woman!.First of the West's Flaming "Gun-Molls"! The Petticoat Terror of the Ozarks!.She Was a Wonderful Sweetheart...But a Terrible Enemy! Miss Gene Tierney flames to stardom as The Bandit Queen !. No woman was ever a more tender sweetheart...or a more relentless champion of right! A great new screen personality !..Bandit Queen of a Lawless era !

This classy film concerns this known heroine and her romance with Confederate Sam Starr/Randolph Scott . This is a highly romanticized retelling with thrills , feats , shootouts and little connection with history . Here Belle Star is decently played by Gene Tierney as a vulnerable and embittered woman who is on the receiving end of society's injustices . Trio starring : Randolph Scott as Sam Starr , Gene Tierney a Shirley/Belle Starr and Dana Andrews as Major Thomas Crail give acceptable interpretations , being well accompanied by regular Westerns secondaries as Chill Wills , Shepperd Strudwick as John Shepperd , Elizabeth Patterson and Louise Beavers. Being filmed in brilliant Technicolor in the "Jesse James" Country .The motion picture was well directed by Irving Cummings .

There are various adaptations based on this historical character : ¨Belle Starr's Daughter¨ (1948) by Lesley Selander with George Montgomery , Rod Cameron , Ruth Roman . ¨Belle Starr¨ (1980 TV Movie) by John A. Alonzo with Elizabeth Montgomery , Cliff Potts as Cole Younger , Michael Cavanaugh . And ¨Belle Star¨ 1968 with Elsa Martinelli, Robert Woods, George Eastman , the only Spaghetti Western ever shot by a woman, Lina Wertmüller , who directed competently and under pseudonym, Nathan Wich .

The film is freely based on Belle Star , the actual events are the following ones : Myra Maybelle Shirley Reed Starr (February 5, 1848- February 3, 1889), better known as Belle Starr, was an American outlaw who gained national notoriety after her violent death. She was a known bandit who joined other outlaw legends, the James gang, the Youngers and the Dalton boys . She associated with the James-Younger Gang and other outlaws. She was convicted of horse theft in 1883. She was fatally shot in 1889 in a case that is still officially unsolved. Her story was popularized by Richard K. Fox - editor and publisher of the National Police Gazette - and she later became a popular character in television and films. Allegedly, Belle was briefly married for three weeks to Charles Younger, uncle of Cole Younger in 1878, but this is not substantiated by any evidence. There are numerous claims that Belle's daughter Pearl Reed was actually Pearl Younger, but in Cole Younger's autobiography (quoted in Glen Shirley's "Belle Starr and her times"), he discounted that as rubbish and stated what he knew truly of Belle. In 1880, she married a Cherokee man named Sam Starr and settled with the Starr family in the Indian Territory. There, she learned ways of organizing, planning and fencing for the rustlers, horse thieves and bootleggers, as well as harboring them from the law. Belle's illegal enterprises proved lucrative enough for her to employ bribery to free her colleagues from the law whenever they were caught .On February 3, 1889, two days before her 41st birthday, she was killed. She was riding home from a neighbor's house in Eufaula, Oklahoma when she was ambushed. After she fell off her horse, she was shot again to make sure she was dead. Her death resulted from shotgun wounds to the back and neck and in the shoulder and face. Legend says she was shot with her own double barrel shotgun, tohugh murder goes on unsolved. Although an obscure figure outside Texas throughout most of her life, Belle's story was picked up by the dime novel and National Police Gazette publisher Richard K. Fox, who made her name famous with his novel Bella Starr, the Bandit Queen, or the Female Jesse James, published in 1889 . This novel still is cited as a historical reference. It was the first of many popular stories that used her name.

Gene Tierney stars as Belle Shirley, the feisty daughter of a Missouri plantation owner during the Civil War era. Her father was killed by "Yankee devils", and when her brother Ed (Shepperd Strudwick) returns home to tell her that the South has surrendered, she's devastated. Things only get worse when Yankee carpetbaggers show up, stirring up the "colored folk" and causing misery to the good, Confederacy-supporting Missourians. When Belle learns of a Confederate outlaw named Sam Starr (Randolph Scott) who is causing no end of trouble for the Union army in the area, she joins up with him, and the two fall in love. Also featuring Dana Andrews as the local Union Army commander who also has eyes for Belle.

Those with any knowledge of the real Belle Starr story will know that about the only thing this movie has in common with the real person is that they were both white females. The real story of the much-married mother of two who was also a bandit across multiple states is instead swapped for a "South will rise again!" Civil War revenge fantasy that traffics in regrettable racial stereotypes and exaggerated distortions. While the moment Randolph Scott calls Louise Beavers an "Ethiopian elephant" is bad, the recurring motif of Strudwick trying to tell jokes, even on his death bed, is worse. The film is given the sort of lavish Technicolor treatment that helped make Jesse James a hit in 1939, but that film had a better script and a better director.

If you read about the real life Belle Starr, you'll soon notice that her life has almost nothing to do with the film "Belle Starr"....nothing! Heck, when the film began, they couldn't even get the state where she lived correct! And, she hardly was the sort that should have been portrayed by the beautiful Gene Tierney! So, when you watch the movie you need to remember that it is complete fiction from start to finish.

Another thing about the film that is pure fiction is the film's depiction of the Reconstruction era. Instead of showing what life was really like in the post-war South, it shows images that seem straight out of the film "Birth of a Nation"--with horrible stereotypes of blacks running amok, dancing in the streets and being 'uppity'. The only horrible stereotype missing is the watermelon! Again, this film is definitely NOT a history lesson but promotes a racist view of this time. And, sadly, at the time the film was made, it was the popular view of this period. I really wish that when Turner Classic Movies showed the film that it would have been introduced by Robert Osbourne with a disclaimer about all this! The real life Belle Starr was NOT a woman crusading against the evil Yankee and political injustice. No, she was a crook and had a long history of marrying crooks who ended up getting themselves shot. And, not surprisingly, eventually she was shot at age 41. She wasn't pretty and she was just plain vicious.

Now if I completely turn off the parts of my brain that balk at these historical inaccuracies (which is tough, as I am retired history teacher), what are the film's merits? Well, the story is occasionally interesting and the production values are very good--with nice color film stock and music. But the film also is full of ridiculous acting by Tierney--who seems more shrill and silly than anything else. As for her co-stars, Dana Andrews and Randolph Scott, they are both fine actors who are given little to do other than to stand back and watch Belle over-act badly. The only one who came off well was Belle's brother (Shepperd Strudwick)--he had some good lines and was able to put across his character well. Overall, a silly and inconsequential film. You can easily do better.

OK, this film wants us to sympathize with southerners who took to banditry after the Civil War. So what evil and disgusting Yankee devilry do they show us? A check-suited carpetbagger telling black people they can--gasp!--walk on the sidewalk and sit on the front porch, and a lot of happy black folks celebrating their new freedom.

Oh, well, you can understand, then. Blacks on the sidewalks?! God help us! Keep your powder dry, boys! I normally deprecate the simple-minded practice of holding the art of other eras responsible to our standards of political correctness, but I don't care--that's just plain foul.

Of course, it's not completely racist; there are decent black folks in evidence, too: they are the ones who sympathize with their oppressors and help them fight those lousy carpetbaggers who want to let them sit right on the front porch where anybody can see them!

It's been a few years since I saw *Gone With the Wind*: was it this hamhandedly bigoted in its treatment of blacks?

It's s shame, because one you get past the overt racism, this is actually a pretty good movie, with one of Randolph Scott's better performances.

"What's a legend?" a little girl asks her grandfather at the start of Belle Starr. "A legend is the best part of the truth," he answers before explaining the legend of the famed female outlaw. I love everything about this western, including the thoughtful, touching script. The scenery is great, the story is exciting (especially for those who don't know about Belle Starr), and the acting is top-notch. How many times are you going to see Randolph Scott cry in one of his westerns? I've seen fifty of his movies and only seen tears three times.

Gene Tierney is a vision, so delightful, vivacious, and beautiful it's no wonder she was a top tier actress for the next ten years. This was only her third movie, but her screen presence feels like she's a Hollywood veteran. She's wild, tough, yet remarkably feminine. When you watch her in this movie, you realize what a crying shame it was that she wasn't discovered just one year earlier to play Scarlett O'Hara. She plays a Southern belle turned outlaw in this western, angry because her family lost everything in the Civil War. Teamed up with fellow outlaw Randolph Scott, they fall in love.

Dana Andrews is a military man on a mission to catch the bandits. But as soon as he sees how beautiful Gene is, he falls for her, too! Including Louise Beavers as the "Mammy" role (since she's a superior actress than Hattie McDaniel, she could have easily been in the 1939 classic), and Shepperd Strudwick, Elizabeth Patterson, and Chill Wills in the supporting cast. I highly recommend this classic. It's not often there's a female lead in a western, and Gene Tierney is fantastic.

20th Century Fox's cheaper answer to Gone With the Wind sees toothy Gene Tierney impersonating Scarlett O'Hara before embarking on a life of crime with Randolph Scott's ragtag army of Civil War veterans. Filmed in lurid Technicolor, and following a path of utter predictability until it's downbeat ending, Belle Starr is nothing more than a capable time-filler.

BELLE STAR should have a disclaimer at the start. Any resemblance between the people portrayed here and the real life characters is strictly coincidental. Furthermore, someone should have told LOUISE BEAVERS that she is no substitute for HATTIE McDANIEL.

The film reeks with what it portrays as Southern charm, including the heavily accented Miss Tierney who struggles with what was supposed to be a star-making role. Fortunately, she's surrounded by a couple of pros: RANDOLPH SCOTT as her husband Sam Starr and DANA ANDREWS as a Yankee who finds himself enamored of her while chasing the outlaw woman in a series of melodramatic skirmishes that seem like throwaways from GONE WITH THE WIND.

Gene Tierney never did receive good reviews for her early films and BELLE STAR is no exception. Furthermore, the Technicolor needs restoration if this ever goes to DVD.

Summing up: A slow paced account of Belle Star's criminal career with a miscast and sophisticated Gene Tierney playing the outlaw in a below par performance that never strikes the necessary spark.

We have Zanuck's enthusiasm for Technicolor to thank for the fact that a number of major talents - including John Ford and Fritz Lang - were given the opportunity to bequeath posterity productions that availed themselves of this technological miracle; although this embellishment was too often squandered as in this case on works by journeymen like Irving Cummings.

Following close of the heels of Fox's wholesome depiction of Jesse James 'Belle Starr' presents us with a sumptuous production complete with Alfred Newman's Ann Rutledge theme on the soundtrack depicting a southern belle who bears as much resemblance to the original as blue-eyed Gene Tierney does to the laughing portrait behind the credits and Doris Day later did to Calamity Jane.

This movie really left me cold. Usually I can enjoy nearly anything that Randolph Scott is in, but in this case I just can't. Maybe the reason his performance in this film is so uninspired is that he realizes how far from reality this story has strayed. The real Belle Starr was hardly an 'outlaw queen' - she was as ugly as a pig's rear end and about as charming. According to something in the plot, some guy - a military guy or a marshal, I forget which - was so smitten with her that he followed after her. He must have been blind. The problem as I see it is that the woman had a pretty name and a questionable history, so they made her into an 'outlaw queen'. However, if her name had been a reflection on this 'queen's' beauty, she would have been named 'Selma Klagshultz' or maybe 'Ethel Gumpox'. Would they have made this same movie with an 'outlaw queen' who didn't sound like one? They made a movie out of a pretty name, and modified the ugly wearer to suit.

I don't know why they insist on making these stories so romanticized but this was so far from reality it was a joke. If the real story isn't good enough then write something else altogether. The real Belle Starr's story was maybe, just MAYBE good enough to make into a movie, in my opinion, but this movie is just a waste of time and film. If the makers wanted a movie like this, they should have invented a whole character, name and all, and created a story, rather than taking a historical character and turning her into something she was not. Blech.

My interest is movie music, featured and incidental, especially Westerns and John Ford Westerns in particular.

I noticed that Belle Starr used the same music theme as in Ford's "The Man Who Shot Liberty Valance". Apparently, this was also used in "Young Mr Lincoln". As the cues are not identified in films generally, does anyone have any information on the "love theme" used in hes three films? I believe it may have been Alfred Newman, but does anyone know what it was called and whether an orchestrated recoded version is available? Secondly, Ford used the old 19c song "Lorena" in "The Searchers" and "The Horse Soldiers", is this available in recorded instrumental, orchestrated form?

This shoddy little production is a cheap and pale imitation of "Gone With the Wind", with a horribly mis-cast Gene Tierney struggling with accent and script. Randolph Scott and Dana Andrews don't help by being planks of wood.

Still Gene looks great, and the costumes are nice, - but the whole thing is so unbelievable. And so obviously designed to capitalise on the success of GWTW, even down to the Mammie character played here well by Louise Beavers. And the film is very racist - almost like "Birth of A Nation" - with the newly liberated blacks portrayed as getting above their station and, in one scene, getting chased out of town by Gene and Randolph.

Southern belle angry at the north for destroying her home wreaks havoc in return ... i could watch gene tierney and randolph scott all day but i really despise the oily dana andrews and he ruined this film for me like every one he's in ... they should have put a bullet in his ear instead of that horn

This film is so offensive that I can't even begin to judge it cinematically. Willful shallow southern belles are were over done mid-20th century. I kept hoping a stray bullet would hit Belle. Slaveholders are so heroic. Yeech. And slaves loved being slaves too.

I DVR'd this film because of Dana Andrews - one of my favorite actors. I guess until Laura he didn't have much choice except taking these thankless roles. Except for his duty as a northern major, he seemed to be sympathetic to the "southern cause".

I hope that all the actors were ashamed of this film 30 years later.

Scarlett diminished away from Tara. The red earths of the farm was from where she drew her strength.

Therefore, the pale, fickle imitation of "Belle Starr" cannot thrive off Margaret Mitchell's legendary story. It takes every crumb it can scavenge off David O. Selznick's story, and possibly every frame that ended up on the cutting room floor.

The film stoops to terribly low lengths. Belle loses her brother, Scarlett lost her Mother. The Mammie character. Southern determination. It's civil war setting is enough to make the entire laughable production, conceived in a studio bound setting definitely not one to be watched. Although the "Gone With the Wind" novel, brilliant but appalling racist, manages to steer clear of the controversial offence it may have triggered, "Belle Starr" seems to relish in it.

Trimmings, interior sets, costumes, Gene Tierney or no Gene Tierney, seem to save it. The colour cinematography is no doubt pretty, but Randolph Scott and Dana Andrews acting like hams in the background certainly provides no aid to Belle's crusades.

Hundreds of Scarlett O'Hara hopefuls did better away from the splendour in different roles, but Gene Tierney's attempt to reprise some of the 1939 glory, falls overwhelmingly and pathetically flat.

Stay away from this one...far, far away. Minor, unfriendly, unconvincing FOX Westerns do terrible things to the stomach.

Rating: 5/10

That's an actual line of dialog from the script. Really.

The Belle Starr story, never actually told in the movies (partially because the real story isn't that interesting..) is told here in early Hollywood color and all the vim and vigor with which they revered the South. The plot hook is that one of the aforementioned "darkies" actually tells the fable as the narrator. Without spoiling the movie, Belle and her husband continue fighting after the War Against Treason, using those traditional Civil War Southern values of robbery, assassination, treason and protecting known criminals to keep Missouri safe for, well,the same people it was safe for before the War. Hey, it works in the movie.

The point made by vitaleralphlouis in his review is well taken. How dare we criticize Hollywood for showing how a loving mammy would help keep Belle safe, or that another "darkie" (their word, not mine) shows Belle's antagonist how disgusting he was. We all know that negroes formerly held as slaves had nothing but love for their former (or in this case present) slaveowners.

This is a classic example of a movie obviously made with care, but looked at today 99% of its viewers would wonder what was in the coffee they served at the story-pitching conference. Because even as a joke, this kind of movie could never be made again, and if there's one good thing you can say about Hollywood, that's it.

Oh, and by the way: a moment of silence for black actors like Louise Beavers who could only find work like this in her era.