Blue, White and Perfect

Michael Shayne takes on the Nazis in this fourth entry in Fox's enjoyable B detective series starring Lloyd Nolan. This is far from the best of the series but it is entertaining thanks to a fine supporting cast and a plot that always keeps its lead character moving. It went lots of places I didn't expect, both in terms of locations and plot twists. The best Shayne movies have a good mix of humor and mystery. This one's a little more on the darker side. But like I said it's still an entertaining picture.

On the trail of some industrial diamonds that go missing from the safe of his new employers, loved-up but down on his luck detective "Mike Shayne" (Lloyd Nolan) begs and borrows some cash so he can travel on an ocean liner upon which he is sure are the thieves. Pretty soon the presence of "Helen" (Helene Reynolds) arouses his suspicions - she isn't a lady to me messed with, but he also has a new ally in "Juan" (George Reeves) so has hopes of getting to the bottom of what looks increasingly like a Nazi plot. The boat scenario provides plenty for the story: small portholes, foggy decks and even a watertight door add to the mystery. It's ten minutes too long and I found Nolan's portrayal just a little too smug. That's not helped by way too much dialogue throughout and though it does pick up nicely at the end, it's all just a bit too much of the "Lloyd Nolan" show for me.

Crisp black and white prints look very good on my HD set. Great film, part of a package of four on two DVDs. My wife and I have now gone through three with one to go. I was intrigued by product placement which is very unusual at this time in film history. For example, in Sleepers West, a pack of Chesterfield cigarettes is held so that anyone can read it. Then, in Blue, White and Perfect, two cartons of Chesterfields are held up for the longest time. Mission Orange soda is also prominently shown and directors make no effort to disguise the makes of the great cars used in the films. DelMonte is plainly advertised along with Yellow Cab. Also, there seems to be just enough location scenes to give the viewer a good look at life in the 40s. This Michael Shane group is great fun and easy viewing; four little time machines waiting to take you back.

This entry in 20th Century Fox's Michael Shayne series has Lloyd Nolan working on a case of espionage involving industrial diamonds. The war has eliminated mining them for a while and those we have now are guarded and prized by both us and the bad guys.

With the breezy insouciance typical of his character Nolan follows a lot of false leads and has to bamboozle his put upon girlfriend Mary Beth Hughes for money to follow his trail on an ocean voyage to Honolulu. The trail he's on is that of fashion designer Helene Reynolds.

Nolan also makes a big mistake in assuming something about passenger George Reeves ever the dapper playboy and Curt Bois the ever helpful ship steward.

I didn't particularly like the way the confrontation scene with the chief villain was handled in the end. On the other hand Nolan's final exit as the film closes is pretty funny.

Most entertaining B film from 20th Century Fox.

Diamond smugglers lead detective Michael Shayne to shipboard intrigue and danger.

A lively cast, good production values, and an intriguing mystery, add up to a superior entry in the Michael Shayne series. Lloyd Nolan is so good as the brash detective, injecting real spark into his scenes. Ditto the brassy Hughes as his long-suffering girlfriend. But it's really Superman George Reeves who surprises as the mustachioed bon vivant, O'Hara. He's looser and more charming than I've seen him—no "Man of Steel" here. And I wonder what became of Helene Reynolds who also shows flair, as a shady lady, but appears to have left the business soon after. Too bad.

Anyway, it's a TCF production, which means even B-pictures get quality attention, as the well stocked crowd scenes show. Plus, the suspense part keeps you guessing, like who's trying to drown Shayne and O'Hara aboard ship— a really well thought out and nail-biting sequence. Then too, all the ingredients are wrapped into a neat fast-moving package by director Leeds. In passing-- note how the politics of the diamonds remains curiously unclear. It looks like the movie was produced around Pearl Harbor time, but no mention is made of the Japanese. Instead, Nazi's are mentioned as behind the diamond smuggling, even though America is not yet at war with Hitler. I wonder what the story is here.

Nonetheless, this energetic little programmer still manages a solid degree of entertainment plus.