The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the Deep South at the turn of the twentieth century.
- Nominated for 9 Oscars
- 3 wins & 10 nominations total
- Addie
- (as Jessie Grayson)
- Party Guest
- (uncredited)
Storyline
Did you know
- TriviaBette Davis had legendary makeup artist Perc Westmore devise a white mask-like effect for her face to emphasize Regina's coldness. William Wyler hated it, likening it to a Kabuki mask.
- GoofsAt the end, just before Alexandra leaves Regina, when Regina climbs the stairs and asks Zan if she would "like to sleep in her room tonight", there is a chair in the background (which earlier Regina had been sitting in). There is nothing on the chair. Two shots later, when Alexandra goes to collect her hat and coat to leave, they are on the chair.
- Quotes
Horace Giddens: Maybe it's easy for the dying to be honest. I'm sick of you, sick of this house, sick of my unhappy life with you. I'm sick of your brothers and their dirty tricks to make a dime. There must be better ways of getting rich than building sweatshops and pounding the bones of the town to make dividends for you to spend. You'll wreck the town, you and your brothers. You'll wreck the country, you and your kind, if they let you. But not me, I'll die my own way, and I'll do it without making the world worse. I leave that to you.
- Crazy creditsOpening credits prologue:
"Take us the foxes, The little foxes, that spoil the vines:
For our vines have tender grapes." The Song of Solomon 2:15
Little foxes have lived in all times, in all places. This family happened to live in the deep South in the year 1900.
- ConnectionsEdited into Myra Breckinridge (1970)
- SoundtracksNever Too Weary to Pray
(1941) (uncredited)
Music and Lyrics by Meredith Willson
Sung off-screen by an unidentified group during the opening and closing credits
Hellman's skill as a dramatist must be credited for much of this, but her Marxist inclinations clearly peep through the seams of the dialogue.
I'm glad I finally had a chance to see this undoubted classic. Thanks again to that great channel, American Movie Classics.
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Details
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 1.37 : 1