User reviews

These RKO noirs sometimes don't make a lot of sense; "Macao" gets a little murky plot-wise, but otherwise, it's an entertaining film with an excellent cast. And as an added bonus, it has Josef von Sternberg at the helm until he was kicked off the movie, and then it has Nicholas Ray. Not bad.

Robert Mitchum, sexy and wide-shouldered in one of those loose-fitting tropical suits, plays Nick Cochran, going to Macao to start over after leaving the U.S. and spending time in the service. He originally thought he committed murder, but even though he hadn't, he kept going. On the boat en route to Macao, he meets beautiful, sexy, non-nonsense Julie Benson (Jane Russell) and a salesman (William Bendix).

When they arrive, Mitchum is taken for a police detective out to get a criminal/casino owner Halloran (Brad Dexter) back to the states. The chief of police (Thomas Gomez) is in cahoots with Halloran. Plus, Halloran becomes interested in Julie, so he really wants to get rid of Cochran. Criminals in Macao avoid the "three mile limit" - because three miles outside of Macao, international jurisdiction rules.

Apparently Mitchum did some rewrites on this script because it didn't make much sense. The cast and crew, all of whom had worked together many times, were a little too friendly for von Sternberg, which caused Mitchum to push all of his buttons. I'm not sure if Ray dragged Gloria Grahame with him or what, but she's wasted here, and she had no interest in this role. Can't blame her.

Despite all of this, Mitchum and Russell are great together, a wonderful, sexy combination. Both stars just ooze sex appeal, and Mitchum's laid-back performance is a great juxtaposition to Russell's character - it's pointed out that she has a big chip on her shoulder. Russell looks fabulous in the costumes, an added bonus.

Pretty music, excellent noir photography, and a good pace help make "Macao" good entertainment. For me it can't touch "Out of the Past" or "The Big Steal," but you can't beat Mitchum and Russell heating up the screen.

Josef von Sternberg began Macao (and copped the directorial credit), but Nicholas Ray finished it. Nonetheless, it abounds with Sternberg's branded flounces and fetishes. As in Shanghai Express and The Shanghai Gesture, he trowels on the Orientalism in thick impasto (Sternberg could have made the best Charlie Chan movie of them all).

A nighttime chase through the Macao docks opens the movie (to be rhymed near its conclusion): A white-suited European is pursued by knife-throwing Chinese thugs; he falls in the water when one blade finds its mark. A badge filched from him pocket shows him to be a police detective.

Into this world of Asian intrigue sails a boat from Hong Kong, just 35 miles up the coast. On it is the motley crew of salesman William Bendix, drifter Robert Mitchum and mysterious woman Jane Russell, who lifts Mitchum's wallet. Sans passport, Mitchum comes to the attention of the Macao police chief (Thomas Gomez), who reports the suspicious stranger to gambling kingpin Brad Dexter. Dexter assumes Mitchum is a cop he knows to be on his way to extradite him back to Hong Kong....

It's a playfully plotted adventure story. Russell gets a gig singing at Dexter's club in eye-popping gowns which actually aren't any more provocative than the black-and-white daytime outfits she traipses around in, wielding a parasol. She fares better than Gloria Grahame, as Dexter's moll, looking washed out and largely wasted (though she puts her distinctive spin on a couple of lines). Mitchum by this time has done this role – the lippy but laconic reluctant hero – so often he could do it in his sleep, which, given his hooded eyes, may be the truth of the matter.

Macao is an utterly shallow film done with energy and style. The plotting remains perfunctory, but the play of shadows throughout remains transfixing – especially in the set-piece near the end, again on the dark waterfront, with ropes and nets casting their creepy spell. And the movie provides Russell with one of her few opportunities to flaunt her real, if narrow, talents: in addition to the statuesque figure that caught Howard Hughes' eye, she had spunk and sass. That's what Sternberg saw, and he fell for it. We do, too.

Macao is a paradise to outlaws since there is no extradition from this country. The former soldier Nick Cochran (Robert Mitchum) that had a problem with the New York police; the cynical and experienced singer Julie Benson (Jane Russell) and the salesman Lawrence C. Trumble (William Bendix) travel by ship and arrive at the port of Macao. Julie pickpockets Nick 's wallet and he loses his money and documents.

On the arrival, the corrupt Police Lieutenant Sebastian (Thomas Gomez) has the information that an undercover detective from New York is on board of the vessel and he believes that he is Nick Cochran. He discloses the information to the crime lord Vincent Halloran (Brad Dexter) that owns a casino and Halloran believes that Nick has the intention of taking him into international waters so that he can be arrested. Halloran hires Julie and tries to bribe Nick to leave Macao, but Nick and Julie feel attracted to each other and Nick has no intention to travel to Hong-Kong. When Trumble offers a deal to Nick with a diamond necklace, Nick shows a diamond from the necklace to Halloran and he concludes that Nick is really an undercover cop and sends his henchman to capture him. Who might be Trumble?

"Macao" is an entertaining adventure with a non-original story. The screenplay is weak, with a rushed conclusion, and the characters are poorly developed. The greatest attractions are the always great Robert Mitchum and the sultry Jane Russell that makes it worthwhile watching. My vote is six.

Title (Brazil): "Macao"

Hooray, Hollywood had the good sense to pair up Robert Mitchum and Jane Russell in another movie! After the sizzling magic between them in His Kind of Woman, they made Macao, which is incredibly similar and also very entertaining.

Added into this one-which is not a sequel, by the way, even though it's similar-are two sidekicks: William Bendix always adds character to a cast, and Gloria Grahame tries to take Bob away from Jane. Sorry, Gloria, but when Jane and Bob are together, there's just no stopping them. They banter, but there's something sweet underneath it all, showing that although both stars are big and tough, they'll always find time for romance. And, since they were lifelong friends, it helps knowing they had fun filming together!

Instead of Mexico, the leads are transported to China, but there's still intrigue, mystery, action, and fun quips mixed in amongst the romance. It's hard to decide whether His Kind of Woman or Macao is better; give them a whirl and try to decide for yourself!

Bob Mitchum and Jane Russell make for a rugged romantic duo in this crime film set in the Far East, directed by Josef Von Sternberg. In this rather light, watered down noir Russell, as a streetwise nightclub singer matches Mitchum with world weary put down after put down.

Director Von Sternberg, whose visual style of the 30's was the envy of Hollywood but had fallen on tough times and was nearing the end of his career, occasionally captures the magic that displayed Marlene Dietrich with such allure and mystery in films like Shanghai Express and Morrocco. The problem is that Dietrich and Russell are different animals. Russell has never looked more glamorous but she doesn't move like Dietrich and her singing scenes make her look a bit like Gilda on steroids. Still, there is a chemistry between her and Mitchum that keeps the film entertaining. The supporting cast offers a comically hammy turn by William Bendix and a somewhat strange, semi-comatose performance by Gloria Grahame.

Von Sternberg borrows heavily from his last good film, The Shanghai Gesture in many scenes, but Macao's main strength rests squarely on the broad shoulders of its two stars.

Cheeky, compact crime-drama in an exotic locale off the southern coast of China. Former Army Lieutenant Robert Mitchum, on the run from the law, winds up in the gambling and jewel-smuggling town of Macao without his wallet--seems pack-up-and-go lounge singer Jane Russell has fleeced him on the boat coming over from Hong Kong! Luckily, Mitchum becomes friendly with 'salesman' William Bendix, who is actually working to bring in the crime boss responsible for the death of an international police officer. Very tight and entertaining piece doesn't waste any time getting started. Some of the sloppy editing in the early stages fails to shape the scenes, but director Josef von Sternberg makes up for this with quick pacing and colorful asides. As for Russell, she's a stitch either working some very sarcastic dialogue or warbling seductive tunes down at the local gambling house. Gloria Grahame, as the boss's girl, wants Jane outta town fast--and it's easy to see why! *** from ****

Heh! Masterpiece it ain't, but it's got Mitch and Jane and in my book that's a plenty. Josef Von Sternberg was no stranger creating mysterious dreamscapes of his own making, Shanghai Express and Morocco comes to mind first and in this movie it also shows very much. Fishing nets, artfully bobbing sampans, black cats, exotic bit parts and beautiful Chinese "high-low" gamblers in slit skirts. Ahh... mysterious east it is. Unfortunately sum is not as high as parts would suggest and so this particular film leaves you wanting. Mitchum is in his usual mysterious tough guy mode and like a man said nobody does it better, Russell is little bland in the movie but very pleasing to the eye. Bendix is in fine form and it's a shame he doesn't have more screen time and Grahame is completely written down. Shameful thing it is when gals best scene is when she is blowing to the dice. Macao is not a bad movie in any way, but with better script it could have been so much more. If you want to check worthier Mitch & Jane collaboration take a look at His Kind of Woman, that film really rocks! Missed opportunity!

Nick Cochran, supposedly an American adventurer and petty criminal, arrives, short of cash and on the run from the United States where he is wanted, in Macao (at this period still a Portuguese colony). Arriving on the same boat is an attractive young woman named Julie Benson. Julie is hired by Vincent Halloran, the local gambling boss, as a singer in his casino-cum-nightclub. Halloran is also wanted in America (for offences far more serious than Cochran's), but cannot be extradited as long as he remains in Macao. Although this is a short film, there is still time enough for the plot to become very complex. A number of the characters are not what they seem. Is Cochran, for example, what he purports to be, or is he really a cop trying to lure Halloran beyond Macao's three mile limit into international waters where he can be arrested? Who is Lawrence Trumble, the mysterious salesman who also appears to have a sideline in stolen jewellery?

This is the second film which Robert Mitchum and Jane Russell made together; the previous year they had starred in "His Kind of Woman". The two films have much in common beyond the two leading actors. Both have an exotic setting and both feature gambling and a ruthless gangster. The two leads play similar types in both films, Mitchum a seedy, down-on-his-luck character, likable despite his shady past and occasionally cynical exterior, and Russell a sultry glamour girl. There is, however, an important difference between the two films. "His Kind of Woman" can be seen as a comic send-up of the crime thriller genre, starting off in the dark, menacing film noir style and then metamorphosing into a comedy action-thriller. "Macao" is the genuine article rather than a parody, being for the most part played seriously rather than for laughs, although it the atmosphere is perhaps lighter than in some other films noirs. The difference lies less in the look of the film- "Macao" has some striking black-and-white photography- than in the moral atmosphere. Films such as the Humphrey Bogart classics "The Maltese Falcon" and "The Big Sleep" were notable not only for their dark, gloomy look but also for their tone of moral darkness. The private eye characters played by Bogart struggle to maintain their private integrity in a world of corruption and deceit. In "Macao" there is something closer to a traditional morality, with good triumphing over the evil of the ruthless villains. The result is perhaps something of a hybrid between authentic noir and a more traditional adventure thriller, still highly watchable even today. 6/10

A fast-moving tale of foreign intrigue set in the port of Macao, on the south coast of China, across the Pearl River Delta from Hong Kong. The convoluted plot involves three newcomers to the region, Robert Mitchum's ex-serviceman on the run out east on account of some domestic trouble back in New York, Jane Russell as a similarly nomadic nightclub singer, looking for a fresh start after a series of failed love affairs and William Bendix as an enthusiastic travelling salesman. However their arrival off the boat is being watched by the local chief of police, who is in the pocket of American crime-boss Brad Dexter who suspects that Mitchum is an undercover cop out to lure him beyond the three mile zone protecting him in Macao.

Dexter has a girlfriend, played by Gloria Grahame, who becomes jealous of Russell after he employs Russell as a singer, but also so that he can keep tabs on Mitchum. The plot thickens as Mitchum and Russell fall for each other, the real cop is revealed and a ploy involving stolen jewellery is instigated to bring Dexter to Hong Kong where he can finally be arrested. After an exciting foot-chase around the dark, deserted docks involving Mitchum and a couple of Dexter's knife-wielding Chinese henchmen, the denouement takes place on Dexter's boat climaxing in a roughhouse fist-fight between Dexter and Mitchum and a reconciliation between Mitchum and Russell which gives Mitchum a cheeky, risqué closing line before the end titles.

The film was a return to Hollywood film-making by Dietrich's celebrated German director of the 30's, Josef Von Sternberg, after a gap of several years and his stylised technique of lighting is evident especially in the night time scenes, although Nicholas Ray, then married to Grahame, was reportedly called in to finish the shoot after Von Sternberg was fired from the production.

The film packs a lot of plot into its eighty minute running time and still finds time to allow Russell to sing a few numbers, notably "You Kill Me" (great name for a torch song) and "One For My Baby" which Sinatra would later make his own. Mitchum and Russell bring their own respective brands of vulnerable machismo and sultry sassiness to their parts as well as the heat in their scenes together. Grahame however seems disinterested in her part but Bendix and Dexter are more convincing as the real protagonists way out east.

An enjoyably entertaining Oriental adventure, what it lacks in budget, it makes up for in style and the charisma of its two undeniably magnetic leads.

A penniless adventurer (Mitchum) is mistaken for a police detective by the underworld boss (Dexter) of Macao. Meanwhile the real detective (Bendix) uses Mitchum as a decoy to lure Dexter out of the safety of the colony. Sexy Jane Russell is also on hand to give Mitchum more than his share of thrills.

A bit of entertaining nonsense. A film which nevertheless is forgotten a few minutes after the end titles. Mitchum,Russell and Bendix all play with the right easygoing charm. Not a great movie but fun anyway.

It's a routine but atmospheric potboiler, and worth a watch if not seen before. I've seen it a dozen times, but I'm a sucker for this kind of hard boiled dark nonsense. "Shanghai Express" was much better in all departments from Sternberg in the Golden Age, darker gloomier and more menacing, and is the yardstick I judge his other work from. Co-directed by Nicholas Ray (or was it finished?) "Macao" stands out for me from the real routine Hollywood films of the period, the ones that were meant to make a lot of money and did.

Brad Dexter's finest film role as the whispering crook, Mitchum sparkles (or rather, snoozes his way through) in his best comedic vein, Russell and Grahame are perfectly decorative, however it's a pity Bendix couldn't have stuck around to the end. Mitchum boarded Macao without a passport and was the only one not searched at Customs - and the slender thread the whole story hangs by is also perpetrated by Thomas Gomez there too.

If you, like me liked "The big steal" or "His kind of woman" you're sure to like this.

After the bad experience Josef von Sternberg had had while shooting "Jet Pilot" for Howard Hughes, things improved a bit with "Macao" (1952). It is an escapist divertimento, with the pleasant combination of Robert Mitchum and Jane Russell, two hot stars who projected the image of professional fun-lovers, although you never knew who had brought the grass, and who had the rolling paper. They had appeared together in the 1951 film noir, "His Kind of Woman" (very enjoyable, highly recommended, with Vincent Price in one of his finest roles ever), set in a sound stage Mexico. "Macao" offered the opportunity to travel again, to another Hollywood sound stage, in one of those "exotic" confections (mind you, probably done with a lot of grass, but not enough cash), and who better than Sternberg, who had made the Marlene Dietrich films and "The Shanghai Gesture" (with Ona Munson as the villain); who better than he to evoke the Portuguese colony of Macao in a Californian sound stage? Mitchum is at home in the story of an American who helps to catch a fellow countryman who administers a casino, sell drugs and is wanted by the law, while la Russell, well, a good friend of boss Hughes as she was, only had to sing, be herself and pass a good time in company of a fine cast that included the great Gloria Grahame (forced by Hughes to play a little part, instead of being in "A Place in the Sun"), William Bendix and Thomas Gomez. When Sternberg had already shot two thirds of the script, Hughes had a tantrum "a lo Leonardo DiCaprio" in "The Aviator", he fired Josef, and Nicholas Ray and a few more acolytes shot additional scenes. Enjoy!

Macao is entertaining and moves quickly (but ends too soon). Mitchum plays his typical laid-back, fearless, charming, unmotivated protagonist. The treat of this movie is seeing Jane Russell sling her one-liners, sing two low octave blues numbers, and saunter around the set. I think she and Mitchum hit it off just fine. The sets and camera work are first rate, but the plot could have used some more development. Since I have to add four more lines for submittal, let me add that the Chinese band was novel (I'm not sure if they were really playing, but it looked like it, and they were having a good time). Also, the blind man sure got around, and I'm glad he didn't turn out to be faking blindness.

When the haphazardly put together His Kind of Women turned into a big hit for RKO, Howard Hughes decided to team Robert Mitchum and Jane Russell again. This time instead of a resort in Baja California, the location was to be the orient, in the Portugese colony of Macao.

Like in His Kind of Woman, Howard Hughes couldn't keep his hand off the day to day production and even more so after the film was finished in the editing. As it was the film runs barely over 80 minutes and if Lee Server's biography of Mitchum is to be believed it was supposed to be a whole lot longer.

Macao within the last decade reverted from being a Portugese enclave back to China. I'm not sure what it's like now, but back in the day it was a legendarily corrupt place as typified by the corrupt police inspector Thomas Gomez.

Gomez is doing custom duty and he reports to gambling kingpin Brad Dexter of the arrival of Robert Mitchum without money or passport. That to him means he's the law. Dexter's real interested in the law, especially the United States law. Though it's never specified exactly what he did, the cops in New York want him real bad and have tried to get him outside Macao which has no extradition treaty.

The film when you think about is starting to bear some resemblance to Algiers. But Dexter ain't half as charming as Charles Boyer as Pepe LeMoko.

Mitchum's without money or identification because light fingered Jane's lifted them from him. That's a grand way to begin a romance, but this is Hollywood.

Mitchum and Russell both give out a lot of heat here and Russell has some competition in Gloria Grahame. One of the criticisms of Macao is that Grahame ain't on the screen often enough. She's Dexter's girl and she don't like Jane and those weapons of mass destruction she's sporting.

William Bendix is here as a traveling salesman with a line of nylons and snappy patter. He's not around often enough in Macao and he's welcome in any film.

Lots of atmosphere and melodrama permeate Macao. Best scene in Macao is Mitchum eluding Dexter's knife wielding henchmen, Philip Ahn and Vladimir Sokoloff. They chase him through the dock area in and out of shadows in the best noir tradition.

The original director Josef Von Sternberg got canned by Hughes and Gloria Grahame's then husband Nicholas Ray finished the film. Macao's not bad, not half as good as His Kind of Woman.

Maybe if Howard Hughes had resisted interference. Just like playing for George Steinbrenner.

I'm still waiting to discover a good movie in which Jane Russell starred. I haven't seen one yet. If you know of one, let me know. Best as I can tell, Howard Hughes tried to make her a star for two reasons: her breasts. It couldn't have been for her acting ability or that her presence would enhance a quality film. Those just didn't happen. Her films were a bust (pun intended.)

You would think it would be almost impossible to shoot a boring film that also included Robert Mitchum, William Bendix, Thomas Gomez and Gloria Grahame....but here it is! The screen time of Bendix and Grahame are woefully small, otherwise this might have been more interesting. The other (lead) characters in this movie are simply not people you care about.

The fault of this movie, in addition to unlikeable lead characters, is that it simply isn't entertaining. It's dull, folks, almost as drab as it gets. What a shame. It sure didn't have to be with that cast. Mitchum and Bendix were fun to watch in "The Big Steal," but the only steal in this film is your money to buy or rent this movie.

I love film noir, and I liked the exotic setting in here, but this story is so bad I hate to even classify it in that genre (noir). Director Josef Von Sternberg was at the end of his career....and it shows. In fact, he didn't finish this movie. They had to call in Nicholas Ray to do that. This film, in a way, was a poor man's "Morocco," I say "poor man" because Jane Russell was no Marlene Dietrich and "Macao" is no "Morocco."

The only saving grace is that the running time is short. You only have to suffer for 81 minutes. I wouldn't even recommend that.

Midland Movie from RKO that had a Troubled Production but is kept Afloat by some Excellent Cinematography and the always Reliable Robert Mitchum and Jane Russell's Look, Enhanced by some Stunning Wardrobe. It is not a very Engaging Story but comes off Better than it should with the way it is Composed Visually.

The Dialog is Sometimes Pithy and at other Times quite Ordinary. The Short Running Time does not allow for Supporters Gloria Graham or Brad Dexter to do much, but their Brief Scenes do add some Spunk to some of the Dreariness of it all.

It is a Mixed Bag with more to Watch then to Internalize and is better than an Average Film of its Type but is nowhere near the Best. For People who Care about such Things, the Movie is Usually included in Lists of Film Noir and it does make the Cut, but for the Parts and not the Whole, because this is Certainly Not Pure Film-Noir and is one of those that shows Signs of the Diminishing Emphasis, in the Fifties, that was Placed on the Stuff that makes the Genre Stand-Out.

Vincent Halloran (Brad Dexter) is an American ex pat Casino owner in Macao with a sideline for fencing hot jewellery. The American authorities are after him but he must travel beyond the three mile limit, into international waters before he can be apprehended, so when three Americans arrive off a ship,Nick Cochran(Robert Mitchum) , Julie Benson(Jane Russell) and Lawrence C. Trumble(William Bendix), Halloran's stooge policeman Lt. Sebastian (Thomas Gomez) informs him that one might just be a police man after him. Halloran employs Julie as a singer and makes Cochran an offer he cant refuse, a bag load of money to leave Macao,Cochrans first mistake is to refuse the money his second is to unwittingly offer Halloran jewellery stolen from him. As you might expect from another troubled RKO production this doesn't always make sense but the dialogue is great as is the rapport between the leads and the film if not taken too seriously is a lot of fun, shame about the bare bones DVD