A nightclub singer has a racketeer for a manager and a rivalry with his pianist for a girl.A nightclub singer has a racketeer for a manager and a rivalry with his pianist for a girl.A nightclub singer has a racketeer for a manager and a rivalry with his pianist for a girl.
John Albright
- Newsboy
- (uncredited)
Richard Alexander
- Nightclub Patron
- (uncredited)
Phil Arnold
- Little Man
- (uncredited)
Walter Bacon
- Observer at Accient Scene
- (uncredited)
Ray Barnes
- Second Interne
- (uncredited)
Eleanor Bassett
- Girl at Party
- (uncredited)
Willie Bloom
- Fight Second
- (uncredited)
Harold Bostwick
- Photographer
- (uncredited)
James Bradley
- Quartette Singer
- (uncredited)
Storyline
Did you know
- TriviaThe Scottish group Danny Wilson named themselves after the main character and also named their first album Meet Danny Wilson in 1987.
- GoofsWhen the thug who pushed Danny to the ground in the street takes a swing at Mike, he obviously misses by a foot, but Mike still reacts like he got hit right on the chin. It is such a miss it is a wonder a retake wasn't ordered.
- Quotes
Michael Francis: [just after Danny walks in the door] Home already?
Danny Wilson: Yeah, I just dropped Joy off.
Michael Francis: Spoonin', huh?
Danny Wilson: No, just talkin'.
Michael Francis: Talkin'? You're gettin' old, kid.
Danny Wilson: It's our first date, remember?
Michael Francis: I've known you to meet the family, bribe the kid brother and lock the old man in a closet on first dates.
Danny Wilson: Very funny.
- ConnectionsFeatured in Sinatra: All or Nothing at All: Part 1 (2015)
- SoundtracksYou're a Sweetheart
(uncredited)
Music by Jimmy McHugh
Lyrics by Harold Adamson
Performed by Frank Sinatra
Featured review
Not at all bad. Meet Danny Wilson, a show-business melodrama with a lot of songs thrown in, betrays a distinct noirish tinge which darkens as the movie progresses. It's a thinly-veiled knockoff of the stories about Frank Sinatra's early days in show business from the shrieking bobby-soxers to the extortionist contract that almost held him back. Obviously, it stars Sinatra, at a low ebb in his career before he had gained the imperial control of his later days as Chairman of the Board, and before he had assembled the legendary `cool' that, as much as his voice, was to become his hallmark.
Crooner Danny Wilson and his pianist/manager/buddy (Alex Nichol) are a couple of rough-and-ready slum-bred boys having trouble breaking into the big time. Through the help of a lounge singer they meet up with (Shelly Winters), they get a gig in a posh nightclub run by a mobbed-up entrepreneur (Raymond Burr). The catch is, Burr spots Sinatra's potential and demands half of his future take. A messy love triangle emerges, too, with Sinatra falling head over heels for Winters, who's smitten with the loyal square rigger Nichols. The plot points get connected with the arrival of Success, in the form of recording contracts, attendant royalties and even the movies.
Most arresting is Burr as gangster Nick Driscoll. An indispensable fixture of the noir cycle, where so often he played the Heavy Menace, here he takes on a better-written, more shaded role. In addition, he's slimmed down drastically, and the slimming brings out his huge and expressive even seductive eyes. But he still doles out the menace, even if it's cushioned in unaccustomed suavity. Apart from Sinatra, he's the most memorable actor in the film (certainly more memorable than the generic Nichol).
Sinatra performs several of the hits which were to enter his standard repertory; he also duets with Winters in a patter-song. Meet Danny Wilson remains strangely obscure, but, despite a warm and perfunctory wrap-up, it's a better crafted and more solid outing than many of the movies he made in his pigs-in-clover Rat Pack days.
Crooner Danny Wilson and his pianist/manager/buddy (Alex Nichol) are a couple of rough-and-ready slum-bred boys having trouble breaking into the big time. Through the help of a lounge singer they meet up with (Shelly Winters), they get a gig in a posh nightclub run by a mobbed-up entrepreneur (Raymond Burr). The catch is, Burr spots Sinatra's potential and demands half of his future take. A messy love triangle emerges, too, with Sinatra falling head over heels for Winters, who's smitten with the loyal square rigger Nichols. The plot points get connected with the arrival of Success, in the form of recording contracts, attendant royalties and even the movies.
Most arresting is Burr as gangster Nick Driscoll. An indispensable fixture of the noir cycle, where so often he played the Heavy Menace, here he takes on a better-written, more shaded role. In addition, he's slimmed down drastically, and the slimming brings out his huge and expressive even seductive eyes. But he still doles out the menace, even if it's cushioned in unaccustomed suavity. Apart from Sinatra, he's the most memorable actor in the film (certainly more memorable than the generic Nichol).
Sinatra performs several of the hits which were to enter his standard repertory; he also duets with Winters in a patter-song. Meet Danny Wilson remains strangely obscure, but, despite a warm and perfunctory wrap-up, it's a better crafted and more solid outing than many of the movies he made in his pigs-in-clover Rat Pack days.
- How long is Meet Danny Wilson?Powered by Alexa
Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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