User reviews

Kurt Kaszner who has certainly played his share of villains on the screen has come to settle down in a small California town in the citrus fruit growing area. He's surly, bad tempered, and scares off anyone trying remotely to be friendly to him. Especially young Billy Gray who has a paper route that Kaszner is on. Even Gray's father George Murphy can't get any kind of smile out of him.

In a small town, a fellow like Kaszner is bound to raise eyebrows, but no one outrightly accuses him of anything until a dog that young Mr. Gray has adopted is poisoned.

Of course there's a lot more to the story, but I won't spoil anything by going farther. Talk About A Stranger can be deadly if you don't know the facts and let the worst impulses in your mind start taking control.

Talk About A Stranger is an unpretentious film from MGM's B picture unit which has a simple message and speaks it plainly. Nancy Davis is in this as Gray's mother and Lewis Stone is in this as well in one of his last films.

The film has a nice moral lessons about jumping to conclusions before all the facts are in.

Talk about a Stranger had a lot of very good moral implications. I enjoyed the story, and the characters in it, flaws and all. It was a great reminder to look deeper than what we might project onto others or a first impression and the damage it can do. It became somewhat suspenseful in parts. It did not seem dated to me. A good movie with a good moral lesson...wish we could have more movies like this today.

Rather surprising that the director here, David Bradley, would go on to make some notoriously awful films. There isn't quite enough to the story and the ending is a timid disappointment, but the film boasts some unusually powerful, even unforgettable imagery. The kind that, if you see this movie as a child, will probably stick with you for a lifetime.

Bradley does a wonderful job conveying a sense of how alien and intimidating the world must look through the eyes of a ten year old, especially when that ten year old ventures outside the safe, protected space that is his every day environment. (An environment that seems relatively harmless during the day but hostile and terrifying at night.)

What images. The boy's head framed against the backdrop of the huge, sinister house next door where the mysterious, ill-tempered man resides. The boy sprinting through a fog-enshrouded orchard toward a raised, judgmental camera. Hitch-hiking on the side of a lonely highway as headlights bear down. A motorcyclist appearing like a ghost. Getting a ride through the dark in the cold night air, the biker's affable ramblings distant, dream-like. A mesmerizing montage of the boy watching his dedicated dad scrambling to heat his orchards on a night when the temperature drops below freezing, lighting flame after flame after flame. A subtle, unsettling sequence set in an abandoned home on the ocean where a creepy older boy scares the living daylights out of him.

"Father Knows Best" brat Billy Gray plays the lonely boy and he is an odd, atypically intense child actor. At times he is effective, at others he is simply obnoxious. He is one moody little actor in a moody little film. He would probably even unnerve that red-headed demon from those unfortunate "Problem Child" movies. Nobody else in the cast makes much of an impression, though everyone is adequate. George Murphy is the decent dad. Nancy Davis (actually not a bad actress at all) is hardly on screen and when she is she's playing the least pregnant looking pregnant lady you'll ever see. Kurt Kasznar is the strange neighbor, though he's not as ghoulish or ghastly looking as you're supposed to think he is. The child actress who plays Gray's nemesis/sweetheart, a girl named Anna Glomb, looks remarkably like Denise Richards must have looked like at the same age.

A not-so-distant cousin of "To Kill A Mockingbird". Bradley was clearly a uniquely gifted film-maker, though this may be the only evidence of that talent. What happened?

An old dark house in a California orange-growing community gains a mysterious tenant, and, scared on Halloween, the kids take an instant dislike to him. When the mutt belonging to one of them, Bud (Billy Gray), is later found poisoned, Bud fixes on the strange neighbor as its killer. With a November freeze threatening the crop, already restive townsfolk start to gossip, egged on by the implacable Bud. His parents, George Murphy and Nancy (Reagan) Davis -- both actors to become major forces in California and national politics in the next decade -- find him careening out of control. The story starts out as a fairly routine thriller based on a courageous (for its time) caution against McCarthyist hysteria. But then it turns into something more complex and memorable. When Bud sets off to find incriminating evidence, the tone and the images grow more gothic and evocative. John Alton's superb cinematography conjures up masterful effects from the smoke rising from the smudge-pots, the twisted branches and dark foliage, and the beclouded moonlight. (There's much in this movie that steals the thunder from Charles Laughton's solo masterpiece, the 1955 Night of the Hunter). The script deserves credit, too, for resolutely retaining the young adolescent's point of view while never stooping to condescend.

A boy and his dog, let no man stand between them. It may not sound as common as the phrase "a man and his woman, let no man stand between them", but a boy and his dog always tugs at the filmgoers heart strings. The young boy Robert Fontaine Jr. is a single boy about 12 years old who lives on his parents farm whose dad is tending 24 hours a day to the families orange fields.

When Robert finds a stray dog his parents allow him to keep the cute dog and they quickly become inseparable. Shortly after the dog named "boy" is taken into the Fontaine family home the young Robert Jr. finds his dog dead in the pathway that leads between his parents farm and the strange next door neighbors home, a man called Matlock.

Quickly Robert Jr. comes to no other conclusion than his reclusive next door neighbor Mr. Matlock must have deliberately killed his dog so Robert Jr. reports his dog's murder to the local police station and when they don't take him seriosuly he decides to prove that Mr. Matlock killed his beloved dog named boy himself.

I think most reasonable people can remember more than one past incident in their own lives when they prematurely jumped to an incorrect conclusion about a friend or family member by blaming them for something that eventually was proven that their friend or family member were innocent of.

Although classified as a film noir I think the film Talk About A Stranger is more an educational film for both the young and old by reminding us that all things that appear in front of our naked eyes are not always how they appear to be.

I give it a 6 out of 10 rating

In the late 1940s and early 1950s, Billy Gray played a horrible little boy in several movies--most notably the Doris Day films "On Moonlight Bay" and "By the Light of the Silvery Moon". This sort of character was quite a bit different from 'Bud' on "Father Knows Best". Here, Gray is up to his typical sort of character of the day...all boy...and all BAD boy!

The film begins with Bobby (Gray) and his friends tossing rocks through the windows of a supposedly abandoned house. Imagine their surprise when they see it's NOT abandoned! Bobby has a VERY active imagination (in other words he lies a lot) and tells his dad that the man inside was mean and attacked him!! Well, Bob Sr. (George Murphy) is mad but level-headed and goes to see what is up. Well, the new neighbor isn't very friendly...and slams the door in their faces.

Later, Bobby comes home with an adorable mutt and the kid loves the thing. However, when the pet dies, Bobby begins imagining that the neighbor poisoned the dog...and he begins telling everyone that he KNOWS this to be true. What's the sad truth? See the film.

This is a very well written slice of life film..nothing great but well done all around. Gray, though playing a brat, played him wonderfully and the film is well worth seeing. I also agree with another review where it pointed out how amazing the camera-work was in the film. It was almost film noir-like...very artsy and amazingly good for a B-movie.

Enjoyed this story concerning a family who lived in an orange growing community in California. The father was George Murphy, (Robert Fontaine Sr.) and his wife Nancy Davis, (Marge Fontaine) and they had a son Bud Fontaine,Jr. (Billy Gray) who was a bratty kid. Bud Fontaine had a little dog who followed him everywhere he went and one day this dog was found dead by poisoning and Bud immediately accused a stranger in the neighborhood of killing his pet. This man was Paul Mahler,(Kurt Kasgnar) who lived in an old dark looking house that all the children called a haunted house. Bud spreads rumors among the local town about Mr Paul Mahler killing his dog and he is advised by the police to prove what he is saying and to bring them the proof of his accusations. George Murphy moved on in life to become a United States Senator and Nancy Davis married Ronald Regan. Great little film.

Surprisingly well-made and, at times, subtle and unpredictable Billy Gray vehicle released six months after the spectacular "The Day the Earth Stood Still". Billy was certainly on a roll.

Although there is a certain Bildungsroman aspect to the film, the emphasis is on plot and intelligent development. Several scenes introduced primarily to increase interest and suspense are brought off very effectively. Bradley's treatment of children is intriguing.

Photography and music are certainly above average for this era, genre, and budget.

Unfortunately, this movie does not appear to be available on DVD or video, although if you keep an eye out, you may catch it on TMC.

Scapegoating brat with a persecution complex believes a a lie based on personal prejudice and nearly ruins a man's life.

Unfortunately, that's the history of the world. A good films for kids to see. It teaches about prejudice, rash assumptions, scapegoating, and people feeding off each others worst emotions.

Of course the idiot adults are as dangerous as the kid.

A film noir from 1952 focusing on a child's loss of a pet & the newly moved in neighbor he blames. According to Eddie Muller's Noir Alley, this film noir isn't an aberration since there was a small subset of child noir films made during this period but seeing the inconsolable boy deal w/his dog's death isn't an easy watch as most people know a pet's life has a short, determinate ticking clock. The film is gorgeously shot by noir vet John Alton accentuating the dream-like imagery of shafts of light cutting through foggy tracts of land & building structures made to look like haunting hulks. The only quip would be the happy ending which in most noirs would be a disaster, upending any feelings of angst & dread most noirs engender but here, the boy almost deserves a reprieve from the emotional onslaught & maybe we do too.

Bud, a small town boy thinks a mysterious new neighbor killed his dog.

This is a short B film that I discovered on late night TV when I was a little kid. The fact that is told from a child's point of view is why I liked it so much and still has nostalgic feeling for me. Other 1950s films like the later "Invaders From Mars" (1953) and "Night Of The Hunter" (1955) have the same feel to it. Billy Gray ("Father Knows Best" also named Bud on that show) plays Bud and he gives an excellent performance. Kurt Kasznar (best known as the cowardly Fitzhugh on the TV show "Land Of The Giants") is well cast as the strange neighbor Matlock. Matlock is secretive and surly, plus he has a foreign accent which makes him the perfect target for suspicion in a small 1950s American town. There is a great scene in a grocery store where Bud makes the accusation that Matlock poisoned his dog, the suspicious townsfolk (character actors like Burt Mustin and Kathleen Freeman are among them) really start jumping to conclusions. All the mystery is tied up at the end, I recommend this to anyone fond of 1950s movies with good child actors and if you like short to the point B&W suspense.

Robert Fontaine Sr. (George Murphy) and his son Bud Fontaine Jr. (Billy Gray) pay a visit to their new neighbor next door, the very suspicious Mr. Matlock (Kurt Kasznar). The Fontaines have an orange plantation. Bud befriends a scrappy stray dog and names him Boy. Boy causes a mess in Matlock's house and when Boy turns up dead, Bud assumes that Matlock had poisoned him.

This starts off modestly. The most interesting character initially may be the dog. Suddenly, Bud is going crazy and this gets really interesting. It's a mystery like any local boogeyman in any neighborhood. One way or another, I really need the ending to do something more exciting than this. Maybe, Matlock could save the boy's father. This is a good childhood lesson if nothing else.

I found this film to be quite boring and the plot just plain silly. Once the boy finds his dog dead, with the expertise of a vet, he exclaims, "My dog has been poisoned!, and it was Dr. Mahler!" Even more ridiculous, his father responds, " I wouldn't put it past him!" Then they go to the mysterious Dr.'s house to confront him, only to hear his denial and leave. Definitely a kids movie to teach the morals of not "judging a book by it's cover". But if anyone

thinks this is even mildly creepy, you would never survive the Boston subway system. No wonder why the director did not direct any major film for over 8 years after this piece of silliness. Some good camera work, but it still feels like a Leaver it to Beaver episode. Watch it at your own risk.

This movie is creepy. To a small degree it's creepy in the way it intends: It does seem as if Harper Lee may have seen this before writing her lovely "To Kill A Mockingbird," also about children (here just one child) wrongly suspicious of an odd neighbor.

In that novel, and the movie made of it, the children are very likable. Billy Grey is not, though possibly he was at the time. Maybe if I ha been a little boy seeing this at the time I would have identified.

The fact is, though, the boy at the center of this is very troubled, constantly near the brink of hysterics. When he is acting like a boy, he is shooting a toy gun or making gun sounds. In a time capsule, this aspect would be interesting indeed but today it is distasteful.

The original may well have had to do with the boy's worries about his mother's pregnancy. Would a new little girl (the whole thing seems very misogynistic) or little boy take away all her attention? Something, for sure, has made his kid a bundle of nerves.

Nancy Davis has a thankfully small role and so does George Murphy. Kurt Kazsner as the eponymous stranger is good, as are the supporting players.

The fifties gave us some fine music and art but a little item like this serves to remind, or show someone unfamiliar with that decade, what an unpleasant time it was, also.

"Talk About a Stranger" is a much, much better film that you might expect. Despite the credits order, it stars Billy Gray (as Robert "Bud" Fontaine Jr.). Mr. Gray would, later, become best known as another "Bud", on the TV series "Father Knows Best". In this film, he plays a boy who adopts a stray dog, which he names "Boy"; then, he finds the dog has been poisoned. Gray suspects a mysterious new arrival in town, Kurt Kasznar (as Matlock). Mr. Kasznar acts, and looks, very much like an outsider; and, he seems to dislike "Boy", and children…

Gray does a fine job in a difficult role; he has to play the boy as both unlikeable, and likable. The character "Bud" is redeemed (or, made sympathetic) by his caring for his dead "Dog"; and, the film effectively captivates, with its plot developments. Kasznar is great, as usual; he keeps the performance from going in a direction not in tune with the film's ending. Top billed George Murphy and Nancy Davis (as parents Robert and Marge Fontaine) are ordinary; undoubtedly, they are better appreciated in other films. Later, Ms. Davis was, of course, wonderfully cast as the second Mrs. Ronald Reagan. The film's weaknesses might have been arrested by strengthening the "Fontaine" family.

The other players in "Talk About a Stranger" are terrific. Lewis Stone is at least as "fatherly" as Mr. Murphy; he plays the newspaperman (William J. Wardlaw) Gray runs to for help. Teddy Infuhr has a great little part as a boy who lives near a "Haunted House" Gray visits; watch for their scene in the "San Sala" house. The film is full of weird scenes; and, Gray's trip to "San Sala" is one. Note, also, that Gray is picked up hitchhiking by motorcycling sailor Alvy Moore, who immediately asks Gray if he has a sister! Mr. Moore will, later, become best known as "Hank Kimball" on the TV series "Green Acres". You also get to see Kathleen Freeman, Burt Mustin, and some others…

Cinematographer John Alton is the film's most valuable player. Mr. Alton, David Bradley (director), Cedric Gibbons (art director), and Eddie Imazu (art director) make "Talk About a Stranger" a great looking film. For this, and its cast, "Talk About a Stranger" is well worth watching.

******** Talk About a Stranger (1952) David Bradley ~ Billy Gray, Kurt Kasznar, Lewis Stone