IMDb RATING
5.9/10
1.7K
YOUR RATING
Chief of Scouts Ed Bannon works for the US Army at Fort Clark, Texas and he dreams of aiding in bringing peace to the region, despite opposition from both the Army and the Apaches.Chief of Scouts Ed Bannon works for the US Army at Fort Clark, Texas and he dreams of aiding in bringing peace to the region, despite opposition from both the Army and the Apaches.Chief of Scouts Ed Bannon works for the US Army at Fort Clark, Texas and he dreams of aiding in bringing peace to the region, despite opposition from both the Army and the Apaches.
Frank DeKova
- Chief Chattez
- (as Frank de Kova)
Robert J. Wilke
- Sgt. Stone
- (as Robert Wilke)
James Anderson
- Jerry August
- (as Kyle James)
John Pickard
- John Gunther
- (as John M. Pickard)
Eric Alden
- Cavalryman
- (uncredited)
Rachel Ames
- Mrs. Kirk
- (uncredited)
Jim Burk
- Cavalryman
- (uncredited)
Rus Conklin
- Wakamaza
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe character "Ed Bannon" is partially based on Al Sieber, Chief of Scouts of the United States Army in the Southwest, according to the legend that appears at the end of the film, but there are several significant differences between Bannon and Sieber. The fictional Bannon was raised by Apaches, but Sieber was born in Germany (in 1844) and raised in New York. Bannon has an antipathy toward Native Americans, especially Apaches, which Sieber did not. Ironically, according to those who knew him, he didn't particularly like whites and preferred the company of Native Americans. Sieber, a Civil War veteran, became chief of scouts for the U.S. Army at the San Carlos Apache Indian Reservation in 1870. He led the Apache scouts who helped to track down and capture Geronimo in Mexico, and reportedly survived 29 arrow and gunshot wounds during his life. In 1907, he was killed in an accident while working as the foreman of a Native American road-building crew. Sieber spoke German, English, Spanish, Apache, and at least one other Native American language. He mentored Tom Horn who was also a scout for the army and became multi-lingual under Sieber's tutelage.
- GoofsThere actually was a Ghost Dance movement; it was a religious revival of Native Americans in 1890, but it did not involve Apaches, who inhabited mainly the Southwest (Texas, Arizona, New Mexico). It was popular among the Lakota (Sioux) of the Northern Plains.
- Crazy creditsOpening card: To the General of the armies: Regarding the subject of recommendation of the Congressional Award... and in my opinion this man -- in constant disregard of his personal feelings and (as Chief of Scouts) repeatedly risking his life that others may be saved -- deserves to have his name rank with Daniel Boone, Kit Carson, Wm. F Cody and others whose unselfish service to this country can never be forgotten. Respectfully, George Crook, Brig. General, U.S. Army, May 7, 1886.
- ConnectionsFeatured in Images of Indians: How Hollywood Stereotyped the Native American (2003)
Featured review
Considering the vast amount of Cavalry-vs.-Indians Westerns made during the genre's heyday, this emerges as a reasonably engaging entry thanks to the pleasant Technicolor hues but, even more so, the scenery-chewing antics of its two stars (Charlton Heston and Jack Palance). I'd owned a copy of the bare-bones Paramount DVD for quite some time, but found the perfect opportunity to check it out now in tribute to Heston's recent passing.
He plays a maverick scout who, in the past, had spent some time with the Apaches; he knows them inside out and is, therefore, indispensable to the Cavalry because he can anticipate what their next move will be. The tribe has ostensibly capitulated and is heading towards the reservation but, when the current chief's son (Palance) arrives on the scene having undertaken an education merely to fulfill a prophecy which would make him the savior of his people! the attacks start anew, thus confirming Heston's skepticism of the whole deal (and which had practically ostracized him from his office). The film, whose title remains unexplained throughout, generally delivers in the action stakes (even if Heston and Palance's long-awaited showdown, the 'war' being resolved in single hand-to-hand combat between them, is a disappointingly hasty affair) but is let down by a couple of obligatory romantic rivalries: Heston is torn between half-breed Katy Jurado, who's wasted, and Mary Sinclair, the widow of the Fort Commander who's also desired by his successor (Brian Keith).
Heston made a number of such minor genre fare (which, I have to admit, I had all but ignored all these many years) including another Western penned by Charles Marquis Warren, PONY EXPRESS (1953) before carving a niche for himself playing larger-than-life roles in a myriad big-budget spectaculars. Having mentioned the writer/director, I recently acquired another Western of his the well-regarded and, reportedly, noir-tinged LITTLE BIG HORN (1951) which, naturally, revolves around Custer's infamous Last Stand.
He plays a maverick scout who, in the past, had spent some time with the Apaches; he knows them inside out and is, therefore, indispensable to the Cavalry because he can anticipate what their next move will be. The tribe has ostensibly capitulated and is heading towards the reservation but, when the current chief's son (Palance) arrives on the scene having undertaken an education merely to fulfill a prophecy which would make him the savior of his people! the attacks start anew, thus confirming Heston's skepticism of the whole deal (and which had practically ostracized him from his office). The film, whose title remains unexplained throughout, generally delivers in the action stakes (even if Heston and Palance's long-awaited showdown, the 'war' being resolved in single hand-to-hand combat between them, is a disappointingly hasty affair) but is let down by a couple of obligatory romantic rivalries: Heston is torn between half-breed Katy Jurado, who's wasted, and Mary Sinclair, the widow of the Fort Commander who's also desired by his successor (Brian Keith).
Heston made a number of such minor genre fare (which, I have to admit, I had all but ignored all these many years) including another Western penned by Charles Marquis Warren, PONY EXPRESS (1953) before carving a niche for himself playing larger-than-life roles in a myriad big-budget spectaculars. Having mentioned the writer/director, I recently acquired another Western of his the well-regarded and, reportedly, noir-tinged LITTLE BIG HORN (1951) which, naturally, revolves around Custer's infamous Last Stand.
- Bunuel1976
- Apr 15, 2008
- Permalink
- How long is Arrowhead?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,640,000
- Runtime1 hour 45 minutes
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content