While certainly in the mold of a "B" western, Gunsmoke manages to raise itself above its peer group. Good production values, an above average supporting cast that appeared to enjoy themselves, an OK plot bolstered by some spirited dialog, and a young Murphy showing he was incorrect in his self-assessment of "no talent."
The plot is pretty much by the numbers: Gambler Telford (Donald Randolph) wants Dan Saxon's (Paul Kelly) ranch and sends for gunslinger Reb Kittridge (Murphy) to arrange an early departure for Saxon from this earth. Due to the luck of the draw, or more probably Saxon's card skills, Kittridge ends up owning said ranch but has to get the cattle to market to maintain possession. Taking to the trail with Saxon, now a cowhand, Saxon's daughter Rita (Susan Cabot), her possessive boyfriend / ranch foreman Curly (Jack Kelly), and the rest of Saxon's old crew, Kittridge must beat both the elements and Telford who doesn't give up just because he's had a setback.
This could have been a B caliber movie but it's better than that. The plot is predictable but pretty much everything else is a step up. Veteran screenwriter D.D. Beauchamp's script has more life than usually found in this type of movie. Saxon – "He ain't no killer, Doc." Doc –"Well, if he isn't , he's been taking money under false pretenses all the way from Texas to the Canadian line." Later, when Saxon says he's willing to work for Kittridge in the cattle drive, his daughter pounces on him in an epic fail. Rita – "You mean you're going to work for him?" Saxon – "Well, we gotta eat don't we?" Rita – "I'd rather go hungry." Saxon – "I've tried that too. I wouldn't recommend it."
Paul Kelly adds immeasurably in his role as a rancher who sees parallels in Kittridge with his own early life and wants to provide a bit of course correction into the gunfighter's life. His timing is great and his easy going drawl a great counterpoint for Murphy. His scenes with Chubby Johnson are also great fun. While certainly a lot is filmed on sets, there are some good outdoor scenes and some nifty wagon riding down a hillside. The only quibble I have is with Susan Cabot. Somehow she doesn't have quite the presence of some other not-quite-A- list actresses of that era such as, say, a young Piper Laurie, but I guess that's a personal taste.
All in all, this is a better oater than most B pictures and shows an inexperienced Murphy could perform quite well when given good direction and surrounded with a good cast to play off of. Give it a try, you won't regret it.
