The complicated relationships between a circus ringmaster, his estranged wife and his lover.The complicated relationships between a circus ringmaster, his estranged wife and his lover.The complicated relationships between a circus ringmaster, his estranged wife and his lover.
- Awards
- 1 nomination
- Theatre Actress
- (uncredited)
- Ropewalker
- (uncredited)
- Greven - Circus Artist
- (uncredited)
- Mrs. Meijer - Circus Artist
- (uncredited)
- Fair Anton
- (uncredited)
- Theatre Actor
- (uncredited)
- Artillery Officer
- (uncredited)
- Theatre Actress
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBergman's first collaboration with cinematographer Sven Nykvist.
- GoofsWhen Anne is at the theatre and standing in the middle of the stage, the orientation of how she holds her parasol changes from the long shot to the medium shot.
- Quotes
Frost: I had a dream this afternoon while I slept off the booze. I dreamt that Alma came to me and said, "Poor Frost, you look tired and sad. Wouldn't you like to rest a while?" "Yes," I said. "I'll make you small as a little unborn child," she said. "You can climb into my womb and sleep in peace." So I did as she said and crept inside her womb and I slept there so soundly and peacefully, rocked to sleep as if in a cradle. Then I got smaller and smaller, until at last I was just a tiny seed, and then I was gone.
- Alternate versionsA scene in the first half of the film, in which the circus troupe parades into town to publicize their show, is unaccountably missing from the American version. In this scene, one furthering the film's theme of humiliation, the local police confiscate the performers' horses, which forces them to pull the heavy wagons back to their camp themselves.
- ConnectionsEdited into Short cuts från Sandrews (1999)
This movie is quite simply, a dream. The introduction sequence is a brilliant example of Bergman's work...we see a long shot of 5 horse carriages moving across the plains at dawn, which dissolves into a reflection of a single horse & carriage in the water below a bridge, which dissolves into a series of shots...windmills, foggy paths, the carriage driver and the finally, a fade into the carriage where our protagonist, Albert Johansson, sleeps with his girlfriend Anna. Bergman is the king of the dissolve...a style he no doubt picked up from 1920's German expressionism. Bergman's mise en scene is a blend of sequences which depict a very dreamlike orientation of our immediate surrounding.The result: We are passive observers, watching the all-too-real reality of our modern world subside into something very mysterious and surreal. Bergman's style removes time from the equation of film. Time, as we know it, takes a back-seat to objects, people, and places. Real life becomes more dreamlike than any dream, and the darkest and most mysterious corner of the universe becomes the human mind.
This is a fantastic movie.
- retributionpublications
- Jan 8, 2002
- Permalink
- How long is Sawdust and Tinsel?Powered by Alexa
Details
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1